Uploaded March 2022 | Updated September 2026, 2 weeks ago
This is David Sanford's strange and fascinating "Scherzo Grosso" for solo cello and big band. Sanford is a Professor of Theory and Composition, as well as Jazz History and more, at Mount Holyoke College.
Sanford wrote about this piece:
"Scherzo Grosso is a concerto in four movements for cello and big band. It was written for Matt Haimovitz and the Pittsburgh Collective with funds from the Koussevitzky Foundation. While the influences in the piece are numerous, the main underlying thread is the memory of Ed Nelson (1962-2004), a trumpet player with the Pittsburgh Collective and a close friend of several members of the band. A simple reading of the concerto’s pairing might suggest that the cello represents the more “sacred” and the big band the “profane”. In actuality each explores aspects of both idioms, and the ground in between. The band often veers closer to “European” than “jazz”, breaking down into chamber groups at certain points. At the same time, the cello often acts as a jazz or rock soloist (movements I and IV), or as part of the rhythm section– as Deirdre Murray and Abdul Wadud have with Henry Threadgill’s groups, or Hank Roberts with Tim Berne, among others."
COMPOSER: David Sanford
CELLO: Matt Haimovitz
BIG BAND: Pittsburgh Collective Big Band
TRACKLIST:
0:00 - I.
4:56 - II.
11:01 - III.
16:16 - IV.
NOTE: This is a live recording!
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
This is David Sanford's strange and fascinating "Scherzo Grosso" for solo cello and big band. Sanford is a Professor of Theory and Composition, as well as Jazz History and more, at Mount Holyoke College.
Sanford wrote about this piece:
"Scherzo Grosso is a concerto in four movements for cello and big band. It was written for Matt Haimovitz and the Pittsburgh Collective with funds from the Koussevitzky Foundation. While the influences in the piece are numerous, the main underlying thread is the memory of Ed Nelson (1962-2004), a trumpet player with the Pittsburgh Collective and a close friend of several members of the band. A simple reading of the concerto’s pairing might suggest that the cello represents the more “sacred” and the big band the “profane”. In actuality each explores aspects of both idioms, and the ground in between. The band often veers closer to “European” than “jazz”, breaking down into chamber groups at certain points. At the same time, the cello often acts as a jazz or rock soloist (movements I and IV), or as part of the rhythm section– as Deirdre Murray and Abdul Wadud have with Henry Threadgill’s groups, or Hank Roberts with Tim Berne, among others."
COMPOSER: David Sanford
CELLO: Matt Haimovitz
BIG BAND: Pittsburgh Collective Big Band
TRACKLIST:
0:00 - I.
4:56 - II.
11:01 - III.
16:16 - IV.
NOTE: This is a live recording!
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.


![Randall Woolf — Adrenaline Revival (1996) [w/ score]
This is Randall Woolfs piece for piano and Digitech TSR 24S processor, performed by his wife, pianist Kathleen Supové. Kathleen Supové has premiered the works of dozens of composers on her Exploding Piano concert series, which involves recitation, costume, theatrical elements such as lighting, and sets.
COMPOSER: Randall Woolf
PIANO: Kathleen Supové
TRACKLIST:
0:00 - Introduction
0:12 - I.
2:15 - II.
5:22 - III.
6:39 - IV.
8:52 - V.
9:46 - VI.
11:34 - VII.
12:40 - VIII.
16:25 - IX.
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Randall Woolf — Adrenaline Revival (1996) [w/ score]](https://i.ytimg.com/vi/nJQ9HRBUxoE/mqdefault.jpg)



![Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]
Steven Bryant wrote about his fantastic piano concerto:
The Concerto for Piano, commissioned by Pamela Mia Paul, is constructed from a single motive: set of descending dyads taken from the opening of Bruce Hornsby’s song “Every Little Kiss” from the album, “The Way It Is.” While I’d taken piano lessons for a few years as a small child, by the time I was in Junior High School, I’d lost interest in playing (well, practicing, to be honest). Hornsby’s playing on this album lured me back to the piano in order to learn and transcribe some of the songs, and thus catalyzed my fascination with composing. Looking back, I can point to that moment as a launching point for my compositional career, so it seemed appropriate to use a tiny cell from his music as the genesis of this work.
Scored for orchestral winds and percussion, the instrumentation is suitable for both symphony orchestras and wind ensembles.
COMPOSER: Steven Bryant
CONDUCTOR: Eugene Migliaro Corporon
PIANO: Pamela Mia Paul
BAND: University of North Texas Wind Symphony
TRACKLIST:
0:00 - Introduction
0:17 - I. Meditative
10:02 - II. Bold, Yet Playful
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]](https://i.ytimg.com/vi/oaMXRexm4tk/mqdefault.jpg)
![Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]
Hurt is a famous song by American industrial rock band Nine Inch Nails from its second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995, as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. Reznor praised Cashs interpretation of the song for its sincerity and meaning, going so far as to say that song isnt mine anymore. The song includes references to self-harm and heroin addiction, though the overall meaning of the song is disputed and under debate.
This is American composer Eric Whitacres brilliant arrangement of Hurt for solo soprano and SATB chorus, written in 2014 and performed/recorded in 2017 by soprano Grace Davidson and the Eric Whitacre Singers.
COMPOSER: Trent Reznor
LYRICIST: Trent Reznor
ARRANGER: Eric Whitacre
SOPRANO: Grace Davidson
CHOIR: Eric Whitacre Singers
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]](https://i.ytimg.com/vi/pcV3NC4tTgM/mqdefault.jpg)


