Uploaded July 2018 | Updated September 2026, 2 weeks ago
Hans Leeuw talks about his work combining trumpet with Max/MSP processing as part of the Max Power Users Symposium at the 2015 Electric Spring festival of electronic music, held at the University of Huddersfield.
https://www.hku.nl/OnderzoekEnExpertise/Lectoraten/Muziekontwerp/HansLeeuw.htm
electricspring.co.uk
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
Presented as part of the Electric Spring, Max/MSP Power Users Symposium 2015
As an experienced trumpet player my instrument is an extension of my body. In this talk I take this a step further and shows how I search for ways of sound design and mapping that add the digital world as an extra dimension of embodiment.
Hans Leeuw talks about his work combining trumpet with Max/MSP processing as part of the Max Power Users Symposium at the 2015 Electric Spring festival of electronic music, held at the University of Huddersfield.
https://www.hku.nl/OnderzoekEnExpertise/Lectoraten/Muziekontwerp/HansLeeuw.htm
electricspring.co.uk
research.hud.ac.uk/institutes-centres/cerenem/projects/creativecodinglab
Presented as part of the Electric Spring, Max/MSP Power Users Symposium 2015
As an experienced trumpet player my instrument is an extension of my body. In this talk I take this a step further and shows how I search for ways of sound design and mapping that add the digital world as an extra dimension of embodiment.
![Tim Rutherford-Johnson: Modern Composition and Culture since 1989 [24.11.2017]](https://i.ytimg.com/vi/hU0C1K96mv8/mqdefault.jpg "Tim Rutherford-Johnson: Modern Composition and Culture since 1989 [24.11.2017]
Music journalist and critic Tim Rutherford-Johnson discusses his acclaimed book Music After The Fall: Modern Composition and Culture Since 1989. Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall.
Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
Presented as part of hcmf// 2017.
https://johnsonsrambler.wordpress.com/
https://www.ucpress.edu/book.php?isbn=9780520283152
http://www.cerenem.org/")
