Uploaded March 2021 | Updated September 2026, 1 hour ago
The old (broken, and sadly irreparable) piano is gone, and a new one has arrived. The new piano is a really, (like really, really) good instrument so there's absolutely no reason to be sad about the new instrument, but the broken piano represented 20 years of personal history, so I wrote a small elegy...
Free score (suitable for intermediate level players): drive.google.com/file/d/1qwM3OiqRZnMeKyNhqos3Lz-iPJB1oEoG/view?usp=sharing
According to one website, the F# minor key is characterized as "A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language." I didn't actively think of the key while making the music but the description kind of fits the purpose of the music :)
Played live on my new Kawai NV-10 in pianist mode, classic sound with bright1 hammer voicing. The action is a real Kawai grand piano action, and therefore it enables very accurate creation of colors and chord voicings, but at the same time it will mercilessly highlight any sloppy playing (that's a good thing.... in the long term :-) ). Listening back to my first take was a bit of an eye opener in that respect, but this one already sounds a bit better - not perfect by any standard but ok. By looking at the movie, I now notice I hold some notes in the left hand which are not supposed to be held. I wasn't even aware I did that until I visualized the midi information in the piano keyboard animation. The voicing of the dissonant chords is not entirely what I wanted it to be either... but at least now I know what to pay attention to in this piece :)
The old (broken, and sadly irreparable) piano is gone, and a new one has arrived. The new piano is a really, (like really, really) good instrument so there's absolutely no reason to be sad about the new instrument, but the broken piano represented 20 years of personal history, so I wrote a small elegy...
Free score (suitable for intermediate level players): drive.google.com/file/d/1qwM3OiqRZnMeKyNhqos3Lz-iPJB1oEoG/view?usp=sharing
According to one website, the F# minor key is characterized as "A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language." I didn't actively think of the key while making the music but the description kind of fits the purpose of the music :)
Played live on my new Kawai NV-10 in pianist mode, classic sound with bright1 hammer voicing. The action is a real Kawai grand piano action, and therefore it enables very accurate creation of colors and chord voicings, but at the same time it will mercilessly highlight any sloppy playing (that's a good thing.... in the long term :-) ). Listening back to my first take was a bit of an eye opener in that respect, but this one already sounds a bit better - not perfect by any standard but ok. By looking at the movie, I now notice I hold some notes in the left hand which are not supposed to be held. I wasn't even aware I did that until I visualized the midi information in the piano keyboard animation. The voicing of the dissonant chords is not entirely what I wanted it to be either... but at least now I know what to pay attention to in this piece :)






![[Experimental] About Air
Another ad rescored...
Thumbnail based on a free picture by Gustavo Espíndola on unsplash https://unsplash.com/photos/YNDE1snEmAI [Experimental] About Air](https://i.ytimg.com/vi/jyx4M7ORsjg/mqdefault.jpg)

![Evening
Just last week someone asked me how I write music. I told that person: usually I find a text that inspires me and then I just write down the music that comes to me naturally.
The music in this video was written in exactly this way. You can find the poem (and other poems by Rainer Maria Rilke, translated by Jessie Lemont) here: http://www.archive.org/details/cu31924026255822
The music may sound a bit weird at first, but the more you listen to it, the more accessible it becomes.
Im rather glad with the harmonic colours Ive managed to produce here (I believe you can hear harmonic influences of the late russian romantic era (e.g. Scriabin), from the impressionist era (Debussy) as well as contemporary jazz harmonies).
Some technical data:
The piano is a yamaha gt2 digital grand piano. The sound is recorded on a boss br600 multi-track recorder in dry recording mode using two different tracks (you will hear the synchronization problems - its hard to record a second track if you play rubato :) ).The texts are generated using a python script that drives the incredible imagemagick program (the same script I used to generate the subtitles in the requiem; this time I found out why those were looking rather awful in the end result and I fixed that problem[1]). The sound and the texts were mixed in a recent svn version of kdenlive on linux debian unstable.
[1] the problem was that kdenlive (or one of its helper libraries) doesnt seem to like .png files with partially transparent pixels (unless you composite them with another video track). Those come out fully opaque. Evening](https://i.ytimg.com/vi/kaSxS-RIfpE/mqdefault.jpg)

