Uploaded June 2021 | Updated September 2026, 1 week ago
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#ResearchRecords #Jazz #WorldFusion
Album: Mirage [EP]
Track: 3 of 4
Title: Kong
Artist: Glass Beams
Label: Research Records
Cat#: RREP07
Formats: 12" Vinyl/Digital
Digital Release: 25th June 2021
Physical Release: 25th June 2021
About This Release:
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences.
The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
Download & Stream: https://kud.li/rrep07
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Official stream from Research Records. Distributed by Kudos Records.
More music playlists: https://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
#ResearchRecords #Jazz #WorldFusion
Album: Mirage [EP]
Track: 3 of 4
Title: Kong
Artist: Glass Beams
Label: Research Records
Cat#: RREP07
Formats: 12" Vinyl/Digital
Digital Release: 25th June 2021
Physical Release: 25th June 2021
About This Release:
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences.
The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
![Dreamin Wild - Dynon Life [Audio] (4 of 8)
Download & Stream: http://kud.li/research05 Subscribe: http://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Official stream from Research Records. Distributed by Kudos Records. More music playlists: http://pl.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA Album: Heaven in Thirty-Eleven [ALBUM] Track: 4 of 8 Title: Dynon Life Artist: Dreamin Wild Label: Research Records Cat#: RESEARCH05 Formats: Vinyl LP/Digital Digital Release: 30th August 2019 Physical Release: 30th August 2019 About This Release: Dreamin Wilds second album Heaven in Thirty Eleven owes a lot to Footscray. The inner-western suburb of Melbourne features not only in the album title (its postcode is 3011) but goes deeper to form a central part of the records narrative and reflection. For all six members - Chris Jennings (Swazi Gold, Sagamore, Sledgehammer), Sam Cooper (Crepes, Swazi Gold, Sagamore, Sledgehammer), Tim Karmouche (Crepes, Swazi Gold, The Murlocs), Sarah Quirk, Monty Hartnett (Sleep Decade, Miris, Sagamore) and James Guida (Laguna, Environments) - Footscray buoyed periods of music exploration and discovery. After more than six year of writing, rehearsing and recording in the suburb, theres no doubt that Footscray is home for the band. Jennings adds that the album is, a bit of a recap of the last three years for Dreamin Wild, drawing attention to the change and growth many of the eight songs have undergone since creation. I Dont Disagree is an album highlight; an almost seven-minute track that struts along calmly, taking life as it is. Quirks soulful refrain soars atop Jennings laconic vocals, carrying the song to its end. Dynon Life is another album gem, reminiscent of summer in the city, and happy seeking excess. Heaven in Thirty Eleven is an ode to a Melbourne suburb brimming with culture and stories, made by artists who are proud to call it home. Dreamin Wild - Dynon Life [Audio] (4 of 8)](https://i.ytimg.com/vi/bbZ9k2n3N5s/mqdefault.jpg)
![Ex Ponto - Dolazak [Audio]
Download & Stream: https://kud.li/research017
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #BalearicDowntempo
Album: Odlazak [ALBUM]
Track: 7 of 7
Title: Dolazak
Artist: Ex Ponto
Label: Research Records
Cat#: RESEARCH017
Formats: Vinyl LP/Digital
Digital Release: 12th June 2026
Physical Release: 12th June 2026
About This Release:
Odlazak – the third full-length from multidisciplinary artist and musician Ivan Masic as Ex Ponto – takes its name from the Serbian word for departure. It’s a theme that reverberates throughout the release as the motifs of departure, arrival and the journey between the two are woven into an intimate personal narrative from 1980s Yugoslavia to contemporary suburban Coburg and back. Odzalak feels like a bookend to a decade of concerted, illuminating visits to the place of his birth and a countenance to the departure that long defined his youth.
Alongside Ex Ponto’s signature mix of electronic and organic textures, Masic has interspersed moments of exchange from his homeland. The haunting sound of the gusle — a traditional Serbian instrument played by his ancestors — opens the album, alongside 40-year-old VHS recordings of family members reflecting on life and death. The cover was designed by long-time friend Rick Milovanovic (TRiC), whilst photographs from Masic’s visits to Serbia and Bosnia-Herzegovina by his wife, photographer Sarah Pannell, are featured on the inner sleeve. The release was mastered and partially mixed by Belgrade-based Goran Simonoski (La Plant), a collaboration rooted in shared lineage and a mutual love of the darker edges of the sonic spectrum.
Taking cues from ambient to kosmiche, dub to post punk and everything in between, this is a sonic journey as much as it’s a personal one. Part Balkan Bladerunner soundtrack, part Vini Reilly in wonderland, Odzalak is Ex Ponto’s most pointed and heady release to date, equally at ease in the club and at home. Ex Ponto - Dolazak [Audio]](https://i.ytimg.com/vi/cJURZ7yfSqE/mqdefault.jpg)
![Swazi Gold - Tumbleweed
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Official stream from Research Records. Distributed by Kudos Records.
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Album: Jehovahs Whispers [ALBUM]
Track: 1 of 6
Title: Tumbleweed
Artist: Swazi Gold
Label: Research Records
Cat#: RESEARCH04
Formats: Vinyl LP/Digital
Digital Release: 8th March 2019
Physical Release: 8th March 2019
About This Release:
Swazi Gold have created a debut album that shimmers like the coast. There are six songs, two created by each member; through pure collaboration and participation. Swazi Gold are a true democracy.
Formed by the chief songwriters from Melbourne bands Crepes, Dreamin Wild and Sagamore, this new band brings old friends together. Chris Jennings and Sam Cooper grew up in the Victorian coastal towns of Barwon Heads and Ocean Grove, while TimKarmouche was an inland man, hailing from Ballarat in the state’s north-west.
“We’ve been playing together for so long; in different mediums and in different bands. We’ve played our own key roles, but now we know what each other wants. Swazi Gold shows off our relationship from over the years, which is really cool,” says guitarist and bassist Jennings.
Swazi Gold’s other guitarist and bass player, Cooper, has a theory about the unifying power of their regional origins:
“It’s this kind of small town thing where you strive to be different and creative. Because you’re more isolated, you focus on your creativity and align yourself to similar people. I think growing up down the coast has meant I’ve continued to be drawn to people from other isolated places,” he says.
It’s this togetherness that’s at the heart of Swazi Gold’s debut album,Jehovah’s Whispers.Recorded in a single weekend in 2017 at the Cooper’s family home in Ocean Grove (affectionately termed the “Cooper Ranch”)Jehovah’s Whisperscaptures a musical intimacy and deep friendship between the three members.
“The bond with all the tracks on the album isn’t necessarily lyrical, but it’s 100% sonic. The simplicity of the instruments we use and the set-up we have is what’s really rad,” says Jennings.
“It’s a fantasy of what we imagined Jehovah might be whispering in your ear,” he adds, grinning.
Drawing from their collective love of African music, American funk, and quirky, melody-driven pop music, the album explores the space between conventional genres and styles of production.
“Using drum machines has made the song-writing process a lot quicker and opened up a whole new avenue stylistically. We can move more into that dance or groove-based style. It’s kind of an EDM style of production, without the matching sound. That’s how it’s different,” says synth and keys player Karmouche.
Lyrically, the songs address themes like moving to Melbourne, realising personal limitations and seeing a thriving country town fade to nothingness. There’s a brooding one in there for anyone who’s ever been ripped off, too.
But withJehovah’s Whispers,it’s the impeccable timing from two drum machines that propel each track forward and bind the six songs so tightly.
“The drum machine is chomping away the whole time. In a live set, there’s a lot of energy straight away. Everyone’s dancing straight away; we’re dancing straight away. It’s really fun,” says Jennings.
Jehovah’s Whispers is an album that proves the whole is greater than the sum of its parts. And in amidst the love and equality, there’s still a heap of bite and attitude. Swazi Gold - Tumbleweed](https://i.ytimg.com/vi/cXah-hpBkLc/mqdefault.jpg)
![Khaled Kurbeh - Jauqét Ajrās [Audio]
Download & Stream: https://kud.li/research014
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#ResearchRecords #ElectronicaDance #Ambient
Album: Likulli Fadāin Eqāéh [ALBUM]
Track: 9 of 10
Title: Jauqét Ajrās
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH014
Formats: Vinyl LP/Digital
Digital Release: 18th July 2025
Physical Release: 18th July 2025
About This Release:
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23
a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).
Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.
Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.
Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.
The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.
Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year. Khaled Kurbeh - Jauqét Ajrās [Audio]](https://i.ytimg.com/vi/duUWmDZem8w/mqdefault.jpg)
![Khaled Kurbeh - Tadārīs II [Audio]
Download & Stream: https://kud.li/research015
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #WorldReggae #MiddleEast
Album: Ithā Sajā [ALBUM]
Track: 6 of 9
Title: Tadārīs II
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH015
Formats: Vinyl LP/Digital
Digital Release: 4th September 2026
Physical Release: 4th September 2026
About This Release:
Ithā Sajā is an ode to dusk, dawn and what’s in between.
Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio between:
– dusk and dawn
– Hinterhof sununu chatter
– construction site clamour
– upstairs scuffles
– U-Bahn rumbles
– Kreuzberg and Tempelhof
– 2021 and 2022.
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals.
wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia.
In wan-Najmi [by the star], one phrase repeats over and over with subtle changes – inspired by a procrastinating artist (quietly) dancing before a (nearly) stretched, (almost) blank canvas, dreaming up a (new but familiar) pattern.
In Ithā Hawā [to fall / to fall in love], a flâneur takes an early evening stroll along the Landwehr canal in Kreuzberg.
Tadāris [terrains] is an ongoing series of acoustic études – played with mallets, objects and fingers inside and outside the piano.
In Ithā Sajā [if it settles / when it darkens], my left hand keeps a steady rhythm while the right one wanders in search of a nocturnal motif. My eyes peek out the window. It’s the first attempts of dawn.
Marking Khaled Kurbeh’s second release with Research Records, Ithā Sajā is a collection of nine piano pieces. The gatefold vinyl features cover art and a booklet of drawings by Ida Lawrence – nine repetitions of Khaled’s upright piano, taking shape or disintegrating as one turns the page. Thank you to Alessandra Peach and Maryos Syawish from Research Records, and to everyone listening. Khaled Kurbeh - Tadārīs II [Audio]](https://i.ytimg.com/vi/e3WVgAmNReY/mqdefault.jpg)

![Elite Beat - RLC (Vocoder Dub) [Audio]
Download & Stream: https://kud.li/research10
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#ResearchRecords #WorldReggae #Dub
Album: Selected Rhythms, Vol. 2 [ALBUM]
Track: 8 of 8
Title: RLC (Vocoder Dub)
Artist: Elite Beat
Label: Research Records
Cat#: RESEARCH10
Formats: Vinyl LP/Digital
Digital Release: 4th December 2020
Physical Release: 11th December 2020
About This Release:
Research Records continue their voyage into Elite Beats extraordinary back catalogue with their second compilation Selected Rhythms Vol. 2. The chosen tracks are lifted from the Portland collectives three-part cassette series Casual Rhythms; a treasure chest of meditative and genre-defying instrumentals where percussion and dub accents prevail.
Elite Beats approach to producing music is their routine for respite. The band reflects when they come together weekly, its an opportunity to put down their other projects, ambitions, work and life stresses for a few hours and just be. This spirit flows into their free-form expression, absorbing both the band and the listener. Additionally,Elite Beatreveals the foundation of their output lies in the discipline of being able to sustain vibration through repetition. Theres a constant coiling mantra throughout each track, the band commenting while many musicians can get totally bored playing the same thing over and over, we love it!
The mixing process swings between embracing the warmth of live recordings and generating noise with analog manipulation. The band experiments with their recorded sound expressing we are less concerned with sounding like 90% of recorded music out there and more concerned with trying shit out.Elite Beatalso cite dub music and its process of recording as an inspiration and how this approach lends itself to a deep listening experience, a notion the band channels artfully.
Remastered for the first time on vinyl, Selected Rhythms Vol. 2 adds to the immersive and interstellar tapestry of Elite Beat. The compilation delves deep into the healing and hypnosis that characterises the collective. For those who were inevitably left looking for more with Selected Rhythms Vol. 1, heres a no-brainer. Elite Beat - RLC (Vocoder Dub) [Audio]](https://i.ytimg.com/vi/fajc1Tt4yrY/mqdefault.jpg)
![Khaled Kurbeh - wal-Leil [Audio]
Download & Stream: https://kud.li/research015
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #WorldReggae #MiddleEast
Album: Ithā Sajā [ALBUM]
Track: 1 of 9
Title: wal-Leil
Artist: Khaled Kurbeh
Label: Research Records
Cat#: RESEARCH015
Formats: Vinyl LP/Digital
Digital Release: 4th September 2026
Physical Release: 4th September 2026
About This Release:
Ithā Sajā is an ode to dusk, dawn and what’s in between.
Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio between:
– dusk and dawn
– Hinterhof sununu chatter
– construction site clamour
– upstairs scuffles
– U-Bahn rumbles
– Kreuzberg and Tempelhof
– 2021 and 2022.
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals.
wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia.
In wan-Najmi [by the star], one phrase repeats over and over with subtle changes – inspired by a procrastinating artist (quietly) dancing before a (nearly) stretched, (almost) blank canvas, dreaming up a (new but familiar) pattern.
In Ithā Hawā [to fall / to fall in love], a flâneur takes an early evening stroll along the Landwehr canal in Kreuzberg.
Tadāris [terrains] is an ongoing series of acoustic études – played with mallets, objects and fingers inside and outside the piano.
In Ithā Sajā [if it settles / when it darkens], my left hand keeps a steady rhythm while the right one wanders in search of a nocturnal motif. My eyes peek out the window. It’s the first attempts of dawn.
Marking Khaled Kurbeh’s second release with Research Records, Ithā Sajā is a collection of nine piano pieces. The gatefold vinyl features cover art and a booklet of drawings by Ida Lawrence – nine repetitions of Khaled’s upright piano, taking shape or disintegrating as one turns the page. Thank you to Alessandra Peach and Maryos Syawish from Research Records, and to everyone listening. Khaled Kurbeh - wal-Leil [Audio]](https://i.ytimg.com/vi/fdNuhdLAMQw/mqdefault.jpg)
![Ex Ponto - Put [Audio]
Download & Stream: https://kud.li/research017
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #BalearicDowntempo
Album: Odlazak [ALBUM]
Track: 5 of 7
Title: Put
Artist: Ex Ponto
Label: Research Records
Cat#: RESEARCH017
Formats: Vinyl LP/Digital
Digital Release: 12th June 2026
Physical Release: 12th June 2026
About This Release:
Odlazak – the third full-length from multidisciplinary artist and musician Ivan Masic as Ex Ponto – takes its name from the Serbian word for departure. It’s a theme that reverberates throughout the release as the motifs of departure, arrival and the journey between the two are woven into an intimate personal narrative from 1980s Yugoslavia to contemporary suburban Coburg and back. Odzalak feels like a bookend to a decade of concerted, illuminating visits to the place of his birth and a countenance to the departure that long defined his youth.
Alongside Ex Ponto’s signature mix of electronic and organic textures, Masic has interspersed moments of exchange from his homeland. The haunting sound of the gusle — a traditional Serbian instrument played by his ancestors — opens the album, alongside 40-year-old VHS recordings of family members reflecting on life and death. The cover was designed by long-time friend Rick Milovanovic (TRiC), whilst photographs from Masic’s visits to Serbia and Bosnia-Herzegovina by his wife, photographer Sarah Pannell, are featured on the inner sleeve. The release was mastered and partially mixed by Belgrade-based Goran Simonoski (La Plant), a collaboration rooted in shared lineage and a mutual love of the darker edges of the sonic spectrum.
Taking cues from ambient to kosmiche, dub to post punk and everything in between, this is a sonic journey as much as it’s a personal one. Part Balkan Bladerunner soundtrack, part Vini Reilly in wonderland, Odzalak is Ex Ponto’s most pointed and heady release to date, equally at ease in the club and at home. Ex Ponto - Put [Audio]](https://i.ytimg.com/vi/gLNnGkCRaUc/mqdefault.jpg)
![Elite Beat - Triplitizer [Audio]
Download & Stream: https://kud.li/research10
Subscribe: https://sb.kud.li/UC9G5WGgkv9Ikr_FZTMlfGkA
Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #WorldReggae #Dub
Album: Selected Rhythms, Vol. 2 [ALBUM]
Track: 7 of 8
Title: Triplitizer
Artist: Elite Beat
Label: Research Records
Cat#: RESEARCH10
Formats: Vinyl LP/Digital
Digital Release: 4th December 2020
Physical Release: 11th December 2020
About This Release:
Research Records continue their voyage into Elite Beats extraordinary back catalogue with their second compilation Selected Rhythms Vol. 2. The chosen tracks are lifted from the Portland collectives three-part cassette series Casual Rhythms; a treasure chest of meditative and genre-defying instrumentals where percussion and dub accents prevail.
Elite Beats approach to producing music is their routine for respite. The band reflects when they come together weekly, its an opportunity to put down their other projects, ambitions, work and life stresses for a few hours and just be. This spirit flows into their free-form expression, absorbing both the band and the listener. Additionally,Elite Beatreveals the foundation of their output lies in the discipline of being able to sustain vibration through repetition. Theres a constant coiling mantra throughout each track, the band commenting while many musicians can get totally bored playing the same thing over and over, we love it!
The mixing process swings between embracing the warmth of live recordings and generating noise with analog manipulation. The band experiments with their recorded sound expressing we are less concerned with sounding like 90% of recorded music out there and more concerned with trying shit out.Elite Beatalso cite dub music and its process of recording as an inspiration and how this approach lends itself to a deep listening experience, a notion the band channels artfully.
Remastered for the first time on vinyl, Selected Rhythms Vol. 2 adds to the immersive and interstellar tapestry of Elite Beat. The compilation delves deep into the healing and hypnosis that characterises the collective. For those who were inevitably left looking for more with Selected Rhythms Vol. 1, heres a no-brainer. Elite Beat - Triplitizer [Audio]](https://i.ytimg.com/vi/gQyhSPAQU6g/mqdefault.jpg)
![Rafet - You Are in the Embrace of the History Now (A2) [Audio]
Download & Stream: https://kud.li/research12d
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Official stream from Research Records. Distributed by Kudos Records.
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#ResearchRecords #ElectronicaDance #Ambient
Album: You Are in the Embrace of the History [EP]
Track: 2 of 2
Title: You Are in the Embrace of the History Now (A2)
Artist: Rafet
Label: Research Records
Cat#: RESEARCH12D
Formats: Digital
Digital Release: 30th August 2024
About This Release:
Rafet studied music from a young age. Tertiary education brought about further teachings in jazz. Growing up in the family village of Miniara (North Lebanon) saw to an inquiry into maqamat and traditional arabic musics post study. After composing for multiple ensembles and performing in various projects over the years, Rafet settles into his own artistry with You Are In The Embrace of The History. This body of work is one that is personal; sighting connection to a land, spirit and devotion to a holy other.
You Are In the Embrace of The History delivers longing with grace, a realisation of ancestral memory with the eloquence of an internal knowing. Finding home in the cradle of the poem, a universal affirmation lies deep within an irregular heartbeat.
The listener is offered an invitation to enter into the vista of expansive harmonic voicings, anticipating resolution. The work is edged by expressions of spiritual jazz and tempered by the scope of ambient musics.
Rafets offering has the humility to pose questions (the illumination and the ecstasy). In the Dead Sea, there are no fish. Rafet - You Are in the Embrace of the History Now (A2) [Audio]](https://i.ytimg.com/vi/gaRR4esRmCw/mqdefault.jpg)