Uploaded August 2025 | Updated September 2026, 2 weeks ago
Philip Glass – Choosing Life (from "The Hours") Arr. for Piano Solo
Here is my solo piano interpretation of “Choosing Life” by Philip Glass, arranged for piano by Michael Riesman and Nico Muhly.
The piece comes from Glass’s acclaimed score for the 2002 film The Hours (directed by Stephen Daldry, based on Michael Cunningham’s novel, and starring Nicole Kidman, Meryl Streep, and Julianne Moore).
Not all of the music in the film was composed specifically for it: earlier works by Glass, including the “Protest” theme from his opera Satyagraha and the Franz Kafka–inspired “Metamorphosis Two” from his album Solo Piano, were also featured and credited separately at the end of the film.
The soundtrack won the BAFTA Award for Best Film Music. It was also nominated for the Academy Award for Best Original Score, the Golden Globe Award for Best Original Score, and the Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media (ultimately losing to The Lord of the Rings: The Two Towers).
Michael Riesman and Nico Muhly later arranged the soundtrack for solo piano. Published in 2003 as a 64-page score, it contains most of the tracks (excluding “For Your Own Benefit,” “Vanessa and the Changelings,” and “The Kiss”).
The piano arrangement by Riesman and Muhly captures the essence of Glass’s style: repeating patterns, evolving harmonies, and an unrelenting inner pulse. Performed on solo piano, it becomes both intimate and contemplative — a distilled reflection of the original orchestral texture.
Philip Glass (b. 1937) is one of the most influential composers of our time, often associated with minimalism — though he prefers to call his work “music with repetitive structures.” Over a career spanning more than five decades, Glass has written symphonies, operas, concertos, chamber music, and film scores, leaving an indelible mark on contemporary music. His collaborations range from theater and cinema to artists such as Robert Wilson, Godfrey Reggio, Ravi Shankar, and David Bowie.
Coversart streamings / socials:
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#philipglass #thehours #piano #ambientmusic #minimalism #classicalmusic #ambient #ambientpiano #contemporaryclassical
Philip Glass – Choosing Life (from "The Hours") Arr. for Piano Solo
Here is my solo piano interpretation of “Choosing Life” by Philip Glass, arranged for piano by Michael Riesman and Nico Muhly.
The piece comes from Glass’s acclaimed score for the 2002 film The Hours (directed by Stephen Daldry, based on Michael Cunningham’s novel, and starring Nicole Kidman, Meryl Streep, and Julianne Moore).
Not all of the music in the film was composed specifically for it: earlier works by Glass, including the “Protest” theme from his opera Satyagraha and the Franz Kafka–inspired “Metamorphosis Two” from his album Solo Piano, were also featured and credited separately at the end of the film.
The soundtrack won the BAFTA Award for Best Film Music. It was also nominated for the Academy Award for Best Original Score, the Golden Globe Award for Best Original Score, and the Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media (ultimately losing to The Lord of the Rings: The Two Towers).
Michael Riesman and Nico Muhly later arranged the soundtrack for solo piano. Published in 2003 as a 64-page score, it contains most of the tracks (excluding “For Your Own Benefit,” “Vanessa and the Changelings,” and “The Kiss”).
The piano arrangement by Riesman and Muhly captures the essence of Glass’s style: repeating patterns, evolving harmonies, and an unrelenting inner pulse. Performed on solo piano, it becomes both intimate and contemplative — a distilled reflection of the original orchestral texture.
Philip Glass (b. 1937) is one of the most influential composers of our time, often associated with minimalism — though he prefers to call his work “music with repetitive structures.” Over a career spanning more than five decades, Glass has written symphonies, operas, concertos, chamber music, and film scores, leaving an indelible mark on contemporary music. His collaborations range from theater and cinema to artists such as Robert Wilson, Godfrey Reggio, Ravi Shankar, and David Bowie.
Coversart streamings / socials:
https://linktr.ee/Coversart
#philipglass #thehours #piano #ambientmusic #minimalism #classicalmusic #ambient #ambientpiano #contemporaryclassical



![Apex Twin - aisatsana / @coversart
Aphex Twin - aisatsana [102] (although the indication of the tempo in the title, in this case, does not make any sense. I played without a metronome at my own pace)
1. aisatsana [felt] 00:00
2. aisatsana [ambient] 06:28
3. aisatsana [tape] 13:00
4. aisatsana [glass] 19:19
“aisatsana” is the final track off Aphex Twin’s 2014 release, Syro. A departure from the active electronic music which makes up of the majority of Aphex Twin’s catalog, aisatsana is a simple, quiet, calm, and melancholic piano piece with added bird sounds.
The title of the song is the name of Aphex Twin’s wife, Anastasia, spelt backwards.
The song itself was composed and played on a hanging player piano for an art installation at the Barbican, in London, in 2012.
*Syro is the sixth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released on 19 September 2014 on Warp. It was Jamess first album under the Aphex Twin name since Drukqs. The album was recorded over several years on a wide range of equipment setups.
Coversart streamings / socials:
https://linktr.ee/Coversart
#aisatsana #aphextwin #piano #felt #tape #syro Apex Twin - aisatsana / @coversart](https://i.ytimg.com/vi/iSfh-4sBGvY/mqdefault.jpg)


![Ryuichi Sakamoto - 20220302 - sarabande / @coversart
Ryuichi Sakamoto: 20220302 - sarabande
Note from Sakamoto official score store:
Included on Ryuichi Sakamotos last solo album, 12 - the twelfth and final solo studio album (twentieth studio album overall) by Ryuichi Sakamoto released January 17, 2023. 12 is an album of 12 pieces selected from his music sketches Sakamoto composed as if keeping a sound diary while battling illness.Each composition is titled with the date of production. Sarabande is a Spanish dance music incorporated into a suite from the Baroque period. Sakamoto added the title sarabande after the date of this piece only, describing, I want you to imagine a slow and elegant dance in triple metre. This is the first appearance as a piano score.
12 has been noted to be an unhurried minimalist electronic album that features the sound of him breathing as though engaged in strenuous activity overlayed on sparse piano pieces within electronic soundscapes imbued with a sobering weight.
At Metacritic, which assigns a weighted rating out of 100 to reviews from mainstream critics, the album has an average score of 89 based on seven reviews, indicating universal acclaim. The Skinny gave 12 a 5-star review, noting that, unlike his previous works, 12 is a collection [that] instead deals in the turbulent and unpredictable period that comes before the unknown. In a positive review, Pitchfork highlights how Rarely does an album this understated say so much.
Coversart streamings / socials:
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yamaha felt upright / oktava mk012 mod
#ryuichisakamoto #piano #coversart Ryuichi Sakamoto - 20220302 - sarabande / @coversart](https://i.ytimg.com/vi/jPNnW2dC6dg/mqdefault.jpg)



