Uploaded March 2020 | Updated September 2026, 1 week ago
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 8 of 13
Title: Thomas
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length 'No!'. Subtle dub techno delays combine with live drums on "Attaboi" to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single "Skinrat" curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as "For Whomst" channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave ("Doodle Damage") contrasting with the more jagged dance orientated moments. In opting to close 'No!' with their most expansive recording ("Body Double"), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of "Anthem X" will keep hips swaying during those sweaty early morning club hours.
Download & Stream: https://kud.li/research08
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
More music playlists: https://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 8 of 13
Title: Thomas
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length 'No!'. Subtle dub techno delays combine with live drums on "Attaboi" to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single "Skinrat" curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as "For Whomst" channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave ("Doodle Damage") contrasting with the more jagged dance orientated moments. In opting to close 'No!' with their most expansive recording ("Body Double"), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of "Anthem X" will keep hips swaying during those sweaty early morning club hours.
![Ex Ponto - Continental Drift [Audio]
Download & Stream: https://kud.li/rrs01
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#ResearchRecords #AlternativePunk #NewWave
Album: Continental Drift [SINGLE]
Track: 1 of 1
Title: Continental Drift
Artist: Ex Ponto
Label: Research Records
Cat#: RRS01
Formats: Digital
Digital Release: 29th May 2026
About This Release:
Continental Drift is the first single from Odlazak — the third full-length from Ex Ponto, the multidisciplinary project of Ivan Masic. Blending ambient, dub, kosmiche and post-punk influences, the track sets the tone for an album shaped by themes of departure, memory and return, weaving together electronic and organic textures with fragments of family history from former Yugoslavia. Equal parts cinematic and intimate, ‘Continental Drift’ drifts between the darker edges of dance music and deeply personal storytelling. Ex Ponto - Continental Drift [Audio]](https://i.ytimg.com/vi/a-2y7dIm0jE/mqdefault.jpg)
![Big Yawn - Skinrat [Audio]
Download & Stream: https://kud.li/research08
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Garage
Album: No! [ALBUM]
Track: 3 of 13
Title: Skinrat
Artist: Big Yawn
Label: Research Records
Cat#: RESEARCH08
Formats: Vinyl LP/Digital
Digital Release: 6th March 2020
Physical Release: 6th March 2020
About This Release:
The various sides of Melbourne quartet Big Yawn fluctuate neatly across their debut full length No!. Subtle dub techno delays combine with live drums on Attaboi to formally introduce their clear affectation for the motorik sounds of 70s Deutschland. Previous single Skinrat curiously references off-rhythms and vocal cut ups a la late naughties UK bass music, while abstract jams such as For Whomst channel the adventurous live-and-direct sound of Golden Teacher and kindred experimentalist Inga Copeland.
Heavy low-end bass frequencies and twitches of dub fx permeate the LP, shades of post-punk and loopy minimal wave (Doodle Damage) contrasting with the more jagged dance orientated moments. In opting to close No! with their most expansive recording (Body Double), Big Yawn delve deeper into the tense and ritualistic atmospheres the prior tracks only hint at. The effect seems akin to a snapshot into their lengthy freestyle practice sessions; a process honed and refined here for the LP format. Until their next outing, the relentless groove of Anthem X will keep hips swaying during those sweaty early morning club hours. Big Yawn - Skinrat [Audio]](https://i.ytimg.com/vi/aIOfliprrOA/mqdefault.jpg)
![Elite Beat - RLC (Ambient Mix) [Audio] (8 of 8)
Download & Stream: http://kud.li/research07 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Selected Rhythms [ALBUM] Track: 8 of 8 Title: RLC (Ambient Mix) Artist: Elite Beat Label: Research Records Cat#: RESEARCH07 Formats: Vinyl LP/Digital Digital Release: 8th November 2019 Physical Release: 8th November 2019 About This Release: Elite Beat is a musical collective from Portland, Oregon with a history spanning back to 2006. ‘Selected Rhythms’ captures the finest moments from all three of their ultra limited cassette series ‘Casual Rhythms’. Packed full of DIY dub mixing, cosmic orchestration and raw, percussion driven polyrhythms, the recordings have been remastered and put to vinyl for the first time with sections from Casual Rhythms Vol. 1 being re-shaped into previously unavailable single tracks. Recording plays a big role in the Elite Beat creative process. The studio as an instrument. Much of the Elite Beat music is mixed in an all-hands-on-deck dub style approach - live with an analog mixer and loads of FX being thrown and dubbed in real time. The sound is genre-less rhythm music with an emphasis on live playing, free form expression and technique that borrows from soundsystem culture. Inspiration can be heard from all parts of time and place. Some Ethio Jazz, Black Ark psychedelia, Exotica, Malian blues, even Haight-Ashbury in the summer of love. Each member an accomplished musician in their own right, Elite Beat thrive on collaboration. 2018 saw the release of their astral-Saharan jams with celebrated Taureg guitarist Mdou Moctar. The players get together every Wednesday evening, sometimes to chat, sometimes to play. The ‘record’ button gets pressed when they find what they are searching for. For this crew it’s all about ‘Casual Rhythms / Harmonious Lifestyles’ - if things don’t fall under that mantra, then it’s got to go. ‘Less is more’ for Elite Beat and their cosmic sounds. Elite Beat - RLC (Ambient Mix) [Audio] (8 of 8)](https://i.ytimg.com/vi/am8Isu5J2YQ/mqdefault.jpg)
![Khaled Kurbeh - Sunūnū al-Manara [Audio]
Download & Stream: https://kud.li/research014
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 5 of 10
Title: Sunūnū al-Manara
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year. Khaled Kurbeh - Sunūnū al-Manara [Audio]](https://i.ytimg.com/vi/bRV_FRJ_iqE/mqdefault.jpg)
![Glass Beams - Kong [Audio]
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#ResearchRecords #Jazz #WorldFusion
Album: Mirage [EP]
Track: 3 of 4
Title: Kong
Artist: Glass Beams
Label: Research Records
Cat#: RREP07
Formats: 12 Vinyl/Digital
Digital Release: 25th June 2021
Physical Release: 25th June 2021
About This Release:
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences.
The albums opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70s prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers. Glass Beams - Kong [Audio]](https://i.ytimg.com/vi/bWAjx0-vDek/mqdefault.jpg)
![Dreamin Wild - Dynon Life [Audio] (4 of 8)
Download & Stream: http://kud.li/research05 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Heaven in Thirty-Eleven [ALBUM] Track: 4 of 8 Title: Dynon Life Artist: Dreamin Wild Label: Research Records Cat#: RESEARCH05 Formats: Vinyl LP/Digital Digital Release: 30th August 2019 Physical Release: 30th August 2019 About This Release: Dreamin Wilds second album Heaven in Thirty Eleven owes a lot to Footscray. The inner-western suburb of Melbourne features not only in the album title (its postcode is 3011) but goes deeper to form a central part of the records narrative and reflection. For all six members - Chris Jennings (Swazi Gold, Sagamore, Sledgehammer), Sam Cooper (Crepes, Swazi Gold, Sagamore, Sledgehammer), Tim Karmouche (Crepes, Swazi Gold, The Murlocs), Sarah Quirk, Monty Hartnett (Sleep Decade, Miris, Sagamore) and James Guida (Laguna, Environments) - Footscray buoyed periods of music exploration and discovery. After more than six year of writing, rehearsing and recording in the suburb, theres no doubt that Footscray is home for the band. Jennings adds that the album is, a bit of a recap of the last three years for Dreamin Wild, drawing attention to the change and growth many of the eight songs have undergone since creation. I Dont Disagree is an album highlight; an almost seven-minute track that struts along calmly, taking life as it is. Quirks soulful refrain soars atop Jennings laconic vocals, carrying the song to its end. Dynon Life is another album gem, reminiscent of summer in the city, and happy seeking excess. Heaven in Thirty Eleven is an ode to a Melbourne suburb brimming with culture and stories, made by artists who are proud to call it home. Dreamin Wild - Dynon Life [Audio] (4 of 8)](https://i.ytimg.com/vi/bbZ9k2n3N5s/mqdefault.jpg)
![Ex Ponto - Dolazak [Audio]
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#ResearchRecords #ElectronicaDance #BalearicDowntempo
Album: Odlazak [ALBUM]
Track: 7 of 7
Title: Dolazak
Artist: Ex Ponto
Label: Research Records
Cat#: RESEARCH017
Formats: Vinyl LP/Digital
Digital Release: 12th June 2026
Physical Release: 12th June 2026
About This Release:
Odlazak – the third full-length from multidisciplinary artist and musician Ivan Masic as Ex Ponto – takes its name from the Serbian word for departure. It’s a theme that reverberates throughout the release as the motifs of departure, arrival and the journey between the two are woven into an intimate personal narrative from 1980s Yugoslavia to contemporary suburban Coburg and back. Odzalak feels like a bookend to a decade of concerted, illuminating visits to the place of his birth and a countenance to the departure that long defined his youth.
Alongside Ex Ponto’s signature mix of electronic and organic textures, Masic has interspersed moments of exchange from his homeland. The haunting sound of the gusle — a traditional Serbian instrument played by his ancestors — opens the album, alongside 40-year-old VHS recordings of family members reflecting on life and death. The cover was designed by long-time friend Rick Milovanovic (TRiC), whilst photographs from Masic’s visits to Serbia and Bosnia-Herzegovina by his wife, photographer Sarah Pannell, are featured on the inner sleeve. The release was mastered and partially mixed by Belgrade-based Goran Simonoski (La Plant), a collaboration rooted in shared lineage and a mutual love of the darker edges of the sonic spectrum.
Taking cues from ambient to kosmiche, dub to post punk and everything in between, this is a sonic journey as much as it’s a personal one. Part Balkan Bladerunner soundtrack, part Vini Reilly in wonderland, Odzalak is Ex Ponto’s most pointed and heady release to date, equally at ease in the club and at home. Ex Ponto - Dolazak [Audio]](https://i.ytimg.com/vi/cJURZ7yfSqE/mqdefault.jpg)
![Swazi Gold - Tumbleweed
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Album: Jehovahs Whispers [ALBUM]
Track: 1 of 6
Title: Tumbleweed
Artist: Swazi Gold
Label: Research Records
Cat#: RESEARCH04
Formats: Vinyl LP/Digital
Digital Release: 8th March 2019
Physical Release: 8th March 2019
About This Release:
Swazi Gold have created a debut album that shimmers like the coast. There are six songs, two created by each member; through pure collaboration and participation. Swazi Gold are a true democracy.
Formed by the chief songwriters from Melbourne bands Crepes, Dreamin Wild and Sagamore, this new band brings old friends together. Chris Jennings and Sam Cooper grew up in the Victorian coastal towns of Barwon Heads and Ocean Grove, while TimKarmouche was an inland man, hailing from Ballarat in the state’s north-west.
“We’ve been playing together for so long; in different mediums and in different bands. We’ve played our own key roles, but now we know what each other wants. Swazi Gold shows off our relationship from over the years, which is really cool,” says guitarist and bassist Jennings.
Swazi Gold’s other guitarist and bass player, Cooper, has a theory about the unifying power of their regional origins:
“It’s this kind of small town thing where you strive to be different and creative. Because you’re more isolated, you focus on your creativity and align yourself to similar people. I think growing up down the coast has meant I’ve continued to be drawn to people from other isolated places,” he says.
It’s this togetherness that’s at the heart of Swazi Gold’s debut album,Jehovah’s Whispers.Recorded in a single weekend in 2017 at the Cooper’s family home in Ocean Grove (affectionately termed the “Cooper Ranch”)Jehovah’s Whisperscaptures a musical intimacy and deep friendship between the three members.
“The bond with all the tracks on the album isn’t necessarily lyrical, but it’s 100% sonic. The simplicity of the instruments we use and the set-up we have is what’s really rad,” says Jennings.
“It’s a fantasy of what we imagined Jehovah might be whispering in your ear,” he adds, grinning.
Drawing from their collective love of African music, American funk, and quirky, melody-driven pop music, the album explores the space between conventional genres and styles of production.
“Using drum machines has made the song-writing process a lot quicker and opened up a whole new avenue stylistically. We can move more into that dance or groove-based style. It’s kind of an EDM style of production, without the matching sound. That’s how it’s different,” says synth and keys player Karmouche.
Lyrically, the songs address themes like moving to Melbourne, realising personal limitations and seeing a thriving country town fade to nothingness. There’s a brooding one in there for anyone who’s ever been ripped off, too.
But withJehovah’s Whispers,it’s the impeccable timing from two drum machines that propel each track forward and bind the six songs so tightly.
“The drum machine is chomping away the whole time. In a live set, there’s a lot of energy straight away. Everyone’s dancing straight away; we’re dancing straight away. It’s really fun,” says Jennings.
Jehovah’s Whispers is an album that proves the whole is greater than the sum of its parts. And in amidst the love and equality, there’s still a heap of bite and attitude. Swazi Gold - Tumbleweed](https://i.ytimg.com/vi/cXah-hpBkLc/mqdefault.jpg)
![Khaled Kurbeh - Jauqét Ajrās [Audio]
Download & Stream: https://kud.li/research014
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 9 of 10
Title: Jauqét Ajrās
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year. Khaled Kurbeh - Jauqét Ajrās [Audio]](https://i.ytimg.com/vi/duUWmDZem8w/mqdefault.jpg)
![Khaled Kurbeh - Tadārīs II [Audio]
Download & Stream: https://kud.li/research015
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#ResearchRecords #WorldReggae #MiddleEast
Album: Ithā Sajā [ALBUM]
Track: 6 of 9
Title: Tadārīs II
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH015
Formats: Vinyl LP/Digital
Digital Release: 4th September 2026
Physical Release: 4th September 2026
About This Release:
Ithā Sajā is an ode to dusk, dawn and what’s in between.
Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio between:
– dusk and dawn
– Hinterhof sununu chatter
– construction site clamour
– upstairs scuffles
– U-Bahn rumbles
– Kreuzberg and Tempelhof
– 2021 and 2022.
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals.
wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia.
In wan-Najmi [by the star], one phrase repeats over and over with subtle changes – inspired by a procrastinating artist (quietly) dancing before a (nearly) stretched, (almost) blank canvas, dreaming up a (new but familiar) pattern.
In Ithā Hawā [to fall / to fall in love], a flâneur takes an early evening stroll along the Landwehr canal in Kreuzberg.
Tadāris [terrains] is an ongoing series of acoustic études – played with mallets, objects and fingers inside and outside the piano.
In Ithā Sajā [if it settles / when it darkens], my left hand keeps a steady rhythm while the right one wanders in search of a nocturnal motif. My eyes peek out the window. It’s the first attempts of dawn.
Marking Khaled Kurbeh’s second release with Research Records, Ithā Sajā is a collection of nine piano pieces. The gatefold vinyl features cover art and a booklet of drawings by Ida Lawrence – nine repetitions of Khaled’s upright piano, taking shape or disintegrating as one turns the page. Thank you to Alessandra Peach and Maryos Syawish from Research Records, and to everyone listening. Khaled Kurbeh - Tadārīs II [Audio]](https://i.ytimg.com/vi/e3WVgAmNReY/mqdefault.jpg)
