Uploaded October 2020 | Updated September 2026, 1 week ago
Across two concerts at hcmf// 2019 Wet Ink Ensemble performed a range of new works from Charmaine Lee, Bryn Harrison, Pierre Alexandre Tremblay, Sam Pluta, Eric Wubbels, and Kristina Wolfe.
wetink.org
cerenem.org
sampluta.com
Sam Pluta: Lines on Black (2019)
Lines on Black was written for the septet formation of Wet Ink Ensemble. This work explores gradations of notation and the grey area between notation and improvisation. I use gradations of notation in this piece as a vessel to engage the personalities of the individual performers in the Wet Ink band. Some movements are completely notated, taking advantage of the precision that these players can engage in. Other movements are completely improvised, allowing these creative musicians to spontaneously invent sound within a reference point of the rest of the piece. Some movements fall in between, allowing a certain level of freedom within an algorithmic structure.
///Credits
Wet Ink Ensemble
Alice Teyssier, flutes/voice
Alex Mincek, saxophone
Ian Antonio, percussion
Eric Wubbels, piano
Josh Modney, violin
Sam Pluta, electronics
Huddersfield Contemporary Music Festival
19-20 November 2019
A project presented in partnership between CeReNeM, hcmf//, and Wet Ink
This project was made possible thanks to the generous support of the University of Huddersfield’s University Research Fund (URF), European Union’s Horizon 2020 research and innovation programme (#750618 & #725899) and the Canada Council for the Arts.
Wet Ink Ensemble, ’Smoke, Airs’
Huddersfield Contemporary Records, September 2020
nmcrec.co.uk/huddersfield-contemporary-records/smoke-airs
Video by Angela Guyton
Across two concerts at hcmf// 2019 Wet Ink Ensemble performed a range of new works from Charmaine Lee, Bryn Harrison, Pierre Alexandre Tremblay, Sam Pluta, Eric Wubbels, and Kristina Wolfe.
wetink.org
cerenem.org
sampluta.com
Sam Pluta: Lines on Black (2019)
Lines on Black was written for the septet formation of Wet Ink Ensemble. This work explores gradations of notation and the grey area between notation and improvisation. I use gradations of notation in this piece as a vessel to engage the personalities of the individual performers in the Wet Ink band. Some movements are completely notated, taking advantage of the precision that these players can engage in. Other movements are completely improvised, allowing these creative musicians to spontaneously invent sound within a reference point of the rest of the piece. Some movements fall in between, allowing a certain level of freedom within an algorithmic structure.
///Credits
Wet Ink Ensemble
Alice Teyssier, flutes/voice
Alex Mincek, saxophone
Ian Antonio, percussion
Eric Wubbels, piano
Josh Modney, violin
Sam Pluta, electronics
Huddersfield Contemporary Music Festival
19-20 November 2019
A project presented in partnership between CeReNeM, hcmf//, and Wet Ink
This project was made possible thanks to the generous support of the University of Huddersfield’s University Research Fund (URF), European Union’s Horizon 2020 research and innovation programme (#750618 & #725899) and the Canada Council for the Arts.
Wet Ink Ensemble, ’Smoke, Airs’
Huddersfield Contemporary Records, September 2020
nmcrec.co.uk/huddersfield-contemporary-records/smoke-airs
Video by Angela Guyton






![Evan Johnson: Running and hiding in wide open spaces [06.03.2019]
Composer Evan Johnson discusses the challenges and considerations of his recent commission for the BBC Scottish Symphony Orchestra measurement as contrition: three canons. Music provided by the composer for educational purposes.
http://www.evanjohnson.info/
https://research.hud.ac.uk/institutes-centres/cerenem/
Recordings:
inscribed in the center: 1520, Antorff for string quartet
Performed by the MIVOS Quartet
5 August 2014, Central station, Darmstadt, Germany (2014 Darmstädter Ferienkurse)
https://www.mivosquartet.com/
measurement as contrition: three canons for orchestra
Performed by the BBC Scottish Symphony Orchestra
6 May 2018, Glasgow City Halls, Glasgow, Scotland (2018 Tectonics Festival)
Conductor: Ilan Volkov
http://www.tectonicsfestival.com/ Evan Johnson: Running and hiding in wide open spaces [06.03.2019]](https://i.ytimg.com/vi/YZsGAexVpjw/mqdefault.jpg)



