Uploaded March 2026 | Updated September 2026, 2 weeks ago
Van Halen found a weird item at a junkyard...A set European car horns and they used it in the middle of an early rock song House of Pain but Eddie Van Halen and producer Ted Templeman decided the take the strange horn sound to combine in with Michael Anthony's bass to create the iconic opening of the 70s rock classic "Running with the Devil" from their incredible debut album Van Halen one... Former Van Halen bassist Michael Anthony tells the story.
#classicrock #shorts #70smusic #vanhalen
today we have a founding member of my favorite rock band of all time… Van Halen. bassist and backing vocalist extraordinaire Michael Anthony. You gotta see this interview. Michael tells us the funny story of meeting Eddie and Dave for the first time, and they borrowed his PA for a gig, also how dozens of guitarists would go under cover to try to steal Eddie’s Genius… It got so bad they were sneaking around their rehearsal space, and Eddie had to turn his back to the audience to keep his secrets, and how the rookie band got sabotaged by other bands when they were coming up because they were afraid of this band’s ferocity and the story behind their perfect 1978 debut including, Running With the Devil, Aint talking Bout Love, Jamie’s Crying and Eruption. This one’s a can’t-miss next on Professor of Rock.
Van Halen found a weird item at a junkyard...A set European car horns and they used it in the middle of an early rock song House of Pain but Eddie Van Halen and producer Ted Templeman decided the take the strange horn sound to combine in with Michael Anthony's bass to create the iconic opening of the 70s rock classic "Running with the Devil" from their incredible debut album Van Halen one... Former Van Halen bassist Michael Anthony tells the story.
#classicrock #shorts #70smusic #vanhalen
today we have a founding member of my favorite rock band of all time… Van Halen. bassist and backing vocalist extraordinaire Michael Anthony. You gotta see this interview. Michael tells us the funny story of meeting Eddie and Dave for the first time, and they borrowed his PA for a gig, also how dozens of guitarists would go under cover to try to steal Eddie’s Genius… It got so bad they were sneaking around their rehearsal space, and Eddie had to turn his back to the audience to keep his secrets, and how the rookie band got sabotaged by other bands when they were coming up because they were afraid of this band’s ferocity and the story behind their perfect 1978 debut including, Running With the Devil, Aint talking Bout Love, Jamie’s Crying and Eruption. This one’s a can’t-miss next on Professor of Rock.








![Icons SELF PROCLAIMED Masterpiece is EMBARRASSING & Everyone Knows it But Him! | Professor of Rock
Today we’re covering 7 songs that prove that even the rock’s most legendary artists and bands are still human. Songs that would have been better left on the cutting room floor. I’m calling this one “When Bad Songs happen to great artists.” And sadly, there is no shortage of tracks to choose from. Actually, a lot of these were hubris songs by one band member who just had to have it his or her way. Even after other band members tried to talk them out of it. But they just wouldn’t listen. For example, we’ve got the story of the legendary frontman Sting, who physically buried the master tape of his guitarist Andy Summers avant-garde song Mother in a garden… because it was so awful. But Andy dug it up and got it onto the album. Another incredible song Silver Springs was replaced by a so-so track Oh Daddy, keeping the album Rumours from being absolutely perfect. Then theres the heartbreaking tale of one of rock and roll’s true geniuses Brian Wilson who was coerced into recording a cringeworthy rap song called Smart Girls. Plus, there’s the ill-advised GNR album closer My World that this band’s guitarist didn’t even know existed until he bought the CD after it was released.
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#classicrock #80smusic #80srock
In at #7, it’s Queen with Body Language.” We all know just how eclectic this band’s sound and catalog is. In a similar vein as Blondie, Queen tapped into all kinds of genres to score their biggest hits… glam rock, power pop, hard rock, art rock infused with opera, gospel, arena rock, rockabilly, funk… In the 70s, Queen went from “Killer Queen” to Bohemian Rhapsody, and from We Will Rock You” to “Don’t Stop Me Now,” and filled in the gaps with so many other generational cuts… The 70s gave Queen 6 Top 5 albums in the UK and 4 Top 10s in the US. And by the early 80s they were still on top of their game, with their 1980 LP “The Game!” The London, England foursome was at the peak of their powers with two #1 singles: Crazy Little Thing Called Love and Another One Bites the Dust.
But afterwards, the bulk of what they released in the 80s, especially here in America, felt like a series of missteps. Yes, you had undeniable tracks like Under Pressure (with the help of David Bowie). And I would argue the theme from the movie Flash is a banger. But a lot of their 80s catalog just didn’t hit like it did in the 70s. And their 10th studio album 1982’s Hot Space is the go-to example. It was a mix of new wave, dance, pop, disco, funk, and R&B… which are all great genres. But, the problem was, Queen kicked rock to the curb on this one. Freddie Mercury, who is in most cases is a creative genius, monopolized the vision on this one. And much to Brian May’s chagrin, Hot Space toned down the guitar and cranked up beat, leaning into dance grooves… There’s no doubt that this was Queen’s “jump the shark moment” here in America… especially with the commercial dominance of The Game still visible in the rearview mirror. Hot Space effectively killed Queen’s chart momentum for the rest of the decade.
And the album’s single Body Language was at the heart of it all. Frequently cited as one of the bands absolute worst efforts. Thematically, the song trades in Queen’s signature poetic flair for minimalistic lyrics about a booty call. There’s not much depth to it. The song puts Freddie’s stellar voice on ice in exchange for a series of rhythmic commands. Sonically, Body Language is just as minimalist. It features a heavy synth bassline and almost zero guitar. And for a band highly influenced by Brian May’s complex guitar work, this was a massive blow, and left May feeling sidelined. Said Brian about the album and the song, “There are a few mixes on this one which I would have done differently had it just been me producing… There are some things on the album which I felt came out too light, [such as] Body Language. Theres a lot of things where I felt that we became so obsessed with the rhythm side that we were afraid to turn up the guitars.” Icons SELF PROCLAIMED Masterpiece is EMBARRASSING & Everyone Knows it But Him! | Professor of Rock](https://i.ytimg.com/vi/nYAoOhIKtgU/mqdefault.jpg)

