Uploaded April 2012 | Updated September 2026, 14 hours ago
Wolfgang Amadeus Mozart Concerto in G Major KV 313 complete with all movements in HD
Concerto in G major K313 - 1. Allegro maestoso
Concerto in G major K313 - 2. Adagio ma non troppo
Concerto in G major K313 - 3. Rondo. Tempo di Minuetto
Flute Concertos
Wolfgang Amadeus Mozart Concerto in G Major KV 313 complete with all movements in HD
Concerto in G major K313 - 1. Allegro maestoso
Concerto in G major K313 - 2. Adagio ma non troppo
Concerto in G major K313 - 3. Rondo. Tempo di Minuetto
Flute Concertos

![Magnificat in D major, BWV0243 | (Full Concert) Johann Sebastian Bach
The Magnificat in D major is a setting of the Magnificat text by Johann Sebastian Bach for five soloists, a five-part choir and orchestra. Bach first composed a version in E-flat major, (catalogued as BWV 243a) for Christmas in 1723 and then reworked that music in D major in 1733 (catalogued as BWV 243) for the feast of the Visitation. The Latin text is the canticle of Mary, mother of Jesus, as told in the Gospel of Luke.
Scoring and structure
The work is divided into twelve movements which can be grouped into three sections, each beginning with an aria and completed by the choir in a fugal chorus. Its performance lasts approximately thirty minutes. The indented parts below indicate the removed Christmas texts.
It is scored for five soloists, soprano I/II, alto, tenor, bass, a five-part choir, three trumpets, timpani, flauto traverso, two oboes (also oboe damore), two violins, viola, and basso continuo. It is one of few works which Bach set for a five-part choir,[citation needed] along with the Kyrie and Gloria, also of 1733, which he later expanded to form the Mass in B minor, and the motet Jesu, meine Freude.
Coro — Magnificat
Aria (soprano II) — Et exsultavit spiritus meus
A. Chorale motet — Vom Himmel hoch
Aria (soprano I) — Quia respexit humilitatem
Coro — Omnes generationes
Aria (bass) — Quia fecit mihi magna
B. Coro — Freut euch und jubiliert
Aria (alto, tenor) — Et misericordia
Coro — Fecit potentiam
C. Coro — Gloria in excelsis Deo
Aria (tenor) — Deposuit potentes
Aria (alto) — Esurientes implevit bonis
D. Aria (soprano, bass) — Virga Jesse floruit
Aria (soprano I/II, alto) — Suscepit Israel
Coro — Sicut locutus est
Coro — Gloria Patri
History
Bach composed in 1723 in his first year as Thomaskantor in Leipzig a version in E-flat major in 1723 for Christmas Vespers in Leipzig, using the Latin text of Magnificat with additional interpolated texts related to Christmas.[citation needed] In 1733, he adapted the Christmas version for a new version in D major, eliminating the interpolated texts, for the Marian feast of the Visitation, which was celebrated on 2 July in Leipzig at Bachs time. The second version had its premiere at the Thomaskirche on 2 July 2 1733, which coincided with the fourth Sunday after Trinity Sunday that year. Classical Music,
BWV0243 Magnificat in D major 01 Chorus Magnificat
BWV0243 Magnificat in D major 02 Air Et exultavit spiritus meus
BWV0243 Magnificat in D major 03 Air Quia respexit humilitatem
BWV0243 Magnificat in D major 04 Chorus Omnes generationes
BWV0243 Magnificat in D major 05 Air Quia mihi fecit magna
BWV0243 Magnificat in D major 06 Duet Et misericordia
BWV0243 Magnificat in D major 07 Chorus Fecit potentiam
BWV0243 Magnificat in D major 08 Air Deposuit potentes
BWV0243 Magnificat in D major 09 Air Esurientes implevit bonis
BWV0243 Magnificat in D major 10 Trio Suscepit Israel
BWV0243 Magnificat in D major 11 Chorus Sicut locutus est
BWV0243 Magnificat in D major 12 Chorus Gloria Patri Magnificat in D major, BWV0243 | (Full Concert) Johann Sebastian Bach](https://i.ytimg.com/vi/aUe7kW0aZP0/mqdefault.jpg)



![Claude Debussy - Clair de Lune For Flute James Galway, Marisa Robles & Chamber Orchestra
Claude Debussy Clair de Lune For Flute Claude-Achille Debussy The Suite bergamasque ( French pronunciation: [bɛʁɡamask] ) is one of the most famous piano suites by Claude Debussy . Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905. James Galway, Marisa Robles & Chamber Orchestra of Europe Claude Debussy - Clair de Lune For Flute James Galway, Marisa Robles & Chamber Orchestra](https://i.ytimg.com/vi/f2Uy3JYTGmo/mqdefault.jpg)
![Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete
Bachianas Brasileiras No. 1 Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete Scored for orchestra of cellos (1930):
Heitor Villa Lobos Bachianas Brasileiras, No. 1, - orchestra of cellos.
01 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), I. Introduction - Embolada
02 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), II. Preludio - Modinha
03 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), III. Fuga - Conversa (Conversation)
Heitor Villa-Lobos (Portuguese pronunciation: [ejˌtoʁ ˌvilɐ ˈlobus]; March 5, 1887 November 17, 1959) was a Brazilian composer, described as the single most significant creative figure in 20th-century Brazilian art music.[1] Villa-Lobos has become the best-known and most significant Latin American composer to date.[2] He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces).
Heitor Villa-Lobos (Portuguese pronunciation: [ejˌtoʁ ˌvilɐ ˈlobus]; March 5, 1887 November 17, 1959) was a Brazilian composer, described as the single most significant creative figure in 20th-century Brazilian art music. Villa-Lobos has become the best-known and most significant Latin American composer to date. He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete](https://i.ytimg.com/vi/fL3rH0tCsJg/mqdefault.jpg)



![Gabriel Fauré - Fantaisie (fantasy) for flute & piano, or orchestra, in E minor, Op. 79 (1898)
Gabriel Fauré Fantaisie Fantasy for flute & piano, or orchestra, in E minor, Op. 79 (1898)
Gabriel Urbain Fauré (pronounced: [ɡabʁiɛl yʁbɛ̃ fɔʁe]; 12 May 1845 4 November 1924)[n 1] was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano, and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his greatest works in his later years, in a harmonically and melodically much more complex style.
Marc Grauwels, Joris Van Den Hauwe, Andre Vandernoot Gabriel Fauré - Fantaisie (fantasy) for flute & piano, or orchestra, in E minor, Op. 79 (1898)](https://i.ytimg.com/vi/jk7447P_8rw/mqdefault.jpg)