George Clark - Tate Film - LA Rebellion Case Study - D Word Screening Days @independentcinemaoffice
George Clark - Tate Film - LA Rebellion Case Study - D Word Screening Days  @independentcinemaoffice
Uploaded September 2015 | Updated September 2026, 1 week ago
George Clark, assistant curator at Tate Film, talks to us about their LA Rebellion season. The D Word Screening Days, diversifying UK audiences and celebrating BAME talent.

George Clark is Assistant Curator, Film at Tate Modern where he has curated seasons including L.A. Rebellion: Creating a New Black Cinema, TV As Material and co-curated Magiciens de la Terre: Reconsidered and Assembly: A Survey of Artist Film and Video in Britain 2008-2013 as well as retrospectives of Ute Aurand, Camille Henrot, Vlado Kristl, Mike Kuchar and Luis Ospina among others. His focus is on exploring and expanding histories of film and video practice globally; previously he was part of curatorial team for the 5th Bangkok Experimental Film Festival, curated a major focus on artist Lav Diaz for the 2012 AV Festival and co-curated ‘Infermental’ an exhibition on the international magazine on videocassette for Focal Point Gallery 2010. Clark has written for Afterall, Art Monthly, Mousse Magazine and Sight & Sound and has collaborated with artists Beatrice Gibson and Luke Fowler on film projects.

To read more about Tate Film's work on the LA Rebellion season, visit here: tate.org.uk/whats-on/tate-modern/eventseries/la-rebellion-creating-new-black-cinema

To read more about the D Word Screening Days, click here independentcinemaoffice.org.uk/screeningdays/thedword The D Word Screening Days was inspired by nitroBEAT, with great thanks. nitrobeat.co.uk/projects/d-word
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George Clark - Tate Film - LA Rebellion Case Study - D Word Screening Days

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