Uploaded November 2025 | Updated September 2026, 3 weeks ago
Instrumentation by @Dimitrios_Dallas, daoulaki by Dimitri Papadimitriou, vocals by Farya Faraji and Panagiotis Athanasiou, video by Farya Faraji.
This is a Cretan folk song that praises the valour of the Cretan warriors, specifically the freedom fighters who fought against the Ottoman Empire. I wanted the video to more broadly showcase the fighting spirit of the Cretans at large, and therefore expanded its thematic to include rebels and fighters from across the ages, from those who fought the Venetian occupation to the resistance in WW2. Within the Greek world, the Cretans are notorious for their fiercely independent, warlike character, and that character of them through the ages rendered them unruly rebels that fought against foreign occupation time and time again.
The music is arranged with the traditional parametres of Cretan folk music and instrumentation: the Cretan laouto provides the main rhythmic background with the characteristic Cretan βούρτσα, a harsh, strong strum against the mostly muted chords of the laouto. The Cretan lyra and askomandoura (Dimitrios' is a traditional model with a microtonal second interval equivalent to the Shur or Bayat modes of Maqamic music) provide the main instrumentation, as well as the boulgari, or saz, an instrument that almost went extinct in Crete but is now seeing a resurgence.
The filming locations were mainly around Sfakia, the home of the Sfakiots, a people considered warlike and harsh even by Cretan standards, and a historical home of countless rebellion and resistance shaped by the dry, harsh landscape that yielded warriors for centuries. The palm forest of Preveli is also shown, with the Stagakis museum in Rethymno and Mr. Stagakis himself in the video, playing the modern Cretan lyra that his family ushered forth.
Lyrics in Cretan Greek:
Έλα μια κι άλλη μια
Οι άντρες οι φανήσιμοι
κι οι καστροπολεμάρχοι.
Έλα μια κι άλλη μια
πως είν’ οι μπάλες δανεικές
κατέχουν ντο στη μάχη.
Έλα μια κι άλλη μια
κι αν πληγωθούν ή σκοτωθούν
δε θέλουν μοιρολόγια.
Έλα μια κι άλλη μια
θέλουν στεφάνια δάφνινα
τραγούδια για τα `ξόδια.
Έλα μια κι άλλη μια
Δε θέλουν γι’ άντρες κλάηματα
μήδε και γονοκλίσια.
Έλα μια κι άλλη μια
Μα θέλουν μνήμα σε κορφή
και σε ψηλά ξωκλήσια.
Έλα μια κι άλλη μια
Για να θωρούν τσ’ αδερφοχτούς
και τσ’ άλλους συντοπίτες.
Έλα μια κι άλλη μια
Πώς δεκατίζουν την Τουρκιά
πώς πολεμούν οι Κρήτες.
μια κι άλλη μια
Να βλέπουν και τη λευτεριά
όντε θα ξεπροβάλλει.
Έλα μια κι άλλη μια
Από τ’ αστάχι του γιαλού
τσ΄αχτίδες τση να βγάλει...
English translation:
Come once, and once again,
The illustrious men,
The castle-fighters.
Come once, and once again,
For the bullets are but borrowed,
They know what awaits in battle.
Come once, and once again,
And if they’re wounded or slain,
They want no laments.
Come once, and once again,
They want laurel wreaths,
Songs for their funerals.
Come once, and once again,
They want no weeping for men,
Nor kneeling prayers.
Come once, and once again,
But they want a grave on a mountaintop,
And at lofty chapels.
Come once, and once again,
So they may watch their brothers-in-arms,
And their fellow countrymen.
Come once, and once again,
How they decimate the Turks,
How the Cretans fight.
Once and once again,
To see Freedom herself,
When she appears,
Come once, and once again,
From the foam of the sea,
To lift her shining rays.
Instrumentation by @Dimitrios_Dallas, daoulaki by Dimitri Papadimitriou, vocals by Farya Faraji and Panagiotis Athanasiou, video by Farya Faraji.
This is a Cretan folk song that praises the valour of the Cretan warriors, specifically the freedom fighters who fought against the Ottoman Empire. I wanted the video to more broadly showcase the fighting spirit of the Cretans at large, and therefore expanded its thematic to include rebels and fighters from across the ages, from those who fought the Venetian occupation to the resistance in WW2. Within the Greek world, the Cretans are notorious for their fiercely independent, warlike character, and that character of them through the ages rendered them unruly rebels that fought against foreign occupation time and time again.
The music is arranged with the traditional parametres of Cretan folk music and instrumentation: the Cretan laouto provides the main rhythmic background with the characteristic Cretan βούρτσα, a harsh, strong strum against the mostly muted chords of the laouto. The Cretan lyra and askomandoura (Dimitrios' is a traditional model with a microtonal second interval equivalent to the Shur or Bayat modes of Maqamic music) provide the main instrumentation, as well as the boulgari, or saz, an instrument that almost went extinct in Crete but is now seeing a resurgence.
The filming locations were mainly around Sfakia, the home of the Sfakiots, a people considered warlike and harsh even by Cretan standards, and a historical home of countless rebellion and resistance shaped by the dry, harsh landscape that yielded warriors for centuries. The palm forest of Preveli is also shown, with the Stagakis museum in Rethymno and Mr. Stagakis himself in the video, playing the modern Cretan lyra that his family ushered forth.
Lyrics in Cretan Greek:
Έλα μια κι άλλη μια
Οι άντρες οι φανήσιμοι
κι οι καστροπολεμάρχοι.
Έλα μια κι άλλη μια
πως είν’ οι μπάλες δανεικές
κατέχουν ντο στη μάχη.
Έλα μια κι άλλη μια
κι αν πληγωθούν ή σκοτωθούν
δε θέλουν μοιρολόγια.
Έλα μια κι άλλη μια
θέλουν στεφάνια δάφνινα
τραγούδια για τα `ξόδια.
Έλα μια κι άλλη μια
Δε θέλουν γι’ άντρες κλάηματα
μήδε και γονοκλίσια.
Έλα μια κι άλλη μια
Μα θέλουν μνήμα σε κορφή
και σε ψηλά ξωκλήσια.
Έλα μια κι άλλη μια
Για να θωρούν τσ’ αδερφοχτούς
και τσ’ άλλους συντοπίτες.
Έλα μια κι άλλη μια
Πώς δεκατίζουν την Τουρκιά
πώς πολεμούν οι Κρήτες.
μια κι άλλη μια
Να βλέπουν και τη λευτεριά
όντε θα ξεπροβάλλει.
Έλα μια κι άλλη μια
Από τ’ αστάχι του γιαλού
τσ΄αχτίδες τση να βγάλει...
English translation:
Come once, and once again,
The illustrious men,
The castle-fighters.
Come once, and once again,
For the bullets are but borrowed,
They know what awaits in battle.
Come once, and once again,
And if they’re wounded or slain,
They want no laments.
Come once, and once again,
They want laurel wreaths,
Songs for their funerals.
Come once, and once again,
They want no weeping for men,
Nor kneeling prayers.
Come once, and once again,
But they want a grave on a mountaintop,
And at lofty chapels.
Come once, and once again,
So they may watch their brothers-in-arms,
And their fellow countrymen.
Come once, and once again,
How they decimate the Turks,
How the Cretans fight.
Once and once again,
To see Freedom herself,
When she appears,
Come once, and once again,
From the foam of the sea,
To lift her shining rays.




![Seigneurs Sachiez - Medieval French Crusader Song feat. Anna Vasylchenko
Reupload of an earlier version made in 2023 that can be viewed here: https://youtu.be/c07tEwg4j3I This reupload fixes the unfortunately common mistake in many historically informed renditions of using the chien of the hurdy-gurdy, a buzzing rhythmical sound not attested until the very late Middle-Ages, and also adds the sound of the vielle. This is a historically informed approximation of Medieval music based on research and our current available data.
Arrangement & vocals by Farya Faraji, vielle by Anna Vasylchenko, bagpipe by Antonio Bustabad, lyrics and music by Thibault de Champagne (also called Theobald of Navarre in English). Thibault de Champagne was a 13th century count, later king, and also trouvère. He initiated the Baron’s crusade of 1239-1241, for which this was composed.
The arrangement is in accordance with historical principles of Medieval European music. The arrangement is heterophonic, where all the musical lines play the same melody with various degrees of individual ornamentation, all of them improvised spontaneously as per medieval practice. The vocals are highly melismatic and ornamented, as per medieval vocal practice, a subject I analyse more deeply in this video: https://m.youtube.com/watch?v=hxcH7S2BaiQ
The instruments used are the bagpipe, played by Spanish musician Antonio Bustabad, the hurdy-gurdy, gittern, lute and a bowed lyra.
The pronunciation uses Old French pronunciation which differed significantly from Modern French.
Lyrics in Old French:
Seignor, sachiés : qui or ne s’en ira,
En cele terre ou Dex fu mors et vis,
Et qui la crois d’Outremer ne penra,
A paines mais ira en Paradis.
Qui a en soi pitié ne ramembrance,
Au haut Seignor doit querre sa venjance,
Et delivrer sa terre et son païs.
Tuit li mauvés demorront par deça,
Qui n’aiment Dieu, bien, ne honor, ne pris.
Et chascuns dit ” Ma feme, que fera ?
Je ne lairoie a nul fuer mes amis”.
Cil sont cheoit en trop fole atendance,
Qu’il n’est amis fors de cil, sans doutance,
Qui por nos fu en la vraie crois mis.
Or s’en iront cil vaillant bacheler,
Qui aiment Dieu et l’ennor de cest mont,
Qui sagement vuelent a Dieu aler,
Et li morveux, li cendreux, demorront;
Avugle sont, de ce ne dout je mie,
Qui j secors ne fait Dieu en sa vie,
Et por si pou pert la gloire dou mont.
Diex se lessa en crois por nos pener,
Et nos dira au jor que tuit vendront :
“Vos qui ma crois m’aidastes a porter,
Vos en irez la ou mi angles sont;
La me verrez et ma mere Marie.
Et vos, par cui je n’oi onques aie,
Descendrés tuit en Enfer le parfont.”
Chacuns cuide demorer toz haitiez,
Et que ja mes ne doie mal avoir;
Ainsi les tient anemis et pechiez
Que il n’ont sen, hardement ne pooir.
Biax sire Diex, ostés leur tel pensee,
Et nos metez en la vostre contree,
Si saintement que vos puissons veoir.
Douce dame, roïne coronee,
Proiez por nos, Virge bien aüree,
Et puis aprés ne nos puet meschoir.
English translation:
Lords, be aware that those who will not travel,
To the land where God died and lived,
And will not take the Holy Cross abroad,
Will not likely get to Heaven.
He who pities himself and forgets
That the Lord on High must seek His vengeance,
To free His land and country.
All the shameless will remain behind,
They do not love God, good, honor or have pride.
Each one says: “What will happen to my wife?
I cant leave her with any of my friends,
For they joined [the Crusade] in hasty folly.
So that there is no friend, without a doubt,
For us, except for those who crusaded themselves.
Instead, the courageous bachelors will go,
They who love God are proud of His Mount,
And wisely want to go to God.
But the coward and lazy will remain behind;
They are blind, of this I have no doubt,
Those who refuse to assist God during their life,
And, for so little, lose the glory of the Mount,
God let himself be crucified for us,
And will tell us on Judgement day, we all will see:
“You who helped Me to carry My Cross,
You will go there where my Angels are;
There you will see Me and My Mother Mary.
But you, to whom I owe nothing,
You will go down to the depths of Hell.”
So, each one must take care to be vigilant,
To not fail to accomplish his mission,
Even if he is tempted to by enemies and sins.
This should not happen, absolutely not.
Good Lord God, prevent us from having this thought,
But bring us into Your Land,
Make us saints so that we can see You.
Sweet Lady, crowned Queen,
Pray for us, Majestic Virgin,
So that nothing can stop us. Seigneurs Sachiez - Medieval French Crusader Song feat. Anna Vasylchenko](https://i.ytimg.com/vi/Q0wZP9oAOKc/mqdefault.jpg)





