Uploaded June 2025 | Updated September 2026, 16 hours ago
Artist Awol Erizku talks about how his art practice is shaped by the idea of diaspora.
"Imagining Black Diasporas: 21st-Century Art and Poetics" finds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalogue are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim. Nearly 70 works of painting, sculpture, photography, works on paper, and time-based media are organized into four themes: speech and silence, movement and transformation, imagination, and representation. Contemporary poets contributed original work to the catalogue, extending the historical use of poetry in Pan-African discourse. Diaspora’s general definition as a displacement from origins excludes all the creativity the term entails. People reinvent their heritage through artistic expressions, transforming diaspora from regional movement into a wellspring of imagination. Through an analysis of Black artists’ aesthetic choices, Imagining Black Diasporas reveals their insights about existence.
For more information about the exhibition, please visit:
lacma.org/art/exhibition/imagining-black-diasporas-21st-century-art-and-poetics
Production by Wax & Gold
YouTube: youtube.com/@UCCD-oXHp6lf4J8csRRgkGSw
IG: @waxandgold
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About LACMA
Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
Connect with LACMA
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Artist Awol Erizku talks about how his art practice is shaped by the idea of diaspora.
"Imagining Black Diasporas: 21st-Century Art and Poetics" finds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalogue are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim. Nearly 70 works of painting, sculpture, photography, works on paper, and time-based media are organized into four themes: speech and silence, movement and transformation, imagination, and representation. Contemporary poets contributed original work to the catalogue, extending the historical use of poetry in Pan-African discourse. Diaspora’s general definition as a displacement from origins excludes all the creativity the term entails. People reinvent their heritage through artistic expressions, transforming diaspora from regional movement into a wellspring of imagination. Through an analysis of Black artists’ aesthetic choices, Imagining Black Diasporas reveals their insights about existence.
For more information about the exhibition, please visit:
lacma.org/art/exhibition/imagining-black-diasporas-21st-century-art-and-poetics
Production by Wax & Gold
YouTube: youtube.com/@UCCD-oXHp6lf4J8csRRgkGSw
IG: @waxandgold
-------
About LACMA
Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
Connect with LACMA
Subscribe for our latest videos: lacma.org/videos
Explore our collection online: collections.lacma.org
Plan your visit to LACMA: lacma.org/visit
Support the museum and become a member: lacma.org/support
Follow us on social
Facebook: facebook.com/LACMA
Twitter: twitter.com/lacma
Tumblr: lacma.tumblr.com
Pinterest: pinterest.com/lacma
Instagram: instagram.com/lacma




![Austrian Expressionism & Otto Kallir: Jane Kallir, Nathan Timpano, Timothy Benson, & Sabine Eckmann
Discover the bold spirit of Austrian Expressionism and the remarkable legacy of Otto Kallir, the visionary dealer who helped bring artists like Egon Schiele and Gustav Klimt to global attention. Join Jane Kallir, Nathan J. Timpano, and Timothy O. Benson for a lively illustrated talk introduced by LACMA curator Stephanie Barron and moderated by Sabine Eckmann. Together, they’ll explore how Kallir’s passion for art and innovation shaped the course of modern art.
Jane Kallir is an American art dealer, curator and author. She is co-director of the Galerie St. Etienne in New York, which specializes in Austrian and German Expressionism as well as self-taught and “outsider” art. In 2020, the gallery ceased commercial operations and became an art advisory. Its archives and library were transferred to the Kallir Research Institute, a foundation established in 2017. Kallir serves as President of the KRI. She has curated exhibitions for many American and international museums and is the author of the catalogue raisonné of Egon Schiele’s work in all mediums.
Nathan J. Timpano is Associate Professor & Head of Art History at the University of Miami (UM), where he focuses on modern art and visual culture in Europe and the Americas, with a specialty in German and Austrian expressionism. He is the author of Constructing the Viennese Modern Body: Art, Hysteria, and the Puppet (Routledge, 2017), several book chapters and exhibition catalogues, and has additionally published essays in journals such as Art History, Oxford Art Journal, Journal of Art Historiography, and caa.reviews. Before joining the faculty at UM, he held professional positions at Harvard University’s Busch-Reisinger Museum and the National Gallery of Art in Washington, DC. He presently serves as a faculty guest curator at the Lowe Art Museum at UM.
Sabine Eckmann is a German art historian based in St. Louis, her research interests are focused on twentieth- and twenty-first-century art, with an emphasis on German and European art as well as art and politics, medium aesthetics, and critical theory. Her projects are regularly supported by such national and international organizations as the National Endowment for the Arts, the German Academic Exchange Service, and the Andy Warhol Foundation. She has curated numerous award-winning projects, including Reality Bites: Making Avant-garde Art in Post-Wall Germany (2007), for which she received the Emily Hall Tremaine Foundation award for curatorial innovation. She co-edited and contributed to Art of Two Germanys / Cold War Cultures (2009) and its predecessor, Exiles and Emigrés (1997). In 2015 she co-edited New Objectivity: Modern German Art in the Weimar Republic, which won the College Art Association Alfred Barr Jr. Award and the Association of Art Museum Curators’ Award for excellence. In addition, she has curated exhibitions about new media and video art ([Grid Matrix], Window|Interface, and In the Aftermath of Trauma: Contemporary Video Installations) as well as many monographic exhibitions (on Eleanor Antin, Christian Jankowski, Sharon Lockhart, Elizabeth Peyton, and Sam Durant among others). Her most recent exhibitions are Ai Weiwei: Bare Life (2019) and Katharina Grosse: Studio Paintings (2022). Eckmann has lectured widely including at Harvard Art Museums, New York University Graduate Center, University of Munich, Freie Universität Berlin, the Los Angeles County Museum of Art, the German Historical Museum and the Getty Research Institute.
This recording is presented as part of LACMA’s educational programming. Images of artworks are included solely for scholarly discussion and educational purposes Austrian Expressionism & Otto Kallir: Jane Kallir, Nathan Timpano, Timothy Benson, & Sabine Eckmann](https://i.ytimg.com/vi/xZ58_wQJJuw/mqdefault.jpg)





