Uploaded July 2025 | Updated September 2026, 2 weeks ago
Max Richter – 3 Pieces Arranged for Piano Solo
This video features my solo piano interpretations of three works by Max Richter, along with the original source of one of them: the Andantino from Franz Schubert’s Piano Sonata in A Major, D. 959. I decided to re-record these pieces together in a new session, with subtle interpretive variations from previous uploads. They are performed as a continuous sequence, exploring the emotional and historical connections between them.
1) Max Richter – Andante / Reflection (End Title) 00:00
Originally composed for the 2008 animated documentary Waltz with Bashir (dir. Ari Folman), this piece closes the film with quiet intensity. Notably, it is deeply rooted in the Andantino movement from Schubert’s D.959 sonata — reworked by Richter into a minimalist lament.
2) Max Richter – Europe, After the Rain 03:43
From Richter’s debut album Memoryhouse (2002, FatCat/130701), this composition exemplifies his early “documentary music” style. It blends neoclassical lyricism with ambient textures to evoke memory, trauma, and rebirth. The title may reference Max Ernst’s surrealist painting of the same name.
3) Max Richter – Organum 09:57
A sparse, chant-like miniature from The Blue Notebooks (2004), Organum channels the spirit of medieval polyphony through Richter’s modern minimalist lens. It is austere, introspective, and emotionally expansive — and has appeared in Waltz with Bashir, My Brilliant Friend, and other soundtracks.
4) Franz Schubert – Andantino (Sonata in A Major, D.959) 12:52
This piece serves as the emotional foundation for Andante / Reflection. Schubert’s Andantino is deeply expressive — a meditation on melancholy and romantic intensity. Its haunting textures are echoed in Richter’s reinterpretation, bringing the collection full circle.
Coversart streamings / socials:
https://linktr.ee/Coversart
#MaxRichter #FranzSchubert #SoloPiano #Neoclassical #Minimalism #ModernClassical #PianoArrangement #WaltzWithBashir #Memoryhouse #TheBlueNotebooks #SchubertD959 #AmbientPiano #PianoInterpretation #CinematicMusic #PianoCover
Max Richter – 3 Pieces Arranged for Piano Solo
This video features my solo piano interpretations of three works by Max Richter, along with the original source of one of them: the Andantino from Franz Schubert’s Piano Sonata in A Major, D. 959. I decided to re-record these pieces together in a new session, with subtle interpretive variations from previous uploads. They are performed as a continuous sequence, exploring the emotional and historical connections between them.
1) Max Richter – Andante / Reflection (End Title) 00:00
Originally composed for the 2008 animated documentary Waltz with Bashir (dir. Ari Folman), this piece closes the film with quiet intensity. Notably, it is deeply rooted in the Andantino movement from Schubert’s D.959 sonata — reworked by Richter into a minimalist lament.
2) Max Richter – Europe, After the Rain 03:43
From Richter’s debut album Memoryhouse (2002, FatCat/130701), this composition exemplifies his early “documentary music” style. It blends neoclassical lyricism with ambient textures to evoke memory, trauma, and rebirth. The title may reference Max Ernst’s surrealist painting of the same name.
3) Max Richter – Organum 09:57
A sparse, chant-like miniature from The Blue Notebooks (2004), Organum channels the spirit of medieval polyphony through Richter’s modern minimalist lens. It is austere, introspective, and emotionally expansive — and has appeared in Waltz with Bashir, My Brilliant Friend, and other soundtracks.
4) Franz Schubert – Andantino (Sonata in A Major, D.959) 12:52
This piece serves as the emotional foundation for Andante / Reflection. Schubert’s Andantino is deeply expressive — a meditation on melancholy and romantic intensity. Its haunting textures are echoed in Richter’s reinterpretation, bringing the collection full circle.
Coversart streamings / socials:
https://linktr.ee/Coversart
#MaxRichter #FranzSchubert #SoloPiano #Neoclassical #Minimalism #ModernClassical #PianoArrangement #WaltzWithBashir #Memoryhouse #TheBlueNotebooks #SchubertD959 #AmbientPiano #PianoInterpretation #CinematicMusic #PianoCover




![Apex Twin - aisatsana / @coversart
Aphex Twin - aisatsana [102] (although the indication of the tempo in the title, in this case, does not make any sense. I played without a metronome at my own pace)
1. aisatsana [felt] 00:00
2. aisatsana [ambient] 06:28
3. aisatsana [tape] 13:00
4. aisatsana [glass] 19:19
“aisatsana” is the final track off Aphex Twin’s 2014 release, Syro. A departure from the active electronic music which makes up of the majority of Aphex Twin’s catalog, aisatsana is a simple, quiet, calm, and melancholic piano piece with added bird sounds.
The title of the song is the name of Aphex Twin’s wife, Anastasia, spelt backwards.
The song itself was composed and played on a hanging player piano for an art installation at the Barbican, in London, in 2012.
*Syro is the sixth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released on 19 September 2014 on Warp. It was Jamess first album under the Aphex Twin name since Drukqs. The album was recorded over several years on a wide range of equipment setups.
Coversart streamings / socials:
https://linktr.ee/Coversart
#aisatsana #aphextwin #piano #felt #tape #syro Apex Twin - aisatsana / @coversart](https://i.ytimg.com/vi/iSfh-4sBGvY/mqdefault.jpg)


![Ryuichi Sakamoto - 20220302 - sarabande / @coversart
Ryuichi Sakamoto: 20220302 - sarabande
Note from Sakamoto official score store:
Included on Ryuichi Sakamotos last solo album, 12 - the twelfth and final solo studio album (twentieth studio album overall) by Ryuichi Sakamoto released January 17, 2023. 12 is an album of 12 pieces selected from his music sketches Sakamoto composed as if keeping a sound diary while battling illness.Each composition is titled with the date of production. Sarabande is a Spanish dance music incorporated into a suite from the Baroque period. Sakamoto added the title sarabande after the date of this piece only, describing, I want you to imagine a slow and elegant dance in triple metre. This is the first appearance as a piano score.
12 has been noted to be an unhurried minimalist electronic album that features the sound of him breathing as though engaged in strenuous activity overlayed on sparse piano pieces within electronic soundscapes imbued with a sobering weight.
At Metacritic, which assigns a weighted rating out of 100 to reviews from mainstream critics, the album has an average score of 89 based on seven reviews, indicating universal acclaim. The Skinny gave 12 a 5-star review, noting that, unlike his previous works, 12 is a collection [that] instead deals in the turbulent and unpredictable period that comes before the unknown. In a positive review, Pitchfork highlights how Rarely does an album this understated say so much.
Coversart streamings / socials:
https://linktr.ee/Coversart
yamaha felt upright / oktava mk012 mod
#ryuichisakamoto #piano #coversart Ryuichi Sakamoto - 20220302 - sarabande / @coversart](https://i.ytimg.com/vi/jPNnW2dC6dg/mqdefault.jpg)


