Uploaded August 2012 | Updated September 2026, 2 hours ago
Here's a crab and palindrome canon in four voices (violin, viola, oboe and bassoon).
Crab canon means: there's a theme that plays against itself in retrograde (i.e. itself played backwards).
Palindrome canon means: if you play this piece backwards you get exactly the same piece again (barring instrument assignments).
The graphics depict how this piece is built up. This is by no means the only possible form for a crab canon. Score is composed/calculated using lilypond (see lilypond.org ) - something like 20% composing, 80% calculation.
Tutorial on how to systematically write a piece like this (including the full score for this piece) has been published on my blog: a-touch-of-music.blogspot.com/2012/08/how-to-write-crab-canon.html.
Here's a crab and palindrome canon in four voices (violin, viola, oboe and bassoon).
Crab canon means: there's a theme that plays against itself in retrograde (i.e. itself played backwards).
Palindrome canon means: if you play this piece backwards you get exactly the same piece again (barring instrument assignments).
The graphics depict how this piece is built up. This is by no means the only possible form for a crab canon. Score is composed/calculated using lilypond (see lilypond.org ) - something like 20% composing, 80% calculation.
Tutorial on how to systematically write a piece like this (including the full score for this piece) has been published on my blog: a-touch-of-music.blogspot.com/2012/08/how-to-write-crab-canon.html.





![[Experimental] About Air
Another ad rescored...
Thumbnail based on a free picture by Gustavo Espíndola on unsplash https://unsplash.com/photos/YNDE1snEmAI [Experimental] About Air](https://i.ytimg.com/vi/jyx4M7ORsjg/mqdefault.jpg)

![Evening
Just last week someone asked me how I write music. I told that person: usually I find a text that inspires me and then I just write down the music that comes to me naturally.
The music in this video was written in exactly this way. You can find the poem (and other poems by Rainer Maria Rilke, translated by Jessie Lemont) here: http://www.archive.org/details/cu31924026255822
The music may sound a bit weird at first, but the more you listen to it, the more accessible it becomes.
Im rather glad with the harmonic colours Ive managed to produce here (I believe you can hear harmonic influences of the late russian romantic era (e.g. Scriabin), from the impressionist era (Debussy) as well as contemporary jazz harmonies).
Some technical data:
The piano is a yamaha gt2 digital grand piano. The sound is recorded on a boss br600 multi-track recorder in dry recording mode using two different tracks (you will hear the synchronization problems - its hard to record a second track if you play rubato :) ).The texts are generated using a python script that drives the incredible imagemagick program (the same script I used to generate the subtitles in the requiem; this time I found out why those were looking rather awful in the end result and I fixed that problem[1]). The sound and the texts were mixed in a recent svn version of kdenlive on linux debian unstable.
[1] the problem was that kdenlive (or one of its helper libraries) doesnt seem to like .png files with partially transparent pixels (unless you composite them with another video track). Those come out fully opaque. Evening](https://i.ytimg.com/vi/kaSxS-RIfpE/mqdefault.jpg)


