Uploaded July 2023 | Updated September 2026, 2 weeks ago
An interview with Glen Slater, Ph.D. by Bonnie Bright Ph.D.
Ever since I met Dr. Glen Slater in 2008, I have known him to be a particularly passionate and knowledgeable advocate of film. I often see his film reviews in Jungian and depth publications, and his background in clinical psychology and religious studies—along with his interest in technology and culture—make his commentary especially valuable.
jung_film_blog.jpgIn a recent interview, Glen and I sat down together for an intriguing depth discussion on Jung, individuation, and film.
To begin, Dr. Slater notes, while we can think of individuation as coming to one’s deep self or unique character, it’s also the place where one comes to contribute to the larger human story. The individuation process is both deeply personal but also transpersonal; both universal and archetypal. At any given time in a specific culture, individuation is about finding a deep relationship with those energies that are coming up from the collective psyche. Jung believed that “no one can individuate on a mountaintop,” Glen reminded me. Therefore, at the same time you are growing into your own genius, you are also finding where your own life resonates with what is emerging collectively.
Since we need models and mirrors, films are a key place we go today for myth. Films provide a wonderful arena where we can see characters going through the process of individuation—not only experiencing change and transformation, but also finding a deeper understanding of who they really are. As Joseph Campbell pointed out in The Hero’s Journey, there is often initially a refusal of the call, but eventually archetypal forces align to draw the character in to their deeper destiny, Glen states. While a character may initially be uncertain in the journey to individuation, more often that not, they reach a point where an event occurs that seems to spark the idea that they need to serve.
In our culture, we live in a dualistic state in which we all deeply long for a vision that is unitive; where what happens outside is connected to what’s going on inside our mind, Slater notes. Therefore, film, by nature, is an excellent tool for melding inner and outer, enabling us to recover that sense of presence, unity, enchantment, or magic.
So how does one begin to look at a film from a Jungian lens? The answer is definitely related to this idea that the outer world is reflective of the inner world, Slater insists. You must make the bridge with what is known in Jungian psychology as “symbolic thought,” the idea that what occurs in the story is metaphorical rather than literal. The process of individuation may be regarded as “living the symbolic life,” suggesting we must move from an egocentric place of being, to looking at events with a kind of curiosity that asks what things mean on a deeper level.
It’s not hard to know when a film is resonating with something going on in our inner worlds. When we walk out of a film, it either stays with us or it doesn’t. It’s a litmus test, Glen claims. Does it stay with you or linger in the way a powerful dream might? Paying attention to the way certain stories or characters stay with us helps us discern the material that is touching the psyche.
So what are the new values and energies that need to come in to drive the process? For one, films can empower us to see what’s on the horizon for our culture. As an example, Glen emphasizes that at a time when many Jungian and depth thinkers are talking about the return of the feminine in our current masculinized culture, certain female “heroes” (like Furiosa, played by Charlize Theron in the recent Mad Max: Fury Road) carry a very different value system than we have customarily seen before.
For more information, visit:
DepthInsights.com
OR
InstituteforSoulCenteredPsychologyAndCoaching.com
An interview with Glen Slater, Ph.D. by Bonnie Bright Ph.D.
Ever since I met Dr. Glen Slater in 2008, I have known him to be a particularly passionate and knowledgeable advocate of film. I often see his film reviews in Jungian and depth publications, and his background in clinical psychology and religious studies—along with his interest in technology and culture—make his commentary especially valuable.
jung_film_blog.jpgIn a recent interview, Glen and I sat down together for an intriguing depth discussion on Jung, individuation, and film.
To begin, Dr. Slater notes, while we can think of individuation as coming to one’s deep self or unique character, it’s also the place where one comes to contribute to the larger human story. The individuation process is both deeply personal but also transpersonal; both universal and archetypal. At any given time in a specific culture, individuation is about finding a deep relationship with those energies that are coming up from the collective psyche. Jung believed that “no one can individuate on a mountaintop,” Glen reminded me. Therefore, at the same time you are growing into your own genius, you are also finding where your own life resonates with what is emerging collectively.
Since we need models and mirrors, films are a key place we go today for myth. Films provide a wonderful arena where we can see characters going through the process of individuation—not only experiencing change and transformation, but also finding a deeper understanding of who they really are. As Joseph Campbell pointed out in The Hero’s Journey, there is often initially a refusal of the call, but eventually archetypal forces align to draw the character in to their deeper destiny, Glen states. While a character may initially be uncertain in the journey to individuation, more often that not, they reach a point where an event occurs that seems to spark the idea that they need to serve.
In our culture, we live in a dualistic state in which we all deeply long for a vision that is unitive; where what happens outside is connected to what’s going on inside our mind, Slater notes. Therefore, film, by nature, is an excellent tool for melding inner and outer, enabling us to recover that sense of presence, unity, enchantment, or magic.
So how does one begin to look at a film from a Jungian lens? The answer is definitely related to this idea that the outer world is reflective of the inner world, Slater insists. You must make the bridge with what is known in Jungian psychology as “symbolic thought,” the idea that what occurs in the story is metaphorical rather than literal. The process of individuation may be regarded as “living the symbolic life,” suggesting we must move from an egocentric place of being, to looking at events with a kind of curiosity that asks what things mean on a deeper level.
It’s not hard to know when a film is resonating with something going on in our inner worlds. When we walk out of a film, it either stays with us or it doesn’t. It’s a litmus test, Glen claims. Does it stay with you or linger in the way a powerful dream might? Paying attention to the way certain stories or characters stay with us helps us discern the material that is touching the psyche.
So what are the new values and energies that need to come in to drive the process? For one, films can empower us to see what’s on the horizon for our culture. As an example, Glen emphasizes that at a time when many Jungian and depth thinkers are talking about the return of the feminine in our current masculinized culture, certain female “heroes” (like Furiosa, played by Charlize Theron in the recent Mad Max: Fury Road) carry a very different value system than we have customarily seen before.
For more information, visit:
DepthInsights.com
OR
InstituteforSoulCenteredPsychologyAndCoaching.com
