Uploaded December 2025 | Updated September 2026, 2 weeks ago
He is a master of percussion. Bernhard Schimpelsberger has a knack for intuitively embracing new musical languages. His insatiable curiosity about percussion instruments from around the world will also be on display at his concert at the Beethovenfest Bonn 2025. We were there and talked to him about the convergence of Western classical music and Indian classical music. He also showed us some of his unusual homemade instruments.
The Austrian percussionist is known for transferring the rhythms of the Indian tabla to Western percussion instruments. Already at the age of 15, he studied the complex rhythmic system of Indian classical music under master drummer Pandit Suresh Talwalkar, who became Schimpelsberger's guru.
Bernhard Schimpelsberger also travels across all continents to discover new instruments, sounds, and techniques—and loves to combine them into a fusion. He performs on a multi-layered and melodious percussion kit, with a unique style described as “gripping, responsive solo percussion” (Chicago Tribune), “in a style true to that of a tabla virtuoso” (Confluence).
Report: Enno Hinz and Nick Counter
Camera: Natalie Wittmann, Moritz Vogt and Timon Heidorn
Editing: Natalie Wittmann
© Thumbnail photo: Maike Munstermann
© 2025 DEUTSCHE WELLE
Watch more fascinating documentaries: youtube.com/playlist?list=PL_SdnzPd3eBUu43Xaa5AYyL7MruoJ42WD
and more portraits of interesting musicans: youtube.com/playlist?list=PL_SdnzPd3eBUGCdoVYLjdUZa_L1OU6tMD
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#percussionist #classicalmusic #musicdocumentary
He is a master of percussion. Bernhard Schimpelsberger has a knack for intuitively embracing new musical languages. His insatiable curiosity about percussion instruments from around the world will also be on display at his concert at the Beethovenfest Bonn 2025. We were there and talked to him about the convergence of Western classical music and Indian classical music. He also showed us some of his unusual homemade instruments.
The Austrian percussionist is known for transferring the rhythms of the Indian tabla to Western percussion instruments. Already at the age of 15, he studied the complex rhythmic system of Indian classical music under master drummer Pandit Suresh Talwalkar, who became Schimpelsberger's guru.
Bernhard Schimpelsberger also travels across all continents to discover new instruments, sounds, and techniques—and loves to combine them into a fusion. He performs on a multi-layered and melodious percussion kit, with a unique style described as “gripping, responsive solo percussion” (Chicago Tribune), “in a style true to that of a tabla virtuoso” (Confluence).
Report: Enno Hinz and Nick Counter
Camera: Natalie Wittmann, Moritz Vogt and Timon Heidorn
Editing: Natalie Wittmann
© Thumbnail photo: Maike Munstermann
© 2025 DEUTSCHE WELLE
Watch more fascinating documentaries: youtube.com/playlist?list=PL_SdnzPd3eBUu43Xaa5AYyL7MruoJ42WD
and more portraits of interesting musicans: youtube.com/playlist?list=PL_SdnzPd3eBUGCdoVYLjdUZa_L1OU6tMD
Subscribe to DW Classical Music: youtube.com/dwclassicalmusic
#percussionist #classicalmusic #musicdocumentary



![Chopin: Berceuse in D-flat major, Op. 57 | Daniel Barenboim, piano
A sumptuous lullaby written for the piano by one of classical musics leading composers — this is Frédéric Chopins Berceuse in D-flat major, Op. 57. Its performed here by Daniel Barenboim during an all-Chopin concert in Warsaw in 2010.
The Berceuse in D-flat major, Op. 57, is one of Frédéric Chopins (1810-1849) most delicate and unique piano compositions. The word berceuse means lullaby or cradle song, and with its gentle rocking rhythm, the piece has a calm, dreamlike quality thats fitting for bedtime. Originally titled Variantes, the piece was written in 1834/1844 during a time when Chopin stayed at his partner George Sand’s estate in Nohant, France.
At the start of this period on the estate, the couple was hosting Louisette, the young daughter of the singer and composer Pauline Viardot. Accounts suggest that she may have been the inspiration for the piece, since Chopin became very fond of her. The composer may also have taken inspiration from his own childhood — the main melody has been linked to a Polish song called Już miesiać zeszedl psy sie uspily [The moon now has risen, the dogs are asleep].
Musically speaking, the accompaniment of the Berceuse in the left hand provides a steady, rocking foundation, while the right hand plays with the original theme through delicate runs and ornaments in increasingly complex patterns. Towards the end of the work, the elaborate ornamentation fades out, and the original simplicity of the theme returns. The combination of technical sophistication and expressiveness makes the Berceuse an important example of Chopin’s later works.
Daniel Barenboim is one of the worlds leading conductors, having headed major orchestras such as the Chicago Symphony Orchestra and the Staatskapelle Berlin. A talented pianist, Barenboim has nursed a long relationship with the work of Chopin, frequently performing and recording his piano works.
Author: Sarah Hucal
© 2010 Accentus Music
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#chopin #solopiano #barenboim Chopin: Berceuse in D-flat major, Op. 57 | Daniel Barenboim, piano](https://i.ytimg.com/vi/bwU77KZlzdo/mqdefault.jpg)






