Uploaded July 2025 | Updated September 2026, 1 week ago
Download & Stream: https://kud.li/research014
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 4 of 10
Title: al-Ajrāf
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year.
Download & Stream: https://kud.li/research014
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
More music playlists: https://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 4 of 10
Title: al-Ajrāf
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year.
![Big Yawn - Attaboi [Audio]
Download & Stream: https://kud.li/research08
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 1 of 13
Title: Attaboi
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Attaboi [Audio]](https://i.ytimg.com/vi/Y3Ds1jx49zU/mqdefault.jpg)
![Big Yawn - Body Double [Audio]
Download & Stream: https://kud.li/research08
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 13 of 13
Title: Body Double
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Body Double [Audio]](https://i.ytimg.com/vi/YDUWHMriTBo/mqdefault.jpg)
![Big Yawn - Burton Bell [Audio]
Download & Stream: https://kud.li/rrc02
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: South Preston Garage [EP]
Track: 5 of 6
Title: Burton Bell
Artist: Big Yawn
Label: Research Records
Cat#: RRC02
Formats: Cassette/Digital
Digital Release: 4th September 2020
Physical Release: 4th September 2020
About This Release:
Research Records presents Melbourne electronic quartet Big Yawns second contribution to the label, South Preston Garage. A title to honour the bands beloved bandroom, S.P.G compiles demos extracted from the studio for a digital release with a limited run of cassettes. Big Yawn reflects that completing the EP presented the challenge of creatively engineering the lo-fi recordings in a way that offered thrilling and creative insight for us and perhaps some replay value for the listener.
S.P.G embodies Big Yawns trademark pastiche, fusing together rich percussion and sweeping synthesizers that are recontextualised through an extensive shed jam. The band characterises the first two tracks British Teeth and Burno as Big Yawn flavoured DnB, with refracted drum phrasing and unrelenting delays. Cascading acid-tinged bass rules in the quivering 4 Dads; a venture into the bands stockier temperament. The panoramic Burton Bell delivers raw and biting percussion, while remaining faithful to electronics with its layered sampling. The release then disperses into seaside rapture with its farewell Bad Boy. On Bad Boy, the band comment that the track is perhaps our most melodic number to date, with heavily looping synths evoking a Hiroshi Sato/city-pop feel.
What is perhaps most unique about Big Yawn is that they present familiar electronic sounds amplified as a live band. A timely release; S.P.G translates the satisfaction of hearing a live band in a period when all we really want is to go to a gig. Big Yawn - Burton Bell [Audio]](https://i.ytimg.com/vi/ZF1TxUacEMY/mqdefault.jpg)
![Khaled Kurbeh - Nuzha I [Audio]
Download & Stream: https://kud.li/research014
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 2 of 10
Title: Nuzha I
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year. Khaled Kurbeh - Nuzha I [Audio]](https://i.ytimg.com/vi/ZLMh7ki4t9Y/mqdefault.jpg)
![Big Yawn - Thomas [Audio]
Download & Stream: https://kud.li/research08
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 8 of 13
Title: Thomas
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Thomas [Audio]](https://i.ytimg.com/vi/ZuxjKgSzmrI/mqdefault.jpg)
![Ex Ponto - Continental Drift [Audio]
Download & Stream: https://kud.li/rrs01
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #AlternativePunk #NewWave
Album: Continental Drift [SINGLE]
Track: 1 of 1
Title: Continental Drift
Artist: Ex Ponto
Label: Research Records
Cat#: RRS01
Formats: Digital
Digital Release: 29th May 2026
About This Release:
Continental Drift is the first single from Odlazak — the third full-length from Ex Ponto, the multidisciplinary project of Ivan Masic. Blending ambient, dub, kosmiche and post-punk influences, the track sets the tone for an album shaped by themes of departure, memory and return, weaving together electronic and organic textures with fragments of family history from former Yugoslavia. Equal parts cinematic and intimate, ‘Continental Drift’ drifts between the darker edges of dance music and deeply personal storytelling. Ex Ponto - Continental Drift [Audio]](https://i.ytimg.com/vi/a-2y7dIm0jE/mqdefault.jpg)
![Big Yawn - Skinrat [Audio]
Download & Stream: https://kud.li/research08
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 3 of 13
Title: Skinrat
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Skinrat [Audio]](https://i.ytimg.com/vi/aIOfliprrOA/mqdefault.jpg)
![Elite Beat - RLC (Ambient Mix) [Audio] (8 of 8)
Download & Stream: http://kud.li/research07 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Selected Rhythms [ALBUM] Track: 8 of 8 Title: RLC (Ambient Mix) Artist: Elite Beat Label: Research Records Cat#: RESEARCH07 Formats: Vinyl LP/Digital Digital Release: 8th November 2019 Physical Release: 8th November 2019 About This Release: Elite Beat is a musical collective from Portland, Oregon with a history spanning back to 2006. ‘Selected Rhythms’ captures the finest moments from all three of their ultra limited cassette series ‘Casual Rhythms’. Packed full of DIY dub mixing, cosmic orchestration and raw, percussion driven polyrhythms, the recordings have been remastered and put to vinyl for the first time with sections from Casual Rhythms Vol. 1 being re-shaped into previously unavailable single tracks. Recording plays a big role in the Elite Beat creative process. The studio as an instrument. Much of the Elite Beat music is mixed in an all-hands-on-deck dub style approach - live with an analog mixer and loads of FX being thrown and dubbed in real time. The sound is genre-less rhythm music with an emphasis on live playing, free form expression and technique that borrows from soundsystem culture. Inspiration can be heard from all parts of time and place. Some Ethio Jazz, Black Ark psychedelia, Exotica, Malian blues, even Haight-Ashbury in the summer of love. Each member an accomplished musician in their own right, Elite Beat thrive on collaboration. 2018 saw the release of their astral-Saharan jams with celebrated Taureg guitarist Mdou Moctar. The players get together every Wednesday evening, sometimes to chat, sometimes to play. The ‘record’ button gets pressed when they find what they are searching for. For this crew it’s all about ‘Casual Rhythms / Harmonious Lifestyles’ - if things don’t fall under that mantra, then it’s got to go. ‘Less is more’ for Elite Beat and their cosmic sounds. Elite Beat - RLC (Ambient Mix) [Audio] (8 of 8)](https://i.ytimg.com/vi/am8Isu5J2YQ/mqdefault.jpg)
![Khaled Kurbeh - Sunūnū al-Manara [Audio]
Download & Stream: https://kud.li/research014
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 5 of 10
Title: Sunūnū al-Manara
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year. Khaled Kurbeh - Sunūnū al-Manara [Audio]](https://i.ytimg.com/vi/bRV_FRJ_iqE/mqdefault.jpg)
![Glass Beams - Kong [Audio]
Download & Stream: https://kud.li/rrep07
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#ResearchRecords #Jazz #WorldFusion
Album: Mirage [EP]
Track: 3 of 4
Title: Kong
Artist: Glass Beams
Label: Research Records
Cat#: RREP07
Formats: 12 Vinyl/Digital
Digital Release: 25th June 2021
Physical Release: 25th June 2021
About This Release:
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences.
The albums opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70s prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers. Glass Beams - Kong [Audio]](https://i.ytimg.com/vi/bWAjx0-vDek/mqdefault.jpg)
![Dreamin Wild - Dynon Life [Audio] (4 of 8)
Download & Stream: http://kud.li/research05 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Heaven in Thirty-Eleven [ALBUM] Track: 4 of 8 Title: Dynon Life Artist: Dreamin Wild Label: Research Records Cat#: RESEARCH05 Formats: Vinyl LP/Digital Digital Release: 30th August 2019 Physical Release: 30th August 2019 About This Release: Dreamin Wilds second album Heaven in Thirty Eleven owes a lot to Footscray. The inner-western suburb of Melbourne features not only in the album title (its postcode is 3011) but goes deeper to form a central part of the records narrative and reflection. For all six members - Chris Jennings (Swazi Gold, Sagamore, Sledgehammer), Sam Cooper (Crepes, Swazi Gold, Sagamore, Sledgehammer), Tim Karmouche (Crepes, Swazi Gold, The Murlocs), Sarah Quirk, Monty Hartnett (Sleep Decade, Miris, Sagamore) and James Guida (Laguna, Environments) - Footscray buoyed periods of music exploration and discovery. After more than six year of writing, rehearsing and recording in the suburb, theres no doubt that Footscray is home for the band. Jennings adds that the album is, a bit of a recap of the last three years for Dreamin Wild, drawing attention to the change and growth many of the eight songs have undergone since creation. I Dont Disagree is an album highlight; an almost seven-minute track that struts along calmly, taking life as it is. Quirks soulful refrain soars atop Jennings laconic vocals, carrying the song to its end. Dynon Life is another album gem, reminiscent of summer in the city, and happy seeking excess. Heaven in Thirty Eleven is an ode to a Melbourne suburb brimming with culture and stories, made by artists who are proud to call it home. Dreamin Wild - Dynon Life [Audio] (4 of 8)](https://i.ytimg.com/vi/bbZ9k2n3N5s/mqdefault.jpg)