Uploaded January 2019 | Updated September 2026, 2 weeks ago
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Thank you for your support!
Chapters:
0:00 Introduction
1:14 The Bulyowsky Manuscript
4:24 Characteristics of quarter-comma meantone
9:29 Temperament as a means of expression
10:23 Quarter-comma meantone & Froberger's c minor suite
13:59 Tonal ambiguity in the 17th century
15:30 Tonal ambiguity in Froberger
18:16 Concluding remarks
20:00 Allemande
23:40 Gigue
25:46 Courante
27:12 Sarabande
Johann Jacob Froberger: Suite XIX in c minor:
I. Allemande
II. Gigue
III. Courante
IV. Sarabande
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: quarter-comma meantone. A=415 Hz.
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Chapters:
0:00 Introduction
1:14 The Bulyowsky Manuscript
4:24 Characteristics of quarter-comma meantone
9:29 Temperament as a means of expression
10:23 Quarter-comma meantone & Froberger's c minor suite
13:59 Tonal ambiguity in the 17th century
15:30 Tonal ambiguity in Froberger
18:16 Concluding remarks
20:00 Allemande
23:40 Gigue
25:46 Courante
27:12 Sarabande
Johann Jacob Froberger: Suite XIX in c minor:
I. Allemande
II. Gigue
III. Courante
IV. Sarabande
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: quarter-comma meantone. A=415 Hz.










![Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
Thank you for your support!
Nicolas Lebègue: Suite en D la ré sol (from Les Pièces de Clavessin [1677]):
V. Sarabande
VI. Gavotte
VII. Menuet
VIII. Canaris
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.](https://i.ytimg.com/vi/jwqssvGU-Lg/mqdefault.jpg)