Uploaded February 2022 | Updated September 2026, 5 hours ago
Led by choreographer Gaia Clotilde Chernetich and dramaturg Giuseppe Dagostino, the fourth Europe Beyond Access artist laboratory The dramaturgy of movement transitions brought dance practitioners from across Europe together for a week to focus on the dramaturgical process and explore the multiple approaches that artists can use to record, document and reflect on their own unique movement vocabularies.
The laboratory aimed not only to support self-observation, self-documentation and self-reflection, but also individual capacity to compose movement dramaturgies.
In this short film, four of the participating artists share their key takeaways from the laboratory: Aristide Rontini (Italy), Katarzyna Żeglicka (Poland), Giuseppe Dagostino (Italy) and Sofia Zagka (Greece).
The laboratory took place in Rovereto, Italy in September 2021 as part of the 41st edition of the Oriente Occidente Dance Festival.
This film is part of a series sharing insights from the international exchange activities run in the framework of Europe Beyond Access.
The programme is co-funded by the Creative Europe programme of the European Commission and the core partners are British Council (operating for this project in the UK and Poland), Kampnagel (Germany), Οnassis STEGI (Greece), Holland Dance Festival (The Netherlands), Per.Art (Serbia), Skånes Dansteater (Sweden), Festival Oriente Occidente (Italy).
There are different ways that you can take part in and support Europe Beyond Access: Follow @europebeyondaccess on Facebook and @DisArtsInt on Twitter and share videos that showcase the work of disabled artists.
Find out more about British Council's work in Disability Arts: arts.britishcouncil.org/disability-arts
Find out more about Europe Beyond Access: europebeyondaccess.com
Led by choreographer Gaia Clotilde Chernetich and dramaturg Giuseppe Dagostino, the fourth Europe Beyond Access artist laboratory The dramaturgy of movement transitions brought dance practitioners from across Europe together for a week to focus on the dramaturgical process and explore the multiple approaches that artists can use to record, document and reflect on their own unique movement vocabularies.
The laboratory aimed not only to support self-observation, self-documentation and self-reflection, but also individual capacity to compose movement dramaturgies.
In this short film, four of the participating artists share their key takeaways from the laboratory: Aristide Rontini (Italy), Katarzyna Żeglicka (Poland), Giuseppe Dagostino (Italy) and Sofia Zagka (Greece).
The laboratory took place in Rovereto, Italy in September 2021 as part of the 41st edition of the Oriente Occidente Dance Festival.
This film is part of a series sharing insights from the international exchange activities run in the framework of Europe Beyond Access.
The programme is co-funded by the Creative Europe programme of the European Commission and the core partners are British Council (operating for this project in the UK and Poland), Kampnagel (Germany), Οnassis STEGI (Greece), Holland Dance Festival (The Netherlands), Per.Art (Serbia), Skånes Dansteater (Sweden), Festival Oriente Occidente (Italy).
There are different ways that you can take part in and support Europe Beyond Access: Follow @europebeyondaccess on Facebook and @DisArtsInt on Twitter and share videos that showcase the work of disabled artists.
Find out more about British Council's work in Disability Arts: arts.britishcouncil.org/disability-arts
Find out more about Europe Beyond Access: europebeyondaccess.com
