Uploaded September 2015 | Updated September 2026, 2 weeks ago
Here's a virtual movie of the great Edgar Allan Poe reading his poem "To Isadore". This poem is considered by some Poe experts of doubtful origin in that it is likely to be at least partially borrowed from other similar works some attribute the poem to Abijah Metcalf the American farmer, editor, author and poet. Abijah Metcalf Ide, Jr.February 2, 1825 - Died: May 22, 1873 whowas born in Attleboro, Bristol, MA. Little is known about this poet or his work, which is sometimes attributed to E A Poe He was born on February 2, 1825 and died in May 1873 in Attleboro, Bristol, MA, USA and his parents were Chloe Read and Abijah Metcalf Ide. He earned his living as a farmer and edited a number of periodicals
Ide started writing poetry early and at the age of 18 he in a letter to E A Poe he claims not to have studied the art of poetry apart from what he learned in elementary school.
He describes himself at the time to Poe in a short extract from one of his own poems as:-
I am eighteen; and
This have I learned, that to my hand,
Is given the labor of the land :
My foot must tread the furrowed ground,
And stand when harvest-time comes round :
To me is given the laborer's care --
In autumn, mine the laborer's share
To Isadore
I.
Beneath the vine-clad eaves,
Whose shadows fall before
Thy lowly cottage door—
Under the lilac’s tremulous leaves—
Within thy snowy clasped hand
The purple flowers it bore.
Last eve in dreams, I saw thee stand,
Like queenly nymph from Fairy-land—
Enchantress of the flowery wand,
Most beauteous Isadore!
II.
And when I bade the dream
Upon thy spirit flee,
Thy violet eyes to me
Upturned, did overflowing seem
With the deep, untold delight
Of Love’s serenity;
Thy classic brow, like lilies white
And pale as the Imperial Night
Upon her throne, with stars bedight,
Enthralled my soul to thee!
III.
Ah! ever I behold
Thy dreamy, passionate eyes,
Blue as the languid skies
Hung with the sunset’s fringe of gold;
Now strangely clear thine image grows,
And olden memories
Are startled from their long repose
Like shadows on the silent snows
When suddenly the night-wind blows
Where quiet moonlight lies.
IV.
Like music heard in dreams,
Like strains of harps unknown,
Of birds for ever flown,—
Audible as the voice of streams
That murmur in some leafy dell,
I hear thy gentlest tone,
And Silence cometh with her spell
Like that which on my tongue doth dwell,
When tremulous in dreams I tell
My love to thee alone!
V.
In every valley heard,
Floating from tree to tree,
Less beautiful to me,
The music of the radiant bird,
Than artless accents such as thine
Whose echoes never flee!
Ah! how for thy sweet voice I pine:—
For uttered in thy tones benign
(Enchantress!) this rude name of mine
Doth seem a melody!
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015
Here's a virtual movie of the great Edgar Allan Poe reading his poem "To Isadore". This poem is considered by some Poe experts of doubtful origin in that it is likely to be at least partially borrowed from other similar works some attribute the poem to Abijah Metcalf the American farmer, editor, author and poet. Abijah Metcalf Ide, Jr.February 2, 1825 - Died: May 22, 1873 whowas born in Attleboro, Bristol, MA. Little is known about this poet or his work, which is sometimes attributed to E A Poe He was born on February 2, 1825 and died in May 1873 in Attleboro, Bristol, MA, USA and his parents were Chloe Read and Abijah Metcalf Ide. He earned his living as a farmer and edited a number of periodicals
Ide started writing poetry early and at the age of 18 he in a letter to E A Poe he claims not to have studied the art of poetry apart from what he learned in elementary school.
He describes himself at the time to Poe in a short extract from one of his own poems as:-
I am eighteen; and
This have I learned, that to my hand,
Is given the labor of the land :
My foot must tread the furrowed ground,
And stand when harvest-time comes round :
To me is given the laborer's care --
In autumn, mine the laborer's share
To Isadore
I.
Beneath the vine-clad eaves,
Whose shadows fall before
Thy lowly cottage door—
Under the lilac’s tremulous leaves—
Within thy snowy clasped hand
The purple flowers it bore.
Last eve in dreams, I saw thee stand,
Like queenly nymph from Fairy-land—
Enchantress of the flowery wand,
Most beauteous Isadore!
II.
And when I bade the dream
Upon thy spirit flee,
Thy violet eyes to me
Upturned, did overflowing seem
With the deep, untold delight
Of Love’s serenity;
Thy classic brow, like lilies white
And pale as the Imperial Night
Upon her throne, with stars bedight,
Enthralled my soul to thee!
III.
Ah! ever I behold
Thy dreamy, passionate eyes,
Blue as the languid skies
Hung with the sunset’s fringe of gold;
Now strangely clear thine image grows,
And olden memories
Are startled from their long repose
Like shadows on the silent snows
When suddenly the night-wind blows
Where quiet moonlight lies.
IV.
Like music heard in dreams,
Like strains of harps unknown,
Of birds for ever flown,—
Audible as the voice of streams
That murmur in some leafy dell,
I hear thy gentlest tone,
And Silence cometh with her spell
Like that which on my tongue doth dwell,
When tremulous in dreams I tell
My love to thee alone!
V.
In every valley heard,
Floating from tree to tree,
Less beautiful to me,
The music of the radiant bird,
Than artless accents such as thine
Whose echoes never flee!
Ah! how for thy sweet voice I pine:—
For uttered in thy tones benign
(Enchantress!) this rude name of mine
Doth seem a melody!
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015

![How it is By Samuel Beckett - Poem - animation
Heres a virtual movie of a mindblowing literary piece from the very great Samuel Beckett How it is Like a lot of Beckett explanation of the piece is not easy,but as far I can glean its the lightning fast manic terrifying thoughts of a man stuck in the mud,perhaps a swamp,hence the image I have used in in my virtual movie of a model of a mans face in mud made by means of a plaster cast. The definitive almost superhuman recital is by the late great Scottish actor Nicol Williamson.
How It Is is a novel by Samuel Beckett first published in French as Comment cest by Les Editions de Minuit in 1961. The Grove Press (New York) published Becketts English translation in 1964. An advance text of his English translation of the third part appeared in the 1962 issue of the Australian literary journal, Arna.[1]
LImage, an early variant version of Comment cest, was published in the British arts review, X: A Quarterly Review (1959), and is the first appearance of the novel in any form.[2]
The novel is a monologue by the narrator as he crawls through endless mud, recalling his life separated into three distinct periods.
The title is Becketts literal translation of the French phrase, comment cest (how it is), a pun on the French verb commencer or to begin.
The text is divided into three parts:
1. before Pim - the solitary narrator journeys in the mud-dark until he encounters another creature like himself thereby forming a couple.
2. with Pim - the narrator is motionless in the mud-dark until he is abandoned by Pim.
3. after Pim - the narrator returns to his earlier solitude but without motion in the mud-dark.
In a letter (April 6, 1960) to Donald McWhinnie at BBC Radio Drama, Beckett explained his strange text as the product of a man lying panting in the mud and dark murmuring his life as he hears it obscurely uttered by a voice inside him... The noise of his panting fills his ears and it is only when this abates that he can catch and murmur forth a fragment of what is being stated within... It is in the third part that occurs the so-called voice quaqua, its interiorisation and murmuring forth when the panting stops. That is to say the I is from the outset in the third part and the first and second, though stated as heard in the present, already over.
Samuel Barclay Beckett (/ˈbɛkɪt/; 13 April 1906 – 22 December 1989) was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in Paris for most of his adult life and wrote in both English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.
Beckett is widely regarded as among the most influential writers of the 20th century.[2] He is considered one of the last modernists. As an inspiration to many later writers, he is also sometimes considered one of the first postmodernists. He is one of the key writers in what Martin Esslin called the Theatre of the Absurd. His work became increasingly minimalist in his later career.
Beckett was awarded the 1969 Nobel Prize in Literature for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation.[3] He was elected Saoi of Aosdána in 1984
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 How it is By Samuel Beckett - Poem - animation](https://i.ytimg.com/vi/W4B_25sPhdk/mqdefault.jpg)




![When Lilacs Last in the Dooryard Bloom’d - Walt Whitman - Poem - Animation
Heres the great Walt Whitman reading When Lilacs Last in the Dooryard Bloom’d.
When Lilacs Last in the Dooryard Bloomd is a long poem in the form of an elegy written by American poet Walt Whitman (1819–1892) in 1865. It is a 207-line poem written in free verse and employing many of the devices and conceits of the pastoral elegy. The poem was written in the Summer of 1865 during a period of profound national mourning in the aftermath of the assassination of President Abraham Lincoln on April 14, 1865. Despite the poem being an elegy to the fallen president, Whitman neither mentions Lincoln by name nor discusses the circumstances of his death. Instead, Whitman uses a series of rural and natural imagery including the symbols of the lilacs, a drooping star in the western sky (Venus), and the hermit thrush, and employs the traditional progression of the pastoral elegy in moving from grief toward an acceptance and knowledge of death. The poem also addresses the pity of war through imagery vaguely referencing the American Civil War (1861–1865) which ended only days before the assassination.
When Lilacs Last in the Dooryard Bloomd was written ten years after publishing the first edition of Leaves of Grass (1855) and it reflects a maturing of Whitmans poetic vision from a drama of identity and romantic exuberance that has been tempered by his emotional experience of the American Civil War. Whitman included the poem as part of a quickly-written sequel to a collection of poems addressing the war that was being printed at the time of Lincolns death. These poems, collected under the title Drum-Taps and Sequel to Drum-Taps, range in emotional context from excitement to woe, from distant observation to engagement, from belief to resignation and more concerned with history than the self, more aware of the precariousness of Americas present and future than of its expansive promise.[1] First published in Autumn 1865, When Lilacs Last in the Dooryard Bloomd—along with 42 other poems from Drum-Taps and Sequel to Drum Taps—was absorbed into Leaves of Grass beginning with the fourth edition published in 1867.
Although Whitman did not consider the poem to be among his best works, it is compared in both effect and quality to several masterpieces of English literature, including elegies such as John Milton s Lycidas (1637) and Percy Bysshe Shelley s Adonais (1821).
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 When Lilacs Last in the Dooryard Bloom’d - Walt Whitman - Poem - Animation](https://i.ytimg.com/vi/Yznjn7C1WG4/mqdefault.jpg)



