Uploaded December 2022 | Updated September 2026, 2 weeks ago
This is Frank Proto's short, energetic "Hamabe No Arashi" (roughly translates to "The Storm at the Seashore."), written for the Cincinnati Symphony Orchestra, whom he was a composer-in-residence and close colleague with for decades. They premiered over 20 large works of his, as well as countless smaller pieces and arrangements composed for Young People’s concerts, Pop’s concerts, tours and special occasions.
Frank writes in the program notes for this piece:
"In February of 1990 Cincinnati Symphony Orchestra Music Director Jesus Lopez - Cobos asked me to write a short piece to be used as an encore for the Orchestra’s 1990 tour of Japan. He asked for a "really American sounding, virtuoso orchestra piece with some jazz in it". In the course of our discussion I suggested that it might be interesting to quote or make use of some well - known Japanese folk song. He was warm to the idea so I set out looking for an appropriate tune. My requirements were 1: that the song be so familiar that it would be immediately recognizable to anyone of Japanese heritage and 2: it was the kind of melody that would adapt well to western harmonies. As luck would have it CSO regular, Mrs. Fumiko Tanaka introduced me to several songs that were good candidates." He continues, "The performance went well. In fact very well considering it was a premiere. A piece like this takes a few plays before it settles in, especially the jazz section. As the ending approached my mind raced. How would they respond? As the final chords decayed the applause erupted. Not the polite kind either. The house exploded as it was supposed to! By the way Hamabe No Arashi translates to "The Storm at the Seashore." After one hearing there shouldn’t be too many questions why."
COMPOSER: Frank Proto
CONDUCTOR: Jesús López Cobos
ORCHESTRA: Cincinnati Symphony Orchestra
NOTE: This is a live performance!
Please be aware that all of the music and video footage featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
This is Frank Proto's short, energetic "Hamabe No Arashi" (roughly translates to "The Storm at the Seashore."), written for the Cincinnati Symphony Orchestra, whom he was a composer-in-residence and close colleague with for decades. They premiered over 20 large works of his, as well as countless smaller pieces and arrangements composed for Young People’s concerts, Pop’s concerts, tours and special occasions.
Frank writes in the program notes for this piece:
"In February of 1990 Cincinnati Symphony Orchestra Music Director Jesus Lopez - Cobos asked me to write a short piece to be used as an encore for the Orchestra’s 1990 tour of Japan. He asked for a "really American sounding, virtuoso orchestra piece with some jazz in it". In the course of our discussion I suggested that it might be interesting to quote or make use of some well - known Japanese folk song. He was warm to the idea so I set out looking for an appropriate tune. My requirements were 1: that the song be so familiar that it would be immediately recognizable to anyone of Japanese heritage and 2: it was the kind of melody that would adapt well to western harmonies. As luck would have it CSO regular, Mrs. Fumiko Tanaka introduced me to several songs that were good candidates." He continues, "The performance went well. In fact very well considering it was a premiere. A piece like this takes a few plays before it settles in, especially the jazz section. As the ending approached my mind raced. How would they respond? As the final chords decayed the applause erupted. Not the polite kind either. The house exploded as it was supposed to! By the way Hamabe No Arashi translates to "The Storm at the Seashore." After one hearing there shouldn’t be too many questions why."
COMPOSER: Frank Proto
CONDUCTOR: Jesús López Cobos
ORCHESTRA: Cincinnati Symphony Orchestra
NOTE: This is a live performance!
Please be aware that all of the music and video footage featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.

![Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]
Steven Bryant wrote about his fantastic piano concerto:
The Concerto for Piano, commissioned by Pamela Mia Paul, is constructed from a single motive: set of descending dyads taken from the opening of Bruce Hornsby’s song “Every Little Kiss” from the album, “The Way It Is.” While I’d taken piano lessons for a few years as a small child, by the time I was in Junior High School, I’d lost interest in playing (well, practicing, to be honest). Hornsby’s playing on this album lured me back to the piano in order to learn and transcribe some of the songs, and thus catalyzed my fascination with composing. Looking back, I can point to that moment as a launching point for my compositional career, so it seemed appropriate to use a tiny cell from his music as the genesis of this work.
Scored for orchestral winds and percussion, the instrumentation is suitable for both symphony orchestras and wind ensembles.
COMPOSER: Steven Bryant
CONDUCTOR: Eugene Migliaro Corporon
PIANO: Pamela Mia Paul
BAND: University of North Texas Wind Symphony
TRACKLIST:
0:00 - Introduction
0:17 - I. Meditative
10:02 - II. Bold, Yet Playful
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]](https://i.ytimg.com/vi/oaMXRexm4tk/mqdefault.jpg)
![Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]
Hurt is a famous song by American industrial rock band Nine Inch Nails from its second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995, as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. Reznor praised Cashs interpretation of the song for its sincerity and meaning, going so far as to say that song isnt mine anymore. The song includes references to self-harm and heroin addiction, though the overall meaning of the song is disputed and under debate.
This is American composer Eric Whitacres brilliant arrangement of Hurt for solo soprano and SATB chorus, written in 2014 and performed/recorded in 2017 by soprano Grace Davidson and the Eric Whitacre Singers.
COMPOSER: Trent Reznor
LYRICIST: Trent Reznor
ARRANGER: Eric Whitacre
SOPRANO: Grace Davidson
CHOIR: Eric Whitacre Singers
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]](https://i.ytimg.com/vi/pcV3NC4tTgM/mqdefault.jpg)







