Uploaded January 2019 | Updated September 2026, 2 weeks ago
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Johann Jacob Froberger: Suite XIX in c minor: Allemande & Sarabande.
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz.
A companion video to the recording of Froberger's Suite XIX in c minor I posted two weeks ago. Continuing on the theme of temperament as a means of expression, in this video I perform two movements of the suite (the Allemande and the Sarabande) in a Rameau temperament, to show how different temperaments can affect the character and expressive content of a piece. The introduction provides a brief demonstration of the differences between quarter-comma meantone and Rameau temperaments.
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Johann Jacob Froberger: Suite XIX in c minor: Allemande & Sarabande.
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz.
A companion video to the recording of Froberger's Suite XIX in c minor I posted two weeks ago. Continuing on the theme of temperament as a means of expression, in this video I perform two movements of the suite (the Allemande and the Sarabande) in a Rameau temperament, to show how different temperaments can affect the character and expressive content of a piece. The introduction provides a brief demonstration of the differences between quarter-comma meantone and Rameau temperaments.
![Geoffroy: Two Passacaglias in a minor. John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
Thank you for your support!
Jean-Nicolas Geoffroy: Passacaille [127] en A mi la; Passacaille [229] en A mi la.
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Geoffroy: Two Passacaglias in a minor. John Moraitis, harpsichord.](https://i.ytimg.com/vi/gAh7go_eU18/mqdefault.jpg)









