Uploaded July 2021 | Updated September 2026, 30 minutes ago
Nightmusic Concert, TVOntario
Band: FM,
Host: Reiner Schwarz,
Recorded: November 3, 1976
FM's first gig was filmed for TVOntario's Nightmusic Concert, hosted by Reiner Schwarz. At the time, the band was still a duo, with Cameron Hawkins on the keyboards and Jeff Plewman on Mandolin and Violin. Within a year, Jeff would rebrand as Nash the Slash, a drummer would be added and CBC would sign the band to record their first album.
FM characterized the growing progressive rock scene in Toronto. Sales of the Mini-Moog were through the roof! In one week in 1977, I saw the bands FM, Zon and Saga in local bars ... and a year later purchased the first release of all three bands.
On this remastered version of FM's appearance on Nightmusic Concert, the original VHS video remains untouched. For the music, VHS has frequencies above 10KHz (except hiss), but there was plenty of music to work with in the mid range.
0:00 Title
0:09 Introduction
1:55 Phasors On Stun
6:09 Biography by David Pritchard
10:42 One O'Clock Tomorrow
18:20 Black Noise
Cameron Hawkins: Moog Synthesizer, Elka Rhapsody String Machine, Polyfusion Sequencer, Bass Pedals, Bass Drum. Mutron Envelope Filter, Lead Vocals
Nash The Slash: Violin, Mandolin, Pulse Sequencer, Glockenspiel, Echoplex, Rhythm Machine, Backing Vocals
Director and Producer Richard Johnson
Produced by TVOntario, 1976
For the technocrats, the audio track was resampled and four tracks of vocals, percussion, bass and other were extracted using iZotope's RX 8. The tracks were further processed to de-noise and de-hum, then re-mixed in stereo using Ableton Live to add compression, limiters, and an exciter (Ozone), then the audio was processed finally using Tonal Balance to highlight where dynamic equalization were required.
Nightmusic Concert, TVOntario
Band: FM,
Host: Reiner Schwarz,
Recorded: November 3, 1976
FM's first gig was filmed for TVOntario's Nightmusic Concert, hosted by Reiner Schwarz. At the time, the band was still a duo, with Cameron Hawkins on the keyboards and Jeff Plewman on Mandolin and Violin. Within a year, Jeff would rebrand as Nash the Slash, a drummer would be added and CBC would sign the band to record their first album.
FM characterized the growing progressive rock scene in Toronto. Sales of the Mini-Moog were through the roof! In one week in 1977, I saw the bands FM, Zon and Saga in local bars ... and a year later purchased the first release of all three bands.
On this remastered version of FM's appearance on Nightmusic Concert, the original VHS video remains untouched. For the music, VHS has frequencies above 10KHz (except hiss), but there was plenty of music to work with in the mid range.
0:00 Title
0:09 Introduction
1:55 Phasors On Stun
6:09 Biography by David Pritchard
10:42 One O'Clock Tomorrow
18:20 Black Noise
Cameron Hawkins: Moog Synthesizer, Elka Rhapsody String Machine, Polyfusion Sequencer, Bass Pedals, Bass Drum. Mutron Envelope Filter, Lead Vocals
Nash The Slash: Violin, Mandolin, Pulse Sequencer, Glockenspiel, Echoplex, Rhythm Machine, Backing Vocals
Director and Producer Richard Johnson
Produced by TVOntario, 1976
For the technocrats, the audio track was resampled and four tracks of vocals, percussion, bass and other were extracted using iZotope's RX 8. The tracks were further processed to de-noise and de-hum, then re-mixed in stereo using Ableton Live to add compression, limiters, and an exciter (Ozone), then the audio was processed finally using Tonal Balance to highlight where dynamic equalization were required.



![The Air that I Creep (The Air That I Breathe + Creep) - The Hollies + Radiohead + Simply Red (video)
The vocals are The Hollies.
The music is Radiohead
The video is Simply Red.
The mashup is The Lone Piper.
The Air That I Breathe was written in 1972 by Albert Hammond and Mike Hazlewood. It was first recorded by Hammond on his solo album It Never Rains In Southern California. The song achieved international recognition two years later when it was recorded by The Hollies, and went to become a top ten hit in many countries, reaching number two in the UK.
Before 1998, the song was covered by Phil Everly, Cilla Black, Springbok, Botticelli and His Orchestra, Olivia Newton-John, José Feliciano, The Arbors, Tracy, Champagne [NL] , Mary Travers, Triban, Trevor Chance, Marty Robbins,Hank Williams Jr., Lee Towers, Dana Gillespie, ulio Iglesias with the Beach Boys,Rex Allen Jr., Hammond and West, Paul Nicholas, Peter Hofmann, Alien, Judy Collins, The Twinkle Brothers, Tuesday Girls, Steve Wynn, Spiders & Snakes, Barry Manilow, Feline, Steven Houghton and k.d. lang.
In 1998, British soul and pop band Simply Red also covered the song on their sixth album, Blue. A music video, directed by Earle Sebastian, was also produced to promote the single.
Radiohead wrote the song Creep in the late 1980s and recorded it in 1992, releasing it as their debut single, which was a top ten hit in the UK and top 40 in the US. Hammond and Hazlewood noticed the similarity between Creep and The Air That I Breathe and contacted Radioheads publisher Warner/Chappell Music. Radiohead agreed that they had actually taken it, so Hammond and Hazlewood were granted songwriting credits and royalties for Creep.
In 2018, Thom Yorke of Radiohead sued Lana Del Ray for her song Get Free and its similarities to Creep. The two parties settled for an undisclosed amount. The Air that I Creep (The Air That I Breathe + Creep) - The Hollies + Radiohead + Simply Red (video)](https://i.ytimg.com/vi/pZ3IO1piYFA/mqdefault.jpg)






