Uploaded August 2023 | Updated September 2026, 3 weeks ago
This week's live we're opening up the floor for all your burning questions.
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Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:05 Introduction
7:08 Who was the colorist of the Barbie movie?
9:00 How would recreate a film look that also allows high vibrant purple colors like in Barbie?
12:54 Is there any downside of mixing individual elements of the Voyager pro pack and a film emulation LUT?
16:42 Where in the chain should you apply Halation or Glow while using the Voyager LUTs? And should you use them in a parallel node or in a serial node?
24:26 When and how should you use the log wheels?
32:09 Is your 2383 for DWG an adaptation of the 2383 Resolve offers or is there any special modification inside the LUT?
33:02 Can we use subtractive color on a per channel basis?
39:26 Why don’t you use the HDR color wheels?
45:37 Is there any problem delivering an image with clipped values?
49:11 How would you color manage a render from Blender or Unreal Engine?
52:41 Can you grade to P3 if you simply monitor REC709 and then convert to P3?
56:22 What have you learned recently in terms of color science?
58:55 Conclusion
This week's live we're opening up the floor for all your burning questions.
---
Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:05 Introduction
7:08 Who was the colorist of the Barbie movie?
9:00 How would recreate a film look that also allows high vibrant purple colors like in Barbie?
12:54 Is there any downside of mixing individual elements of the Voyager pro pack and a film emulation LUT?
16:42 Where in the chain should you apply Halation or Glow while using the Voyager LUTs? And should you use them in a parallel node or in a serial node?
24:26 When and how should you use the log wheels?
32:09 Is your 2383 for DWG an adaptation of the 2383 Resolve offers or is there any special modification inside the LUT?
33:02 Can we use subtractive color on a per channel basis?
39:26 Why don’t you use the HDR color wheels?
45:37 Is there any problem delivering an image with clipped values?
49:11 How would you color manage a render from Blender or Unreal Engine?
52:41 Can you grade to P3 if you simply monitor REC709 and then convert to P3?
56:22 What have you learned recently in terms of color science?
58:55 Conclusion
