Uploaded December 2022 | Updated September 2026, 43 minutes ago
Get your headphones ready!
This third session was an interesting one! I had made the patch on the Moog Mavis for the siren sounds you hear and had recorded two separate takes. They weren't initially meant to be played together, but since I had timed the "sections" of the piece very similarly I played around with the idea of putting them together. After this and some echo/reverb it gave me a very ominous cacophony of broken sirens! Next I added a heavy rumble in the low end using the same patch in a different way.
The wind effect was a separate patch also from the Mavis. I feel like I should explain this patch more in depth in the future, as there is no noise generator on the Mavis. Using the Sample & Hold and bumping up the LFO to audio rate gave me a crunchy substitute, and it also allowed me to get weird with it modulating it further.
This is a dark one, don't get too lost!
Get your headphones ready!
This third session was an interesting one! I had made the patch on the Moog Mavis for the siren sounds you hear and had recorded two separate takes. They weren't initially meant to be played together, but since I had timed the "sections" of the piece very similarly I played around with the idea of putting them together. After this and some echo/reverb it gave me a very ominous cacophony of broken sirens! Next I added a heavy rumble in the low end using the same patch in a different way.
The wind effect was a separate patch also from the Mavis. I feel like I should explain this patch more in depth in the future, as there is no noise generator on the Mavis. Using the Sample & Hold and bumping up the LFO to audio rate gave me a crunchy substitute, and it also allowed me to get weird with it modulating it further.
This is a dark one, don't get too lost!
