Uploaded November 2021 | Updated September 2026, 1 day ago
Dandoo / The Wee Cooper o' Fife / The Scolding Wife / Gentle Fair Jenny / Jennifer Gentle / As the Dew Flies over the Green Vallee / Robin-a-Thrush / Rissolty Rossolty / Hobblety Bobblety / Nickety Nackety / The Wife Wrapt in Wether's Skin (Child No. 277) - Sung by Captain Pearl R. Nye of Akron, Ohio. Recorded by Alan Lomax on November 3, 1937.
Song transcription:
I married me a wife, and took her home,
Yes I did.
I married me a wife, and took her home,
Where the dew flies over the valley.
I married me a wife, and took her home,
But often I wished I'd let her alone,
For often her heart seemed like a stone,
My gentle little Jenny.
When I come in 'tis from the field,
Yes it is.
When I come in 'tis from the field,
To greet my little Jenny.
When I come in 'tis from the plow,
And say kind wise, "My dear now."
And scorn she bows and starts a row,
My gentle little Jenny.
There's a piece of bread upon the shelf,
See it there.
There's a piece of bread upon the shelf,
Oh my bouncing little laddie.
There's a piece of bread upon the shelf,
If you want anymore you can bake it yourself,
My bouncing little laddie but your highness Master Paddy.
I gets me a knife, and I went to the barn,
Yes I did.
I gets me a knife, and I went to the barn,
For to cut me an old hickory.
I gets me a knife, and went to the barn,
A hickory I cut as long as my arm,
It did more good than a thousand charms
For gentle little Jenny.
Then I went out to my the sheep pen,
Yes I did.
Then I was out to my sheep pen,
Far off of my gentle Jenny.
Then I went out to my sheep pen,
And soon cut off an old wether's skin,
Then I put my dear little Jenny in,
My darling little Jenny.
She did not like it on her back,
No, no, no.
She did not like it on her back,
For the smart then to grow.
She did not like it on her back,
For my old hickory went wickety wack,
It took out wrinkles and the slack,
Of darling little Jenny.
I'll tell my father and all my kin,
Yes I will.
I'll tell my father and all my kin,
My bouncing little laddie.
I'll tell my father and all my kin,
That you whipped me with your hickory limb,
And then he'll say, come home to him,
My bouncing a little Paddy.
If you do, I'll tell you lies,
Yes, I will.
If you do, I'll tell you lies,
My darling little Jenny.
If you do, I'll say you lied,
I was only dressing my wether's hide,
And that is true can not be 'nied,
My darling little Jenny.
Then I come in 'tis my plow,
Yes, it is.
When I come in 'tis my plow,
My darling little Jenny.
When I come in 'tis my plow,
She acts much better like a new creature now,
In the old woman's hide she took a vow,
My darling little Jenny.
Dandoo / The Wee Cooper o' Fife / The Scolding Wife / Gentle Fair Jenny / Jennifer Gentle / As the Dew Flies over the Green Vallee / Robin-a-Thrush / Rissolty Rossolty / Hobblety Bobblety / Nickety Nackety / The Wife Wrapt in Wether's Skin (Child No. 277) - Sung by Captain Pearl R. Nye of Akron, Ohio. Recorded by Alan Lomax on November 3, 1937.
Song transcription:
I married me a wife, and took her home,
Yes I did.
I married me a wife, and took her home,
Where the dew flies over the valley.
I married me a wife, and took her home,
But often I wished I'd let her alone,
For often her heart seemed like a stone,
My gentle little Jenny.
When I come in 'tis from the field,
Yes it is.
When I come in 'tis from the field,
To greet my little Jenny.
When I come in 'tis from the plow,
And say kind wise, "My dear now."
And scorn she bows and starts a row,
My gentle little Jenny.
There's a piece of bread upon the shelf,
See it there.
There's a piece of bread upon the shelf,
Oh my bouncing little laddie.
There's a piece of bread upon the shelf,
If you want anymore you can bake it yourself,
My bouncing little laddie but your highness Master Paddy.
I gets me a knife, and I went to the barn,
Yes I did.
I gets me a knife, and I went to the barn,
For to cut me an old hickory.
I gets me a knife, and went to the barn,
A hickory I cut as long as my arm,
It did more good than a thousand charms
For gentle little Jenny.
Then I went out to my the sheep pen,
Yes I did.
Then I was out to my sheep pen,
Far off of my gentle Jenny.
Then I went out to my sheep pen,
And soon cut off an old wether's skin,
Then I put my dear little Jenny in,
My darling little Jenny.
She did not like it on her back,
No, no, no.
She did not like it on her back,
For the smart then to grow.
She did not like it on her back,
For my old hickory went wickety wack,
It took out wrinkles and the slack,
Of darling little Jenny.
I'll tell my father and all my kin,
Yes I will.
I'll tell my father and all my kin,
My bouncing little laddie.
I'll tell my father and all my kin,
That you whipped me with your hickory limb,
And then he'll say, come home to him,
My bouncing a little Paddy.
If you do, I'll tell you lies,
Yes, I will.
If you do, I'll tell you lies,
My darling little Jenny.
If you do, I'll say you lied,
I was only dressing my wether's hide,
And that is true can not be 'nied,
My darling little Jenny.
Then I come in 'tis my plow,
Yes, it is.
When I come in 'tis my plow,
My darling little Jenny.
When I come in 'tis my plow,
She acts much better like a new creature now,
In the old woman's hide she took a vow,
My darling little Jenny.
![Clydes Water (Child 216) - Willie Edward
The Clattering of the Clyde Waters / The Clattering o Clyde Waters / Clydes Water / Clydes Waters / Willie and May Margaret / The Drowned Lovers / The Mothers Malison (Child No. 216) - Sung by Willie Edward of Craigellachie, Banffshire, Scotland. Recorded by Hamish Henderson for the School of Scottish Studies in 1952. From Scottish Tradition 5: The Muckle Sangs Classic Scots Ballads (1975) Tangent Records TNGM 119/D (2 LP, UK, 1975).
Lines Notes by Hamish Henderson:
Child printed only three versions of this noble ballad, which has been carried forward strongly into our own day by oral transmission; all three are of surpassing interest to anyone wishing to survey the influence of remaking of various sorts on our balladry. Childs A [...] is a magnificent example of supple and flexible ballad Scots. His C (Peter Buchan), which is by far the longest (29 verses) [is] in its own way a powerful piece of work. [...] Childs B is from Mrs. Brown of Falkland [...].
Gavin Greig published a version - Peter Buchan nearly word for word - in his column in The Buchan Advertiser, and this may well have helped to keep the ballad in circulation in some areas; however, both versions you can hear now depend on family and local tradition going back before Gavin was born.
John Strachan opens with the omen of ill fortune (nose bleeding) which is also to be found in Peter and the Buchanie, but his text is markedly different from theirs. It omits the motif of Willies mothers curse which has provided the name for one of the titles given to the ballad (The Mothers Malison) although it might be argued that the curse is implicit in her strongly expressed disapproval.
Willie Edwards version, a superbly enunciated example of auld style ballad Scots, gives us the second half of the ballad. He starts at the point where Willie appeals to Maggie to let him in, and Maggies mother (counterfeiting her daughters voice, like another cruel mother in The Lass of Roch Royal) turns him away. Again, the text is different from both Peter and The Buchan Observer [sic].
Both our versions have the episode of Willies brother standing on the river bank and telling him to turn to his high horse heid and learn how to swim. This episode, which is in Peter Buchans text but not in Mrs. Browns, is dismissed by Child as absurd. However, if we look at the structure of the ballad, we can see that it is not so absurd after all. The opening scene of Clydes Water is really a variant of a familiar folktale lead-in; Willie is offered his mothers warning (by implication with her blessing) but takes instead his much-prized horse, with her curse. It is therefore wholly in accordance with the techniques of oral composition that Willie, in extremis, should be reminded of his earlier trust in his ain horse heels. And why should it be his brother who gives him this reminder? To an audience of earlier days, the minds of all its members saturated with the elemental folk motifs which link ballads and tales, there would have been no mystery - and no absurdity - about this one either. There are several ballads in which a mothers curse is associated with the death of one brother and the survival of another; [e.g. The Twa Brithers].
Song transcription:
[ So sleep ye, Maggie, waukin, Maggie,
Rise, come lat me in
For my boots are fu o Clyde water,
An Im soakin tae the skin ] *
So who is that at my window,
So fain he would be in
Tis yer own true lover Willie dear,
Frae Scotland he has came
Tis I hae nae lover there-oot, she cried,
I hae nae lover but een
Its the ae true love that I dae hae
Was here late yestreen
Swell fare ye well then, false Maggie,
Since better canna be
Oh Ill awa the road I cam,
Nae mair come thee to see ...
His brother stands upon yonder banks,
Says, Fie man, will ye droon
So turn ye roon tyir high horse heid
An learn how to swim
Oh why could I turn to my high horse head
And learn how to swim
Its the deepest pot in a the Clyde,
An here that I maun droon
... Oh mother dear,
Come rede my drowsy dream
I dreamt sweet Willie was at my gates,
Naer yin wid lat him in
S lie still, lie still, my Maggie dear,
Lie still an tak your rest
Since your true love was at your gates,
Tis full three quarters past
But its Maggie rose, put on her clothes,
An to the Clyde she went
The first step noo that she took in,
It took her tae the knee
The next step noo that she took in,
It took her tae the chin
In the deepest pot in a the Clyde
She found her Willie in
So you have got a cruel mother,
And I have got another
But here we lie in Clyde water
Like sister and like brother
* This verse was provided in the booklet notes but is missing from the recording. Clydes Water (Child 216) - Willie Edward](https://i.ytimg.com/vi/H3IBry54Pqs/mqdefault.jpg)





![The Elfin Knight (Child 2) - Martha Johnstone
The Task / The Devil and the Maid / Blaw, Ye Winds, Blaw / The Elfin Knight (Child No. 2) - Sung by Mrs. Martha Peasie Johnstone (Martha Reid), a Traveller of Birnam, Perthshire, Scotland. She learned the song from her great-grandfather David Whyte from Aberdeenshire. Recorded by Hamish Henderson in February 1957 for the School of Scottish Studies.
Note by Kevin W.:
The interlaced refrain has almost disappeared from this version. It isnt explicitly mentioned in the text but after the song Martha explains that it is the devil who is giving the impossible tasks to a girl and then she gives him an impossible question in return and he does not get her. She called the song The Task.
Martha Johnstone learned the old songs from her grandparents and from older Travellers. Were indebted to her for sharing her songs with people and to Maurice Fleming and Hamish Henderson in the 1950s, Peter Shepheard in the 1960s and Linda Williamson in later years for visiting and recording her.
Martha told Linda Williamson how she tried to teach The Golden Vanity to her grandchildren, to get them interested in the old songs, but they had more interest in television than singing. Most singers, and especially Travellers felt regret at not being able to pass their songs on to a new generation. A song wasnt only a song, it was a living memory of their parents, their forebears. While singing there was a strong emotional connection with the person the song was learned from. When that person passed their memory lived on whenever the song was sung.
The original recording can be listened to here:
https://www.tobarandualchais.co.uk/track/21693?l=en
A biography of Martha Johnstone along with many further sound recordings can be found here:
https://www.tobarandualchais.co.uk/person/2719?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, it is well worth your time if you are interested in Martha Johnstones song repertoire: https://era.ed.ac.uk/handle/1842/8223
Song transcription:
O make to me aye a Holland shirt,
Without either seam nor needle-work.
Youll wash it in to yon draw-well,
Where there never was water, nor one drap o dew fell,
An its ho, ho the windll blow.
O youll dry it owr yon thorn-haw bush,
Where there never was thorn since Adam was born,
An its ho, ho the windll blow.
Youll fetch to me two acres o land,
Between thon salt sea and yon salt sea strand.
Youll plou it up with the Divil taps horn,
An its ho, ho the windll blow.
Youll sow it oer with one grain o corn,
Youll ripen it up with one blink o sun,
[Youll cut it down with a pea-hens feather,] *
Youll stook it up by the sting of an ether [adder],
An its ho, ho the windll blow.
Youll yoke two sparrows in a match-box,
Youll cart it home to your own farmyard,
Ho, ho the windll blow.
For surely when you pit sich tasks on me,
Ill surely pit aye as hard on you:
How many strawberries grows on the salt sea?
And how many ships sails in the forest?
An its ho, ho the windll blow.
The two questions in the last verse are taken from The False Bride (Roud No. 154).
* This line was sung on other occasions but missed this time. The Elfin Knight (Child 2) - Martha Johnstone](https://i.ytimg.com/vi/JK-jtBmNahQ/mqdefault.jpg)



