Uploaded November 2024 | Updated September 2026, 4 days ago
Here is a new electronic phonograph cylinder machine, superbly built by Stephen Bennett of Vintagetech, UK. Stephen has been working on its design for several years, during which time I have provided advice and feedback with regard to functionality and features, based on my previous experience using electrical cylinder machines of a more rudimentary design.
The cylinder that you hear being played is an Edison Blue Amberol (catalogue number 23007), recorded in London in 1913. The title is "Off I Went To Doctor", composed by Harry Fragson and sung by Jack Charman. (NOTE: Before playing this video, please make sure that "Stable Volume" is switched OFF in the YouTube "Settings").
Please note that no restoration processes or audio filters have been applied to this transfer. What you hear is the music signal coming directly from the cylinder, played through the machine's own internal pre-amp (which features variable equalisation) and then an external graphic equaliser (a Klark-Teknik DN360), with the signal finally digitised onto a PC using a standard sound-card.
For further details about this electrical phonograph cylinder machine, please visit the Vintagetech website and go to the page named cylinderplayer.
Here is a new electronic phonograph cylinder machine, superbly built by Stephen Bennett of Vintagetech, UK. Stephen has been working on its design for several years, during which time I have provided advice and feedback with regard to functionality and features, based on my previous experience using electrical cylinder machines of a more rudimentary design.
The cylinder that you hear being played is an Edison Blue Amberol (catalogue number 23007), recorded in London in 1913. The title is "Off I Went To Doctor", composed by Harry Fragson and sung by Jack Charman. (NOTE: Before playing this video, please make sure that "Stable Volume" is switched OFF in the YouTube "Settings").
Please note that no restoration processes or audio filters have been applied to this transfer. What you hear is the music signal coming directly from the cylinder, played through the machine's own internal pre-amp (which features variable equalisation) and then an external graphic equaliser (a Klark-Teknik DN360), with the signal finally digitised onto a PC using a standard sound-card.
For further details about this electrical phonograph cylinder machine, please visit the Vintagetech website and go to the page named cylinderplayer.
![12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)
British banjoist Charlie Rogers plays Smoky Mokes, recorded on a 7 Odeon in October 1903. Rogers was just 12 years old at the time, hence the use of the title Master on the record label. Smoky Mokes was written in 1899 by Abe Holzmann.
CHARLIE ROGERS
Banjo solo with accompaniment by unknown pianist
Recorded London, c. October 1903
2076-2…….Smoky Mokes.......Odeon 2076
Note: Transfer - Nick Dellow and Mark Berresford, using Marks copy of Odeon 2076 from his collection. Audio restoration - Nick Dellow. Speed adjustment / repitching - Mark Berresford (main key is C; speed is 77 rpm).
Born in Shepherds Bush, London on 15th December 1890, Charlie Rogers first played in public around 1899, aged 8. Rogers acquired Vess Ossmans technique by listening to all of his cylinder recordings and learning the solos off by heart. Its said that he took lessons from Vess Ossman when Ossman toured England in 1900 and 1903, and also from the legendary British banjoist Joe Morley. He was hired by Clifford Essex for his Royal Pierrots in 1901 (the troupe included Joe Morley) and remained with them until c. 1904, billed as The Wonder Boy Banjoist. Rogers toured the music halls throughout the Edwardian period.
In addition to Odeon, Charlie Rogers also recorded for Zonophone, Nicole and Neophone. The Zonophone catalogue of July 1904 states: Only 14 years of age [at the time, he was actually 13], and certainly the most remarkable Banjoist in England. He continued to record up until January 1907 (the last recording session was for Neophone).
While on active service during World War One, Rogers right hand was injured by a bullet and sadly this put paid to his career as a banjoist. He remained in the army and rose to the rank of Major. Between 1933 and 1938, he was with the Army Pay Corps in Iraq! 12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)](https://i.ytimg.com/vi/4NAihd3jjek/mqdefault.jpg)









