Uploaded June 2026 | Updated September 2026, 3 weeks ago
In this one we dive deep on all things film: emulation, looks, and grading. You'll learn the ins and outs of my new plugin Compass, plus the geeky details of great film pipelines and grades.
This is a follow-up AMA to this video: youtu.be/O6InkdLC1-g
•••••••••
Try Compass free (watermarked trial, no time limit): cullenkellycolor.thrivecart.com/compass-trial
Full details: cullenkellycolor.com/compass
•••••••••
0:00 Introduction
1:30 CKC News Recap
4:22 Compass Offset vs Linear Gain
12:57 Negative space vs digital space
17:23 Is 2383 a DRT or a Negative Emulation?
20:06 Do you need Compass if you use Genesis?
23:40 DCTLs in Neg Space
30:33 Neg Contrast Setting Explained
37:10 Film Gamma vs Display Gamma
40:45 ADX 10 vs Compass
49:58 Film Negative Explained
54:26 Bonus Film LUTs in Compass
58:05 Using ADX10 in DWG
1:02:15 Black Point adjustments using FPE
1:07:15 Final thoughts
In this one we dive deep on all things film: emulation, looks, and grading. You'll learn the ins and outs of my new plugin Compass, plus the geeky details of great film pipelines and grades.
This is a follow-up AMA to this video: youtu.be/O6InkdLC1-g
•••••••••
Try Compass free (watermarked trial, no time limit): cullenkellycolor.thrivecart.com/compass-trial
Full details: cullenkellycolor.com/compass
•••••••••
0:00 Introduction
1:30 CKC News Recap
4:22 Compass Offset vs Linear Gain
12:57 Negative space vs digital space
17:23 Is 2383 a DRT or a Negative Emulation?
20:06 Do you need Compass if you use Genesis?
23:40 DCTLs in Neg Space
30:33 Neg Contrast Setting Explained
37:10 Film Gamma vs Display Gamma
40:45 ADX 10 vs Compass
49:58 Film Negative Explained
54:26 Bonus Film LUTs in Compass
58:05 Using ADX10 in DWG
1:02:15 Black Point adjustments using FPE
1:07:15 Final thoughts








![Every Hollywood Colorist Uses This (Live training)
In todays episode of Grade School, youll learn how to work with images not like a colorist, but like a [REDACTED], helping you get more cinematic grades every time.
•••••••••
Grab my exposure chart DCTL here (free): https://procolor.ist/exposure-dctl
Get the full mindset of a colorist by reading my ebook, The Colorists Ten Commandments: https://procolor.ist/ebook
Ready to move from grading shots to creating looks? Get a free trial of Contour, my look design plugin for Resolve that uses battle-tested, Hollywood color science: https://procolor.ist/contour-official
•••••••••
You can also grab my free Kodak 2383 film LUT for free: https://procolor.ist/freelut
Check out my Voyager LUT pack here: https://procolor.ist/voyager-lut-pack
0:00 Introduction
2:26 Cinematography core concepts
12:17 Translating cinematography concepts to Resolve tools
40:00 When NOT to think photographically
45:30 Whats the difference between setting luma mix to 0 and only using the Y channel in the curves?
50:50 Why are you using the dropdown menu to change the color space of a node instead of using a color space transform sequence in nodes?
52:50 Is there a way to show stops using the curves?
56:46 When do we use offset instead of linear gain?
1:00:35 Conclusion Every Hollywood Colorist Uses This (Live training)](https://i.ytimg.com/vi/nVMKC77AmTM/mqdefault.jpg)

