Maria Gkotzampougiouko: User interfaces for software instruments using the Max physics engine @HuddCeReNeM
Maria Gkotzampougiouko: User interfaces for software instruments using the Max physics engine  @HuddCeReNeM
Uploaded July 2018 | Updated September 2026, 2 weeks ago
Maria Gkotzampougiouko discusses her use of the Max/MSP physics engine in OpenGL as an interface for music composition. Her lecture 'Experimental user interfaces for software instruments using the Max physics engine' was presented as part of the Max Power Users Symposium at the 2017 Electric Spring festival of electronic music, held at the University of Huddersfield.

Electric Spring, Max/MSP Power Users Symposium 2017

electricspring.co.uk
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
Maria Gkotzampougiouko: User interfaces for software instruments using the Max physics engineBenjamin Thigpen: Rust Under the HoodTraces of Fluid Decomposition: Olivier Pasquet, Herbig-HaroFrederic Dufeu: Max/MSP as a tool for the study of creative coding [14.12.2017]Mark Harris: Music to die to - a performance seminar on bad music about plane crashesAndie Brown: Max/MSP as a tool for augmented glass harp in installation and live performanceJoanne Armitage: Feeling Sound: Re-considering the physical in sound practiceBartosz Szafranski: Structuring ambient through a video game adaptive audio systemTadej Droljc: Using Max and LIVE as an Environment for Audiovisual CompositionIrine Røsnes — Tracing Ecosystemic Virtuosity in Performance of Simon Emmerson’s StringscapeColin Frank, EXPERIENCE NOW EXCITEMENT THRILLS (2021)Hans Kretz — Networked Performance as a Space for Collective Creation and Student Engagement
CeReNeM | Centre for Research in New Music |

Maria Gkotzampougiouko: User interfaces for software instruments using the Max physics engine

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