Uploaded November 2021 | Updated September 2026, 3 days ago
I'll Cut Off My Long Yellow Hair / My Brother Built Me a Bancy Bower / My Father Built Me a Shady Bower / Sweet William / The Small Birds Whistle / Dukes and Earls / The Border Widow's Lament / The Famous Flower of Serving Men (Child No. 106) - Sung by Mary Delaney, an Irish Traveller from County Tipperary. Recorded by Jim Carroll & Pat Mackenzie on May 27, 1977. From "From Puck to Appleby: Songs and stories from Jim Carroll's and Pat Mackenzie's recordings of Irish Travellers in England." (2003) Musical Traditions MTCD325-6.
Liner Notes:
In 1776, Bishop Percy of Dromore obtained a text of The Famous Flower of Serving Men from the Dean of Derry, whose mother remembered having seen it on a broadside. It does not seem to have turned up in Ireland since, apart from this confused fragment which Mary got from her father. However, Frank Purslow, in his note to the version included in the Hammond and Gardiner collection, found in Hampshire in 1908, writes of the song and its singer, Albert Doe:
‘Apparently a good singer with a very fine repertoire, some, if not all, of Irish origin. The tune of this, in any case, betrays its country of origin, as it is a variant, a good one, of a tune very much associated with texts of Irish origin, such as The Croppy Boy, The Isle of France, Sweet William, The Wild and Wicked Youth and several others’.
The earliest known text was on a broadside in the mid -17th century, which was said to have been written by one Laurence Price, but Child suggests that he had based this on an earlier popular romance. It has been found among English Travellers, one of the most complete versions being from Dorset gypsy, Caroline Hughes, in the 1960s.
Song transcription:
My brother built me for a bancy bower,
It was decked all over with pinks and flowers,
It was decked all over with the laurel green,
And such a bower that was never seen.
When Sweet William, he got the house alone,
He pulled out his bagpipes and played one tune,
Oh he changed his name oh, by note to note,
From Sweet William into Fair Ellen.
Now he went down to the looking glass,
And there he cut off his yellow locks,
When he changed his name into Fair Ellen.
They could not do him any greater harm
Than to kill the baby lie in his arms,
For to kill the baby lie in his arms,
And to change his name into Fair Ellen.
I'll Cut Off My Long Yellow Hair / My Brother Built Me a Bancy Bower / My Father Built Me a Shady Bower / Sweet William / The Small Birds Whistle / Dukes and Earls / The Border Widow's Lament / The Famous Flower of Serving Men (Child No. 106) - Sung by Mary Delaney, an Irish Traveller from County Tipperary. Recorded by Jim Carroll & Pat Mackenzie on May 27, 1977. From "From Puck to Appleby: Songs and stories from Jim Carroll's and Pat Mackenzie's recordings of Irish Travellers in England." (2003) Musical Traditions MTCD325-6.
Liner Notes:
In 1776, Bishop Percy of Dromore obtained a text of The Famous Flower of Serving Men from the Dean of Derry, whose mother remembered having seen it on a broadside. It does not seem to have turned up in Ireland since, apart from this confused fragment which Mary got from her father. However, Frank Purslow, in his note to the version included in the Hammond and Gardiner collection, found in Hampshire in 1908, writes of the song and its singer, Albert Doe:
‘Apparently a good singer with a very fine repertoire, some, if not all, of Irish origin. The tune of this, in any case, betrays its country of origin, as it is a variant, a good one, of a tune very much associated with texts of Irish origin, such as The Croppy Boy, The Isle of France, Sweet William, The Wild and Wicked Youth and several others’.
The earliest known text was on a broadside in the mid -17th century, which was said to have been written by one Laurence Price, but Child suggests that he had based this on an earlier popular romance. It has been found among English Travellers, one of the most complete versions being from Dorset gypsy, Caroline Hughes, in the 1960s.
Song transcription:
My brother built me for a bancy bower,
It was decked all over with pinks and flowers,
It was decked all over with the laurel green,
And such a bower that was never seen.
When Sweet William, he got the house alone,
He pulled out his bagpipes and played one tune,
Oh he changed his name oh, by note to note,
From Sweet William into Fair Ellen.
Now he went down to the looking glass,
And there he cut off his yellow locks,
When he changed his name into Fair Ellen.
They could not do him any greater harm
Than to kill the baby lie in his arms,
For to kill the baby lie in his arms,
And to change his name into Fair Ellen.



![The Elfin Knight (Child 2) - Martha Johnstone
The Task / The Devil and the Maid / Blaw, Ye Winds, Blaw / The Elfin Knight (Child No. 2) - Sung by Mrs. Martha Peasie Johnstone (Martha Reid), a Traveller of Birnam, Perthshire, Scotland. She learned the song from her great-grandfather David Whyte from Aberdeenshire. Recorded by Hamish Henderson in February 1957 for the School of Scottish Studies.
Note by Kevin W.:
The interlaced refrain has almost disappeared from this version. It isnt explicitly mentioned in the text but after the song Martha explains that it is the devil who is giving the impossible tasks to a girl and then she gives him an impossible question in return and he does not get her. She called the song The Task.
Martha Johnstone learned the old songs from her grandparents and from older Travellers. Were indebted to her for sharing her songs with people and to Maurice Fleming and Hamish Henderson in the 1950s, Peter Shepheard in the 1960s and Linda Williamson in later years for visiting and recording her.
Martha told Linda Williamson how she tried to teach The Golden Vanity to her grandchildren, to get them interested in the old songs, but they had more interest in television than singing. Most singers, and especially Travellers felt regret at not being able to pass their songs on to a new generation. A song wasnt only a song, it was a living memory of their parents, their forebears. While singing there was a strong emotional connection with the person the song was learned from. When that person passed their memory lived on whenever the song was sung.
The original recording can be listened to here:
https://www.tobarandualchais.co.uk/track/21693?l=en
A biography of Martha Johnstone along with many further sound recordings can be found here:
https://www.tobarandualchais.co.uk/person/2719?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, it is well worth your time if you are interested in Martha Johnstones song repertoire: https://era.ed.ac.uk/handle/1842/8223
Song transcription:
O make to me aye a Holland shirt,
Without either seam nor needle-work.
Youll wash it in to yon draw-well,
Where there never was water, nor one drap o dew fell,
An its ho, ho the windll blow.
O youll dry it owr yon thorn-haw bush,
Where there never was thorn since Adam was born,
An its ho, ho the windll blow.
Youll fetch to me two acres o land,
Between thon salt sea and yon salt sea strand.
Youll plou it up with the Divil taps horn,
An its ho, ho the windll blow.
Youll sow it oer with one grain o corn,
Youll ripen it up with one blink o sun,
[Youll cut it down with a pea-hens feather,] *
Youll stook it up by the sting of an ether [adder],
An its ho, ho the windll blow.
Youll yoke two sparrows in a match-box,
Youll cart it home to your own farmyard,
Ho, ho the windll blow.
For surely when you pit sich tasks on me,
Ill surely pit aye as hard on you:
How many strawberries grows on the salt sea?
And how many ships sails in the forest?
An its ho, ho the windll blow.
The two questions in the last verse are taken from The False Bride (Roud No. 154).
* This line was sung on other occasions but missed this time. The Elfin Knight (Child 2) - Martha Johnstone](https://i.ytimg.com/vi/JK-jtBmNahQ/mqdefault.jpg)





![The Death of Queen Jane (Child 170) (October 1987) - Duncan Williamson
The Death of Queen Jane (Child No. 170) - Sung by Duncan Williamson, a Traveller of Furnace, Argyllshire, Scotland, later settled in Fife. He learned it from his grandmother Bett MacColl in Tarbert, Loch Fyne, Kintyre. Recorded by John D. Niles in October 1987 at a rented house outside Ithaca, New York.
The original recording can be heard here:
https://search.library.wisc.edu/digital/AB34LE2XNHS5FC8O
A biography of Duncan Williamson can be read here:
https://www.tobarandualchais.co.uk/person/4292?l=en
Linda Williamsons thesis on Scottish Traveller singing can be read here, its well worth your time if youre interested in Duncan Williamsons song repertoire: https://era.ed.ac.uk/handle/1842/8223
Note by Kevin W.:
This song enjoyed some popularity among Scottish Travellers but always in a condensed form that leaves out much of the story.
Duncan was quite emotional about singing it, sometimes being unable to finish it without breaking down. Not because of the story but because he strongly associated this song with the singing of his mother.
Quite interestingly the mispronunciation of immediately was not limited to Duncans version. Bertrand Harris Bronson printed a text sung by a Mrs. Alex Muir who learned it from a Lanarkshire source, 1845, that displays a similar distinction:
Her mither was sent for and immenjently came,
And she sat at the bedside along with Queen Jean;
O mither, dear mither, if mither ye be,
O send for my faither to come and see me!
Song transcription:
DW: Well, I thought you were going to talk about one Ive never done for you, Queen Jane. That was Henrys mother, that was the first Caesarean birth.
JN: Lets hear about Queen Jane.
DW: Well, she was, she was — [very short break in the recording] — of Henry, King Henry. Henry the Eighth, I think it was. And, eh, this is what she said:
She said, Mother, dearest Mother,
Will you do one thing for me?
Will you send for my father
For to come and see me?
For my two sides are weary,
And my back it is sae sair.
For I never had a wink o sleep
For three weeks or mair.
So her father he was sent for,
And immediately he came.
Sitting down by her bedside—
What ails you, my queen?
Oh, my two sides are sae weary,
And ma back it is sae sair.
And I never had a wink o sleep
For three weeks or mair.
Oh Father, dearest Father,
Will you do one thing for me?
Will you send for my doctor,
For to come and see me?
So her doctor he was sent for,
And immediately he came.
Setting down by her bedside —
What ails you, my queen?
Oh, my two sides are weary,
And my back it is sae sair.
And I never had a wink o sleep
For three weeks or mair.
Oh doctor, dearest doctor,
Will you do one thing for me?
Will you open my two sides
And free my baby?
So her sides they were opened
And her baby was free.
But poor queen Jane —
Oh, she passed away.
DW: That was the first Caesarean birth that ever was. Doctor opened up her side — she couldnt have the baby, so he opened up her side and took the baby out. But — the baby lived, but she died. Thats a true story.
JN: Thats true. Thats true.
DW: Yeah.
JN: Thats the way the song tells the story, but —
DW: My granny used to sing that.
JN: Oh, she—your granny sang that?
DW: My granny taught me that.
JN: Granny MacDonald?
DW: Ah, no, Granny McColl.
JN: Granny McColl.
DW: Right. No, Granny MacDonald never sang these songs. She told little stories and cracks, and wee things, you know. She never sung any. But Big Bett McColl sung all the time, yeah.
[In the recording from which this part is excerpted, Williamson goes on to tell how his father and mother used to stay with Bett MacColl and her estranged husband Willie Williamson outside the village of Tarbert, Kintyre, when his family first set out on the road each spring.] The Death of Queen Jane (Child 170) (October 1987) - Duncan Williamson](https://i.ytimg.com/vi/LURSZixXmb8/mqdefault.jpg)
