Uploaded April 2012 | Updated September 2026, 6 hours ago
Johann Strauss II or Johann Baptist Strauss - Die Fledermaus (Exceperts) "O Morcego"
Title : Johann Strauss II - Die Fledermaus Overture
From Wikipedia,
Die Fledermaus (in English: The Bat;' in French: La Chauve-souris') is an operetta composed by Johann Strauss II to a German libretto by Carl Haffner and Richard Genée.
The original source for Die Fledermaus is a farce by German playwright Julius Roderich Benedix (1811--1873), Das Gefängnis (The Prison). Another source is a French vaudeville play, Le réveillon, by Henri Meilhac and Ludovic Halévy. This was first translated by Carl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a midnight supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner.
The operetta premièred on April 5, 1874 at the Theater an der Wien in Vienna, Austria and has been part of the regular operetta repertoire ever since. It currently appears as number 19 on Opera America's list of the 20 most-performed operatic works in North America.
Johann Strauss II or Johann Baptist Strauss - Die Fledermaus (Exceperts) "O Morcego"
Title : Johann Strauss II - Die Fledermaus Overture
From Wikipedia,
Die Fledermaus (in English: The Bat;' in French: La Chauve-souris') is an operetta composed by Johann Strauss II to a German libretto by Carl Haffner and Richard Genée.
The original source for Die Fledermaus is a farce by German playwright Julius Roderich Benedix (1811--1873), Das Gefängnis (The Prison). Another source is a French vaudeville play, Le réveillon, by Henri Meilhac and Ludovic Halévy. This was first translated by Carl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a midnight supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner.
The operetta premièred on April 5, 1874 at the Theater an der Wien in Vienna, Austria and has been part of the regular operetta repertoire ever since. It currently appears as number 19 on Opera America's list of the 20 most-performed operatic works in North America.

![Claude Debussy - Clair de Lune For Flute James Galway, Marisa Robles & Chamber Orchestra
Claude Debussy Clair de Lune For Flute Claude-Achille Debussy The Suite bergamasque ( French pronunciation: [bɛʁɡamask] ) is one of the most famous piano suites by Claude Debussy . Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905. James Galway, Marisa Robles & Chamber Orchestra of Europe Claude Debussy - Clair de Lune For Flute James Galway, Marisa Robles & Chamber Orchestra](https://i.ytimg.com/vi/f2Uy3JYTGmo/mqdefault.jpg)
![Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete
Bachianas Brasileiras No. 1 Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete Scored for orchestra of cellos (1930):
Heitor Villa Lobos Bachianas Brasileiras, No. 1, - orchestra of cellos.
01 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), I. Introduction - Embolada
02 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), II. Preludio - Modinha
03 - Bachianas Brasileiras, No. 1 for an orchestra of cellos (1930), III. Fuga - Conversa (Conversation)
Heitor Villa-Lobos (Portuguese pronunciation: [ejˌtoʁ ˌvilɐ ˈlobus]; March 5, 1887 November 17, 1959) was a Brazilian composer, described as the single most significant creative figure in 20th-century Brazilian art music.[1] Villa-Lobos has become the best-known and most significant Latin American composer to date.[2] He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces).
Heitor Villa-Lobos (Portuguese pronunciation: [ejˌtoʁ ˌvilɐ ˈlobus]; March 5, 1887 November 17, 1959) was a Brazilian composer, described as the single most significant creative figure in 20th-century Brazilian art music. Villa-Lobos has become the best-known and most significant Latin American composer to date. He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). Heitor Villa-Lobos - Bachianas Brasileiras, No. 1 Complete](https://i.ytimg.com/vi/fL3rH0tCsJg/mqdefault.jpg)



![Gabriel Fauré - Fantaisie (fantasy) for flute & piano, or orchestra, in E minor, Op. 79 (1898)
Gabriel Fauré Fantaisie Fantasy for flute & piano, or orchestra, in E minor, Op. 79 (1898)
Gabriel Urbain Fauré (pronounced: [ɡabʁiɛl yʁbɛ̃ fɔʁe]; 12 May 1845 4 November 1924)[n 1] was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano, and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his greatest works in his later years, in a harmonically and melodically much more complex style.
Marc Grauwels, Joris Van Den Hauwe, Andre Vandernoot Gabriel Fauré - Fantaisie (fantasy) for flute & piano, or orchestra, in E minor, Op. 79 (1898)](https://i.ytimg.com/vi/jk7447P_8rw/mqdefault.jpg)
![Igor Stravinsky -The Rite of Spring Full Suite (Le Sacre du Printemps) Full Concert
Igor Stravinsky The Rite of Spring - Le Sacre du Printemps; Symphony in Three Movements Artist: Esa-Pekka Salonen Conducts Composer: Igor Stravinsky Time - 53:14 Full HD Full Concert
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Time: 32:17
Symphony in Three Movements, for orchestra - Time: 20:57
The Rite of Spring, original French title Le sacre du printemps (Russian: Весна священная, Vesna svyashchennaya), is a ballet with music by Igor Stravinsky; choreography by Vaslav Nijinsky; and concept, set design and costumes by Nicholas Roerich. It was produced by Sergei Diaghilev for his Ballets Russes ballet company and had its première in Paris on 29 May 1913.
The musics innovative complex rhythmic structures, timbres, and use of dissonance have made it a seminal 20th century composition. In 1973, composer and conductor Leonard Bernstein said of one passage, That page is sixty years old, but its never been topped for sophisticated handling of primitive rhythms..., and of the work as a whole, ...its also got the best dissonances anyone ever thought up, and the best asymmetries and polytonalities and polyrhythms and whatever else you care to name.
A performance of the work lasts about 33 minutes.
Themes
The Rite is divided into two parts with the following scenes (there are many different English translations of the original titles; the ones given are Stravinskys preferred wording followed by the original French in parenthesis):
Nicholas Roerichs 1913 set design for Part I: Adoration of the Earth.
First Part: Adoration of the Earth (Première Partie: Ladoration de la Terre)
Introduction
The Augurs of Spring: Dances of the Young Girls (Les Augures Printaniers: Danses des Adolescentes)
Ritual of Abduction (Jeu du Rapt)
Spring Rounds (Rondes Printanières)
Games of the Two Rival Tribes (Jeux des Cités Rivales)
Procession of the Oldest and Wisest One [the Sage] (Cortège du Sage
The Kiss of the Earth (The Oldest and Wisest One) [(The Sage)] (Adoration de la Terre (Le Sage))
The Dancing Out of the Earth, OR The Dance Overcoming the Earth (Danse de la Terre
Second Part: The Exalted Sacrifice (Seconde Partie: Le Sacrifice)
Introduction
Mystic Circle of the Young Girls (Cercles Mystérieux des Adolescentes)
The Naming and Honoring of the Chosen One (Glorification de lÉlue)
Evocation of the Ancestors OR Ancestral Spirits (Evocation des Ancêtres)
Ritual Action of the Ancestors (Action Rituelle des Ancêtres)
Sacrificial Dance (The Chosen One) (Danse Sacrale (LÉlue))
Though the melodies draw upon folk-like themes designed to evoke the feeling of songs passed down from ancient time, the only tune Stravinsky acknowledged to be directly drawn from previously existing folk melody is the opening, first heard played by the solo bassoon. Igor Stravinsky -The Rite of Spring Full Suite (Le Sacre du Printemps) Full Concert](https://i.ytimg.com/vi/lWotpIy0uTg/mqdefault.jpg)


