Uploaded April 2026 | Updated September 2026, 2 weeks ago
Alright, I’ve gotten more requests for this band than any of the last couples years… and they are definitely one of the most under-appreciated bands in rock history. —a group that sold 10 million albums and became superstars in Europe. But back here in America, they are a well-kept secret. Their debut album accidentally became a massive import hit in Germany, selling 50,000 copies before anyone even knew what was happening. And the country has loved them ever since. For this one, we’re gonna count down my Top 3 picks from their catalog, which includes one song where the lead singer wasn’t hitting the vocals with enough intensity. So his producer set up the mic stand on a crossbeam 35 feet in the in air in an old barn. And he made this singer climb up there and record the track. Would this circus stunt bring out the best in this vocalist, or would it completely backfire? We’ve got the story and even more good stuff coming up next on POR.
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Executive Producer
Brandon Fugal
Honorary Producers
Norman Buchwald, Cliff Konstans, Steve DocPinko Cloutier, Jenny Blaxell, Jason Elliott, AArthriticGamer
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Subscribe to the Professor of Rock Podcast
Apple: apple.co/445fVov
Spotify: spoti.fi/42JpfvU
Amazon: amzn.to/44b5D6m
iHeartRadio: bit.ly/444h8MO
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Patreon: bit.ly/ProfessorofRockVIPFan
Merch Store: professor-of-rock-lsn-shop.fourthwall.com
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#classicrock #80smusic #80srock #onehitwonder
Hey Music Junkies I’ve got a short and sweet video for you today on a band that I’ve received more request for than anything over the last few years.. if you know them You’ll be psyched it you don’t know them you’ll be over the moon to discover them. It’s Saga! Let’s get into it. In 1977, just outside Toronto in Oakville, Ontario, a group of musicians were about to create something that would leave a lasting mark on progressive rock. Rising from the ashes of an earlier band called Pockets, Saga was born. The founding lineup featured vocalist and multi-instrumentalist Michael Sadler, bassist Jim Crichton, his brother Ian Crichton on guitar, drummer Steve Negus, and keyboardist Jim Gilmour. Together, they crafted a sound that blended the technical brilliance of prog with infectious melodies and a futuristic, sci-fi edge. Their self-titled debut hit shelves in 1978, and right out of the gate, fate smiled on them. A Toronto record store started exporting Canadian albums to Germany, and before anyone knew what was happening, Saga's debut sold 50,000 copies as an import.
Riding that momentum, Saga returned to the studio in 1979 for their second album, Images at Twilight. The single "It's Time" became their first chart hit, climbing into the Top 10 on Canadian radio. 1980's Silent Knight kept the ball rolling. But it was 1981's Worlds Apart that truly launched Saga into the stratosphere. This album cracked the US Top 30 and went platinum in Canada. The single "On the Loose" became a massive MTV staple and hit # 3 on the US Rock Charts. The success of Worlds Apart turned Saga into road warriors. They toured relentlessly across the US, Canada, and Europe. In 1983, Saga dropped Heads or Tales, and while it didn't match Worlds Apart's numbers in North America, it went to #1 in Germany. The album produced three solid singles: "Scratching the Surface," "The Flyer," and "Catwalk." Around this time, Saga became the first Canadian rock group to perform behind the Iron Curtain. They were also honored with Germany's prestigious Gold Ticket Award for being the year's top-selling concert act. But while they were household names across Europe, especially in Germany and Scandinavia, back home in North America Saga was more of a well-kept secret.
The momentum continued with 1985's Behaviour, which also hit #1 in Germany and found success in the US and Canada. They released two more albums in the 80s,1987's Wildest Dreams, followed by 1989's The Beginner's Guide to Throwing Shapes. The band kept pushing forward, and the 90s saw them experimenting more. In 2007, Michael Sadler, the voice of Saga, departed to focus on his family, but he returned in 2011. And the band kept releasing solid albums and touring internationally throughout the 2000s and beyond. In 2017, after 40 years and 22 studio albums, Saga announced their retirement with "The Final Chapter" farewell tour. Still, the band has continued to play sporadic shows and festivals into the 2020s, proving that their story refuses to end.
Alright, I’ve gotten more requests for this band than any of the last couples years… and they are definitely one of the most under-appreciated bands in rock history. —a group that sold 10 million albums and became superstars in Europe. But back here in America, they are a well-kept secret. Their debut album accidentally became a massive import hit in Germany, selling 50,000 copies before anyone even knew what was happening. And the country has loved them ever since. For this one, we’re gonna count down my Top 3 picks from their catalog, which includes one song where the lead singer wasn’t hitting the vocals with enough intensity. So his producer set up the mic stand on a crossbeam 35 feet in the in air in an old barn. And he made this singer climb up there and record the track. Would this circus stunt bring out the best in this vocalist, or would it completely backfire? We’ve got the story and even more good stuff coming up next on POR.
-----------------------------------------------------------------------------------------------------------------------
Executive Producer
Brandon Fugal
Honorary Producers
Norman Buchwald, Cliff Konstans, Steve DocPinko Cloutier, Jenny Blaxell, Jason Elliott, AArthriticGamer
-----------------------------------------------------------------------------------------------------------------------
Subscribe to the Professor of Rock Podcast
Apple: apple.co/445fVov
Spotify: spoti.fi/42JpfvU
Amazon: amzn.to/44b5D6m
iHeartRadio: bit.ly/444h8MO
-----------------------------------------------------------------------------------------------------------------------
Patreon: bit.ly/ProfessorofRockVIPFan
Merch Store: professor-of-rock-lsn-shop.fourthwall.com
Instagram: bit.ly/Instagram_Professor_of_Rock
#classicrock #80smusic #80srock #onehitwonder
Hey Music Junkies I’ve got a short and sweet video for you today on a band that I’ve received more request for than anything over the last few years.. if you know them You’ll be psyched it you don’t know them you’ll be over the moon to discover them. It’s Saga! Let’s get into it. In 1977, just outside Toronto in Oakville, Ontario, a group of musicians were about to create something that would leave a lasting mark on progressive rock. Rising from the ashes of an earlier band called Pockets, Saga was born. The founding lineup featured vocalist and multi-instrumentalist Michael Sadler, bassist Jim Crichton, his brother Ian Crichton on guitar, drummer Steve Negus, and keyboardist Jim Gilmour. Together, they crafted a sound that blended the technical brilliance of prog with infectious melodies and a futuristic, sci-fi edge. Their self-titled debut hit shelves in 1978, and right out of the gate, fate smiled on them. A Toronto record store started exporting Canadian albums to Germany, and before anyone knew what was happening, Saga's debut sold 50,000 copies as an import.
Riding that momentum, Saga returned to the studio in 1979 for their second album, Images at Twilight. The single "It's Time" became their first chart hit, climbing into the Top 10 on Canadian radio. 1980's Silent Knight kept the ball rolling. But it was 1981's Worlds Apart that truly launched Saga into the stratosphere. This album cracked the US Top 30 and went platinum in Canada. The single "On the Loose" became a massive MTV staple and hit # 3 on the US Rock Charts. The success of Worlds Apart turned Saga into road warriors. They toured relentlessly across the US, Canada, and Europe. In 1983, Saga dropped Heads or Tales, and while it didn't match Worlds Apart's numbers in North America, it went to #1 in Germany. The album produced three solid singles: "Scratching the Surface," "The Flyer," and "Catwalk." Around this time, Saga became the first Canadian rock group to perform behind the Iron Curtain. They were also honored with Germany's prestigious Gold Ticket Award for being the year's top-selling concert act. But while they were household names across Europe, especially in Germany and Scandinavia, back home in North America Saga was more of a well-kept secret.
The momentum continued with 1985's Behaviour, which also hit #1 in Germany and found success in the US and Canada. They released two more albums in the 80s,1987's Wildest Dreams, followed by 1989's The Beginner's Guide to Throwing Shapes. The band kept pushing forward, and the 90s saw them experimenting more. In 2007, Michael Sadler, the voice of Saga, departed to focus on his family, but he returned in 2011. And the band kept releasing solid albums and touring internationally throughout the 2000s and beyond. In 2017, after 40 years and 22 studio albums, Saga announced their retirement with "The Final Chapter" farewell tour. Still, the band has continued to play sporadic shows and festivals into the 2020s, proving that their story refuses to end.







![Icons SELF PROCLAIMED Masterpiece is EMBARRASSING & Everyone Knows it But Him! | Professor of Rock
Today we’re covering 7 songs that prove that even the rock’s most legendary artists and bands are still human. Songs that would have been better left on the cutting room floor. I’m calling this one “When Bad Songs happen to great artists.” And sadly, there is no shortage of tracks to choose from. Actually, a lot of these were hubris songs by one band member who just had to have it his or her way. Even after other band members tried to talk them out of it. But they just wouldn’t listen. For example, we’ve got the story of the legendary frontman Sting, who physically buried the master tape of his guitarist Andy Summers avant-garde song Mother in a garden… because it was so awful. But Andy dug it up and got it onto the album. Another incredible song Silver Springs was replaced by a so-so track Oh Daddy, keeping the album Rumours from being absolutely perfect. Then theres the heartbreaking tale of one of rock and roll’s true geniuses Brian Wilson who was coerced into recording a cringeworthy rap song called Smart Girls. Plus, there’s the ill-advised GNR album closer My World that this band’s guitarist didn’t even know existed until he bought the CD after it was released.
Get your tickets to Professor of Rock Live featuring John Fogerty
https://playatgila.com/show/an-exclusive-evening-of-stories-and-songs-with-john-fogerty/
Executive Producer
Brandon Fugal
Honorary Producers
Robert Taylor, Missy D, Stan Summay, MG, David Fritz
Subscribe to the Professor of Rock Podcast
Apple: https://apple.co/445fVov
Spotify: https://spoti.fi/42JpfvU
Amazon: https://amzn.to/44b5D6m
iHeartRadio: https://bit.ly/444h8MO
Patreon: http://bit.ly/ProfessorofRockVIPFan
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#classicrock #80smusic #80srock
In at #7, it’s Queen with Body Language.” We all know just how eclectic this band’s sound and catalog is. In a similar vein as Blondie, Queen tapped into all kinds of genres to score their biggest hits… glam rock, power pop, hard rock, art rock infused with opera, gospel, arena rock, rockabilly, funk… In the 70s, Queen went from “Killer Queen” to Bohemian Rhapsody, and from We Will Rock You” to “Don’t Stop Me Now,” and filled in the gaps with so many other generational cuts… The 70s gave Queen 6 Top 5 albums in the UK and 4 Top 10s in the US. And by the early 80s they were still on top of their game, with their 1980 LP “The Game!” The London, England foursome was at the peak of their powers with two #1 singles: Crazy Little Thing Called Love and Another One Bites the Dust.
But afterwards, the bulk of what they released in the 80s, especially here in America, felt like a series of missteps. Yes, you had undeniable tracks like Under Pressure (with the help of David Bowie). And I would argue the theme from the movie Flash is a banger. But a lot of their 80s catalog just didn’t hit like it did in the 70s. And their 10th studio album 1982’s Hot Space is the go-to example. It was a mix of new wave, dance, pop, disco, funk, and R&B… which are all great genres. But, the problem was, Queen kicked rock to the curb on this one. Freddie Mercury, who is in most cases is a creative genius, monopolized the vision on this one. And much to Brian May’s chagrin, Hot Space toned down the guitar and cranked up beat, leaning into dance grooves… There’s no doubt that this was Queen’s “jump the shark moment” here in America… especially with the commercial dominance of The Game still visible in the rearview mirror. Hot Space effectively killed Queen’s chart momentum for the rest of the decade.
And the album’s single Body Language was at the heart of it all. Frequently cited as one of the bands absolute worst efforts. Thematically, the song trades in Queen’s signature poetic flair for minimalistic lyrics about a booty call. There’s not much depth to it. The song puts Freddie’s stellar voice on ice in exchange for a series of rhythmic commands. Sonically, Body Language is just as minimalist. It features a heavy synth bassline and almost zero guitar. And for a band highly influenced by Brian May’s complex guitar work, this was a massive blow, and left May feeling sidelined. Said Brian about the album and the song, “There are a few mixes on this one which I would have done differently had it just been me producing… There are some things on the album which I felt came out too light, [such as] Body Language. Theres a lot of things where I felt that we became so obsessed with the rhythm side that we were afraid to turn up the guitars.” Icons SELF PROCLAIMED Masterpiece is EMBARRASSING & Everyone Knows it But Him! | Professor of Rock](https://i.ytimg.com/vi/nYAoOhIKtgU/mqdefault.jpg)


