Jaehoon Choi — Max: Expansion From a Programming Paradigm to a Distributed Lab @HuddCeReNeM
Jaehoon Choi — Max: Expansion From a Programming Paradigm to a Distributed Lab  @HuddCeReNeM
Uploaded July 2022 | Updated September 2026, 1 week ago
Jaehoon Choi
Max - Expansion From a Programming Paradigm to a Distributed Lab

DOI:10.5920/ProgrammingParadigm

Rethinking the History of Technology-based Music
Centre for Research in New Music (CeReNeM)
University of Huddersfield, 9-11 June 2022

research.hud.ac.uk/music/conferences/technologybasedmusic research.hud.ac.uk/institutes-centres/cerenem
Jaehoon Choi — Max: Expansion From a Programming Paradigm to a Distributed LabexclusiveOr: improvisationsAxel Berndt: Interactive Media Scoring with Ambient MusicLaurens Van Der Wee: Nedersigen IISam Pluta: Lines on Black (2019)Olivier Pasquet: Rhythmical Structures using Rhythmic Tree RepresentationLinda O’Keeffe — Sound Art and New Media: An Alternate HistoryLauren Sarah Hayes: Mini Savior Opt.Frédéric Dufeu: From Graphics Coding to Program(ming) Visualisation - the use of MGraphics in MaxKelvin King Fung Ng: 50NGW/0 (2022)Angela McArthur, Brona Martin, Emma Margetson, Nikki Sheth — Women in Spatial SoundEvan Johnson: Running and hiding in wide open spaces [06.03.2019]
CeReNeM | Centre for Research in New Music |

Jaehoon Choi — Max: Expansion From a Programming Paradigm to a Distributed Lab

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