Uploaded March 2026 | Updated September 2026, 5 days ago
Music hall performer and composer Frank Leo (1874-1940) sings "Waiting For Further Evidence", a song about a slightly bent copper who takes advantage of his position!
FRANK LEO
Vocals accompanied by unidentified band (possibly The London Orchestra)
Recorded in London in late 1914 or early 1915.
AK-18522e…….Waiting For Further Evidence…….Cinch 5362
Frank Leo was a prolific songwriter, composer and performer, known for humorous songs with a touch of wit and irony, including "I've Only Come Down For The Day", "Where Do Flies Go In The Winter" (with Sam Mayo), "We Are All Equal In The Sea", "You Aught To See The Way We're Coming Along" and "You Can't Make Music With That". Leo's songs often hint at social prejudices.
At the height of his success, Frank Leo lived at 36, Primrose Mansions, Prince Of Wales' Road (renamed Prince of Wales Drive in the early 20th century), Battersea Park, London. This exists, more or less unchanged, today……a very affluent (and thus expensive!) area. He died at his home in Clifden Road, Twickenham, in 1940.
"Cinch" records were produced anonymously by the Gramophone Company (makers of HMV and Zonophone records) from 1913 and 1916, aimed at the lower "popular" end of the market, where the likes of Coliseum and Scala were already scoring success. These labels were pressed in Germany by the Beka Company, but World War One put a stop to this and effectively removed the competition that had been felt by the Gramophone Company's cheaper Zonophone label. However, Cinch proved so popular that the Gramophone Company let the label run until 1916, by which stage sales had dropped. It should be mentioned that earlier Cinch records were also pressed in Germany!
Unfortunately, this copy is rather worn, especially towards the start, hence the surface noise (which I have reduced as far as it is possible to do without cutting into the music).
Music hall performer and composer Frank Leo (1874-1940) sings "Waiting For Further Evidence", a song about a slightly bent copper who takes advantage of his position!
FRANK LEO
Vocals accompanied by unidentified band (possibly The London Orchestra)
Recorded in London in late 1914 or early 1915.
AK-18522e…….Waiting For Further Evidence…….Cinch 5362
Frank Leo was a prolific songwriter, composer and performer, known for humorous songs with a touch of wit and irony, including "I've Only Come Down For The Day", "Where Do Flies Go In The Winter" (with Sam Mayo), "We Are All Equal In The Sea", "You Aught To See The Way We're Coming Along" and "You Can't Make Music With That". Leo's songs often hint at social prejudices.
At the height of his success, Frank Leo lived at 36, Primrose Mansions, Prince Of Wales' Road (renamed Prince of Wales Drive in the early 20th century), Battersea Park, London. This exists, more or less unchanged, today……a very affluent (and thus expensive!) area. He died at his home in Clifden Road, Twickenham, in 1940.
"Cinch" records were produced anonymously by the Gramophone Company (makers of HMV and Zonophone records) from 1913 and 1916, aimed at the lower "popular" end of the market, where the likes of Coliseum and Scala were already scoring success. These labels were pressed in Germany by the Beka Company, but World War One put a stop to this and effectively removed the competition that had been felt by the Gramophone Company's cheaper Zonophone label. However, Cinch proved so popular that the Gramophone Company let the label run until 1916, by which stage sales had dropped. It should be mentioned that earlier Cinch records were also pressed in Germany!
Unfortunately, this copy is rather worn, especially towards the start, hence the surface noise (which I have reduced as far as it is possible to do without cutting into the music).




![12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)
British banjoist Charlie Rogers plays Smoky Mokes, recorded on a 7 Odeon in October 1903. Rogers was just 12 years old at the time, hence the use of the title Master on the record label. Smoky Mokes was written in 1899 by Abe Holzmann.
CHARLIE ROGERS
Banjo solo with accompaniment by unknown pianist
Recorded London, c. October 1903
2076-2…….Smoky Mokes.......Odeon 2076
Note: Transfer - Nick Dellow and Mark Berresford, using Marks copy of Odeon 2076 from his collection. Audio restoration - Nick Dellow. Speed adjustment / repitching - Mark Berresford (main key is C; speed is 77 rpm).
Born in Shepherds Bush, London on 15th December 1890, Charlie Rogers first played in public around 1899, aged 8. Rogers acquired Vess Ossmans technique by listening to all of his cylinder recordings and learning the solos off by heart. Its said that he took lessons from Vess Ossman when Ossman toured England in 1900 and 1903, and also from the legendary British banjoist Joe Morley. He was hired by Clifford Essex for his Royal Pierrots in 1901 (the troupe included Joe Morley) and remained with them until c. 1904, billed as The Wonder Boy Banjoist. Rogers toured the music halls throughout the Edwardian period.
In addition to Odeon, Charlie Rogers also recorded for Zonophone, Nicole and Neophone. The Zonophone catalogue of July 1904 states: Only 14 years of age [at the time, he was actually 13], and certainly the most remarkable Banjoist in England. He continued to record up until January 1907 (the last recording session was for Neophone).
While on active service during World War One, Rogers right hand was injured by a bullet and sadly this put paid to his career as a banjoist. He remained in the army and rose to the rank of Major. Between 1933 and 1938, he was with the Army Pay Corps in Iraq! 12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)](https://i.ytimg.com/vi/4NAihd3jjek/mqdefault.jpg)





