Uploaded August 2024 | Updated September 2026, 1 week ago
Over 600 metres about sea level just north of Westport, the Denniston Plateau is a wild, windswept stretch of land renowned for its breathtaking views, rare carpet canopy of herb fields, wetlands and low-lying flora and extraordinary wildlife – huge forest weta, giant flatworms, spotted kiwi, skinks and geckos.
It is also home to valuable hard coking coal used for steelmaking.
After mothballing its open cast Escarpment coal mine on the plateau in 2016, Bathurst Resources is now looking to expand and open more mines on this land.
Local feelings are mixed.
“Mining has been the backbone of the West Coast,” says Heath Milne, chief executive officer at Development West Coast, in his home inland from Greymouth. “Not just the economy but the identity.”
Triple the mining, says Barrytown Flats resident Suzanne Hills, chair of Forest & Bird’s West Coast branch, “and we might triple the environmental destruction. We don’t have to keep both feet firmly in the past of extractive industries.”
Under the planned Fast-Track Approvals Bill and amendments to the Resource Management Act, extractive activity is poised to increase on Te Tai Poutini, but social licence – the public acceptance of a commercial activity – is not a given.
Next to the Denniston Plateau, Stevenson Mining’s proposed Te Kuha open cast coal mine is promising about 58 full-time-equivalent jobs and provide $9 million in royalties.
But the project would decapitate part of a highly visible ridgeline and destroy, says Hills, a “beautiful ecosystem.”
“This mountain is iconic West Coast untamed natural wilderness – no roads, no tracks, it has value pretty much on par with an offshore sanctuary island.”
The application has gone all the way to the Supreme Court and been declined at every step, “but unfortunately,” says Hills, “it looks like it’s going to be part of the listed projects attached to the Fast-track Bill.”
Milne agrees it is a controversial mining proposal – “I don't know if it’s going ahead” – but any mining, he says, will have some impact on the environment.
“If you do it in the right way the benefits outweigh the negatives. In the past the rules were different but I believe we have a very strong regulatory environment and the oversight is just unbelievable.”
Increasingly, mining companies are coming under pressure to implement reforestation programmes. Close to the historic mining town of Reefton, the former OceanaGold open pit gold mine is a surreal landscape of decade-old mining structures, waste rock and thousands of young seedlings. “We disturbed 260 hectares of land,” says OceanaGold environmental advisor Megan Williams. “At the end of the closure project we will have planted over a million beech and manuka seedlings and tens of thousands of wetland seedlings. Then people will be able to walk or bike around the site and enjoy what modern mining has left behind.”
But even with the help of surrounding beech forest, says Hills, full ecological restoration will take decades.
It is not only coal and gold driving the push for new mining.
Further south, Australian company TiGa has been given the go-ahead to mine 63ha of mineral sands on the Barrytown Flats for ilmenite, used in white paints and coatings, and garnets.
The land, says Milne, has already been developed for farming. “Now it’s going to extract some of the heavy minerals out of it and put it back into farmland.”
But interfering with a complex wetland ecosystem is not so straightforward. There are concerns over freshwater quality, the risks posed to nocturnal Westland petrel (TiGa has agreed not to run ore vehicles at night), and the impact of at least 50 extra truck movements on State Highway 6 between Westport and Greymouth, recognised as one of the top 10 coastal drives in the world.
The Coast Road Resilience Group, of which Hills is a member, has lodged an appeal with the Environment Court.
Back in Reefton, Australian company Siren Gold is looking to mine gold alongside antimony, a silver-white metalloid used in electronics and military equipment.
Again, locals are divided.
“I’m scared what will happen if it is mined here and it gets released into the waterways,” says one.
“It’s a mining town,” says another. “We wouldn’t exist without mining.”
But mining is not the major employer on the Coast.
According to Infometrics, while mining produced 8.4% of GDP on the West Coast in 2023, mining jobs accounted for just 3.8% of the workforce, well below agriculture, fishing and forestry at 11 percent.
And what happens to all that mining wealth? asks Hills. “I suspect most of it has gone into offshore private pockets – there hasn't been long term enduring public good benefits.
“Nature is our biggest asset on the West Coast. We need to be really careful about the choices we make going into the future.”
Attributions:
Department of Conservation
Forest & Bird
Neil Silverwood
Lauren Kelley
Rod Morris
Oceana Gold
Historical photos: West Coast New Zealand History
Over 600 metres about sea level just north of Westport, the Denniston Plateau is a wild, windswept stretch of land renowned for its breathtaking views, rare carpet canopy of herb fields, wetlands and low-lying flora and extraordinary wildlife – huge forest weta, giant flatworms, spotted kiwi, skinks and geckos.
It is also home to valuable hard coking coal used for steelmaking.
After mothballing its open cast Escarpment coal mine on the plateau in 2016, Bathurst Resources is now looking to expand and open more mines on this land.
Local feelings are mixed.
“Mining has been the backbone of the West Coast,” says Heath Milne, chief executive officer at Development West Coast, in his home inland from Greymouth. “Not just the economy but the identity.”
Triple the mining, says Barrytown Flats resident Suzanne Hills, chair of Forest & Bird’s West Coast branch, “and we might triple the environmental destruction. We don’t have to keep both feet firmly in the past of extractive industries.”
Under the planned Fast-Track Approvals Bill and amendments to the Resource Management Act, extractive activity is poised to increase on Te Tai Poutini, but social licence – the public acceptance of a commercial activity – is not a given.
Next to the Denniston Plateau, Stevenson Mining’s proposed Te Kuha open cast coal mine is promising about 58 full-time-equivalent jobs and provide $9 million in royalties.
But the project would decapitate part of a highly visible ridgeline and destroy, says Hills, a “beautiful ecosystem.”
“This mountain is iconic West Coast untamed natural wilderness – no roads, no tracks, it has value pretty much on par with an offshore sanctuary island.”
The application has gone all the way to the Supreme Court and been declined at every step, “but unfortunately,” says Hills, “it looks like it’s going to be part of the listed projects attached to the Fast-track Bill.”
Milne agrees it is a controversial mining proposal – “I don't know if it’s going ahead” – but any mining, he says, will have some impact on the environment.
“If you do it in the right way the benefits outweigh the negatives. In the past the rules were different but I believe we have a very strong regulatory environment and the oversight is just unbelievable.”
Increasingly, mining companies are coming under pressure to implement reforestation programmes. Close to the historic mining town of Reefton, the former OceanaGold open pit gold mine is a surreal landscape of decade-old mining structures, waste rock and thousands of young seedlings. “We disturbed 260 hectares of land,” says OceanaGold environmental advisor Megan Williams. “At the end of the closure project we will have planted over a million beech and manuka seedlings and tens of thousands of wetland seedlings. Then people will be able to walk or bike around the site and enjoy what modern mining has left behind.”
But even with the help of surrounding beech forest, says Hills, full ecological restoration will take decades.
It is not only coal and gold driving the push for new mining.
Further south, Australian company TiGa has been given the go-ahead to mine 63ha of mineral sands on the Barrytown Flats for ilmenite, used in white paints and coatings, and garnets.
The land, says Milne, has already been developed for farming. “Now it’s going to extract some of the heavy minerals out of it and put it back into farmland.”
But interfering with a complex wetland ecosystem is not so straightforward. There are concerns over freshwater quality, the risks posed to nocturnal Westland petrel (TiGa has agreed not to run ore vehicles at night), and the impact of at least 50 extra truck movements on State Highway 6 between Westport and Greymouth, recognised as one of the top 10 coastal drives in the world.
The Coast Road Resilience Group, of which Hills is a member, has lodged an appeal with the Environment Court.
Back in Reefton, Australian company Siren Gold is looking to mine gold alongside antimony, a silver-white metalloid used in electronics and military equipment.
Again, locals are divided.
“I’m scared what will happen if it is mined here and it gets released into the waterways,” says one.
“It’s a mining town,” says another. “We wouldn’t exist without mining.”
But mining is not the major employer on the Coast.
According to Infometrics, while mining produced 8.4% of GDP on the West Coast in 2023, mining jobs accounted for just 3.8% of the workforce, well below agriculture, fishing and forestry at 11 percent.
And what happens to all that mining wealth? asks Hills. “I suspect most of it has gone into offshore private pockets – there hasn't been long term enduring public good benefits.
“Nature is our biggest asset on the West Coast. We need to be really careful about the choices we make going into the future.”
Attributions:
Department of Conservation
Forest & Bird
Neil Silverwood
Lauren Kelley
Rod Morris
Oceana Gold
Historical photos: West Coast New Zealand History









![Can strong wool make a comeback?
Once upon a time, strong wool was a moneymaker for New Zealand. It was the golden fleece, with farmers rumoured to have paid off their mortgages in one wool clip during the boom of the ‘50s. Retired fourth generation sheep farmer Murray Urquhart remembers family tales from the notorious boom. “My uncle was the biggest single tax payer in Canterbury for three years in a row,” Murray tells Frank Film, and explains that this was mostly because of the US Army needing to keep their soldiers warm during the Korean War.
These days, though, it’s costing many farmers more to shear their strong wool sheep than they can get back for the wool itself. As Highfield Station farmer Michael Northcote points out, wool has almost become a by-product of meat - a nuisance, even. “Because there’s just no money in it,” Michael says. “It costs us $9.30 per sheep to shear them, and we’d probably end up getting about $8 to $9 worth of wool.”
Today, it’s only the wool from our Merino sheep and other finer wool breeds which are fetching farmers a decent price. These breeds, with their thinner, softer fibres, make up only a small percentage of the national flock, but contribute to a large part of the market. More on that later, though. The wool Michael is talking about is strong wool - also known as coarse wool, for its thick fibres. Of the 26 million odd sheep in New Zealand, 80% are strong wool sheep. They’re well-suited to most of the country’s climate, and are bred more for their meat than their fleece.
So what happened to the market for strong wool? In short, synthetics. As Hadleigh Smith from The NZ Merino Company explains, plastics took over everything. Strong wool, which is warm, fire resistant, water-repellent and naturally sourced, was squeezed out by a cheaper counterpart. “After the glory days of the 50’s and 60’s, there was a boom in synthetic production, and that material has been used everywhere, from flooring through to fabrics and in clothing,” says Hadleigh, whose role as market development manager for strong wool necessitates an intimate knowledge of its history.
So all this has put strong wool in dire straits. But with demand for natural fibres on the rise, there’s a movement to save it. NZ Merino, among other organisations, is turning its attention to strong wool. This renaissance, as Hadleigh says, may well be similar to the merino success story. “Our Merino growers were really struggling [20 years ago],” he tells Frank Film, explaining that the industry came together to create a higher market value for their product and give farmers more certainty. This was mainly through the production, branding and marketing of high end outdoor clothing, with brands like Icebreaker.
According to Hadleigh, the future of strong wool depends on the same kind of innovation - and it’s a future he firmly believes in. He’s not the only one. Bremworth carpets have switched from synthetics back to 100% wool, which CEO Greg Smith says is in response to increasing consumer demand. “The synthetic carpet that we made doesn’t go away, it just ends up in landfill. That is a problem,” Greg says. ‘Wool’s the best fibre for carpet, it’s as simple as that.”
Others are pushing it further. Inventor and entrepreneur Logan Williams is on a mission to replace plastic with wool. Through his development of strong wool polymers, Logan has been working with NZ Merino to create woollen kayaks, chilly bins and knives. Starting with the humble beginnings of a toastie machine, Logan melted down wool with PLA, a bio-plastic made from cornstarch.
“It looked like a piece of naan bread,” he confesses, but this rough start quickly evolved into the pellets of industrially compostable plastic-like material which he now sells to manufacturers under his company Shear Edge. Meanwhile, Wool Source, a subsidiary of Wool Research NZ, is busy breaking wool down into fine pigments which can be used in lipsticks, shampoos and other cosmetics.
So while the price is still low, there’s no shortage of believers. Michael at Highfield Station is one of many loyal farmers with wool in their blood, and he says he has every confidence that strong wool will come back. “We will stick with it,” Michael says. “It’s a hell of a good product and it’s totally undervalued.”
Join us as we explore what’s to become of New Zealand’s golden fleece. Watch the film at frankfilm.co.nz.
Accreditations
Images:
Alexander Turnbull Library, Wellington, New Zealand (1/2-049602-F. )
Video:
Archives New Zealand Te Rua Mahara o te Kāwanatanga
Material preserved and made available by Ngā Taonga Sound & Vision.
Credits:
Director/Series Producer: Gerard Smyth
Editor: Tracey Jury
Story Producer/Researcher: Georgia Merton
Cameraman: Gerard Smyth & Romah Chorley
Production Manager: Jo Ffitch
Sound Mix: Chris Sinclair
Colour grade: Andrew Todd Can strong wool make a comeback?](https://i.ytimg.com/vi/bhBUZPC1NRM/mqdefault.jpg)
