Uploaded August 2025 | Updated September 2026, 4 days ago
Blue Steele And His Orchestra play "Washington And Lee Swing", one of the band's hottest sides. After cheering the Washington and Lee University football team on, the band flips into "Tiger Rag" mode, upping the tempo and playing a string of fine solos, followed by a great ensemble passage with the front line cutting loose, before returning to the football chanting. Blue Steele signs off with "sounded kinda raw to me".
This side was recorded in Memphis by Victor engineers using portable electrical recording equipment, during one of the company's "road trips". The venue was the Memphis Auditorium, a large building located at 255 North Main Street, later renamed the Ellis Auditorium. Built in 1924, it served as a concert hall, convention centre and athletic arena. The previous Victor session at the venue that day recorded four numbers by the Memphis Jug Band.
Blue Steele was quite a character! Born Eugene Charles Staples on March 11, 1897 in Salem, Arkansas, he may have acquired the name Blue Steele after having had a metal plate fitted as a result of being shot in the First World War, though it is difficult to determine what is fact and what is fiction when it comes to Blue Steele's colourful life and career. He was certainly known for his mercurial temper. He was once so angry with his own band that he drove off with all the instruments and arrangements half way through an engagement. It's also claimed that he killed an A & R man in Atlanta in the 1940s. He eventually retired as a bandleader in the 1950s to run a chicken farm.…or so it's said! He died on July 1st, 1971.
"Washington And Lee Swing" was written in 1910 and quickly became the "fight" (sports team) song of the Washington and Lee University, Lexington, Virginia. It was later adopted by other US universities.
BLUE STEELE AND HIS ORCHESTRA
Blue Steele, ?trombone, directing: Sam Goble and Goof Morrison - trumpets / Ole Hoel - trombone / John Langley - alto sax, clarinet / Kenny Sargent - alto sax, baritone sax, clarinet / Pete Schmidt - tenor sax, clarinet / Sol Lewis - piano / Ted Delmarter - banjo / Marvin Longfellow - brass bass, arranger / Henry Cody - drums
Recorded in Memphis, February 13th, 1928
41892-3…….Washington And Lee Swing…….Victor 21262
Blue Steele And His Orchestra play "Washington And Lee Swing", one of the band's hottest sides. After cheering the Washington and Lee University football team on, the band flips into "Tiger Rag" mode, upping the tempo and playing a string of fine solos, followed by a great ensemble passage with the front line cutting loose, before returning to the football chanting. Blue Steele signs off with "sounded kinda raw to me".
This side was recorded in Memphis by Victor engineers using portable electrical recording equipment, during one of the company's "road trips". The venue was the Memphis Auditorium, a large building located at 255 North Main Street, later renamed the Ellis Auditorium. Built in 1924, it served as a concert hall, convention centre and athletic arena. The previous Victor session at the venue that day recorded four numbers by the Memphis Jug Band.
Blue Steele was quite a character! Born Eugene Charles Staples on March 11, 1897 in Salem, Arkansas, he may have acquired the name Blue Steele after having had a metal plate fitted as a result of being shot in the First World War, though it is difficult to determine what is fact and what is fiction when it comes to Blue Steele's colourful life and career. He was certainly known for his mercurial temper. He was once so angry with his own band that he drove off with all the instruments and arrangements half way through an engagement. It's also claimed that he killed an A & R man in Atlanta in the 1940s. He eventually retired as a bandleader in the 1950s to run a chicken farm.…or so it's said! He died on July 1st, 1971.
"Washington And Lee Swing" was written in 1910 and quickly became the "fight" (sports team) song of the Washington and Lee University, Lexington, Virginia. It was later adopted by other US universities.
BLUE STEELE AND HIS ORCHESTRA
Blue Steele, ?trombone, directing: Sam Goble and Goof Morrison - trumpets / Ole Hoel - trombone / John Langley - alto sax, clarinet / Kenny Sargent - alto sax, baritone sax, clarinet / Pete Schmidt - tenor sax, clarinet / Sol Lewis - piano / Ted Delmarter - banjo / Marvin Longfellow - brass bass, arranger / Henry Cody - drums
Recorded in Memphis, February 13th, 1928
41892-3…….Washington And Lee Swing…….Victor 21262



![12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)
British banjoist Charlie Rogers plays Smoky Mokes, recorded on a 7 Odeon in October 1903. Rogers was just 12 years old at the time, hence the use of the title Master on the record label. Smoky Mokes was written in 1899 by Abe Holzmann.
CHARLIE ROGERS
Banjo solo with accompaniment by unknown pianist
Recorded London, c. October 1903
2076-2…….Smoky Mokes.......Odeon 2076
Note: Transfer - Nick Dellow and Mark Berresford, using Marks copy of Odeon 2076 from his collection. Audio restoration - Nick Dellow. Speed adjustment / repitching - Mark Berresford (main key is C; speed is 77 rpm).
Born in Shepherds Bush, London on 15th December 1890, Charlie Rogers first played in public around 1899, aged 8. Rogers acquired Vess Ossmans technique by listening to all of his cylinder recordings and learning the solos off by heart. Its said that he took lessons from Vess Ossman when Ossman toured England in 1900 and 1903, and also from the legendary British banjoist Joe Morley. He was hired by Clifford Essex for his Royal Pierrots in 1901 (the troupe included Joe Morley) and remained with them until c. 1904, billed as The Wonder Boy Banjoist. Rogers toured the music halls throughout the Edwardian period.
In addition to Odeon, Charlie Rogers also recorded for Zonophone, Nicole and Neophone. The Zonophone catalogue of July 1904 states: Only 14 years of age [at the time, he was actually 13], and certainly the most remarkable Banjoist in England. He continued to record up until January 1907 (the last recording session was for Neophone).
While on active service during World War One, Rogers right hand was injured by a bullet and sadly this put paid to his career as a banjoist. He remained in the army and rose to the rank of Major. Between 1933 and 1938, he was with the Army Pay Corps in Iraq! 12 year old banjoist Charlie Rogers - Smoky Mokes (1903 recording)](https://i.ytimg.com/vi/4NAihd3jjek/mqdefault.jpg)






