Uploaded April 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of a rather pleasant reading of an excerpt from a poem by the Victorian mathematical physicist James Clerk Maxwell "Recollections of a Dreamland" The poem demonstrates how the poets and philosophers were ahead of their time in their understanding of the mind. This poem is particularly Pre Freudian in its subject matter.
James Clerk Maxwell (1831 - 1879) was a Scottish mathematician who did revolutionary work on electricity and magnetism and on the kinetic theory of gases.
Recollections of a Dreamland
Rouse ye! torpid daylight-dreamers, cast your carking cares away!
As calm air to troubled water, so my night is to your day;
All the dreary day you labour, groping after common sense,
And your eyes ye will not open on the night's magnificence.
Ye would scow were I to tell you how a guiding radiance gleams
On the outer world of action from my inner world of dreams.
When, with mind released from study, late I lay note down to sleep,
From the midst of facts and figures, into boundless space I leap;
For the inner world grows wider as the outer disappears,
And the soul, retiring inward, finds itself beyond the spheres.
Then, to this unbroken sameness, some fantastic dream succeeds,
Vague emotions rise and ripen into thoughts and words and deeds.
Old impressions, long forgotten, range themselves in Time and Space,
Till I recollect the features of some once familiar place.
Then from valley into valley in my dreaming course I roam,
Till the wanderings of my fancy end, where they began, at home.
Calm it lies in morning twilight, while each streamlet far and wide
Still retains its hazy mantle, borrowed from the mountain's side;
Every knoll is now an island every wooded bank a shore,
To the lake of quiet vapour that has spread the valley o'er.
Sheep are couched on every hillock, waiting till the morning dawns,
Hares are on their early rambles, limping o'er the dewy lawns.
All within the house is silent, darkened all the chambers seem,
As with noiseless step I enter, gliding onwards in my dream.
What! has Time run out his cycle, do the years return again?
Are there treasure-caves in Dreamland where departed days remain?
I have leapt the bars of distance—left the life that late I led—
I remember years and labours as a tale that I have read;
Yet my heart is hot within me, for I feel the gentle power
Of the spirits that still love me, waiting for this sacred hour.
Yes,—I know the forms that meet me are but phantoms of the brain,
For they walk in mortal bodies, and they have not ceased from pain.
Oh! those signs of human weakness, left behind for ever now,
Dearer far to me than glories round a fancied seraph's brow.
Oh! the old familiar voices ! Oh! the patient waiting eyes!
Let me live with them in dreamland, while the world in slumber lies!
For by bonds of sacred honour will they guard my soul in sleep
From the spells of aimless fancies, that around my senses creep.
They will link the past and present into one continuous life,
While I feel their hope, their patience, nerve me for the daily strife.
For it is not all a fancy that our lives and theirs are one,
And we know that all we see is but an endless work begun.
Part is left in Nature's keeping, part is entered into rest,
Part remains to grow and ripen, hidden in some living breast.
What is ours we know not, either when we wake or when we sleep,
But we know that Love and Honour, day and night, are ours to keep.
What though Dreams be wandering fancies, by some lawless force entwined,
Empty bubbles, floating upwards through the current of the mind?
There are powers and thoughts within us, that we know not, till they rise
Through the stream of conscious action from where Self in secret lies.
But when Will and Sense are silent, by the thoughts that come and go,
We may trace the rocks and eddies in the hidden depths below.
Let me dream my dream till morning; let my mind run slow and clear,
Free from all the world's distraction, feeling that the Dead are near,
Let me wake, and see my duty lie before me straight and plain.
Let me rise refreshed, and ready to begin my work again.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
Here's a virtual movie of a rather pleasant reading of an excerpt from a poem by the Victorian mathematical physicist James Clerk Maxwell "Recollections of a Dreamland" The poem demonstrates how the poets and philosophers were ahead of their time in their understanding of the mind. This poem is particularly Pre Freudian in its subject matter.
James Clerk Maxwell (1831 - 1879) was a Scottish mathematician who did revolutionary work on electricity and magnetism and on the kinetic theory of gases.
Recollections of a Dreamland
Rouse ye! torpid daylight-dreamers, cast your carking cares away!
As calm air to troubled water, so my night is to your day;
All the dreary day you labour, groping after common sense,
And your eyes ye will not open on the night's magnificence.
Ye would scow were I to tell you how a guiding radiance gleams
On the outer world of action from my inner world of dreams.
When, with mind released from study, late I lay note down to sleep,
From the midst of facts and figures, into boundless space I leap;
For the inner world grows wider as the outer disappears,
And the soul, retiring inward, finds itself beyond the spheres.
Then, to this unbroken sameness, some fantastic dream succeeds,
Vague emotions rise and ripen into thoughts and words and deeds.
Old impressions, long forgotten, range themselves in Time and Space,
Till I recollect the features of some once familiar place.
Then from valley into valley in my dreaming course I roam,
Till the wanderings of my fancy end, where they began, at home.
Calm it lies in morning twilight, while each streamlet far and wide
Still retains its hazy mantle, borrowed from the mountain's side;
Every knoll is now an island every wooded bank a shore,
To the lake of quiet vapour that has spread the valley o'er.
Sheep are couched on every hillock, waiting till the morning dawns,
Hares are on their early rambles, limping o'er the dewy lawns.
All within the house is silent, darkened all the chambers seem,
As with noiseless step I enter, gliding onwards in my dream.
What! has Time run out his cycle, do the years return again?
Are there treasure-caves in Dreamland where departed days remain?
I have leapt the bars of distance—left the life that late I led—
I remember years and labours as a tale that I have read;
Yet my heart is hot within me, for I feel the gentle power
Of the spirits that still love me, waiting for this sacred hour.
Yes,—I know the forms that meet me are but phantoms of the brain,
For they walk in mortal bodies, and they have not ceased from pain.
Oh! those signs of human weakness, left behind for ever now,
Dearer far to me than glories round a fancied seraph's brow.
Oh! the old familiar voices ! Oh! the patient waiting eyes!
Let me live with them in dreamland, while the world in slumber lies!
For by bonds of sacred honour will they guard my soul in sleep
From the spells of aimless fancies, that around my senses creep.
They will link the past and present into one continuous life,
While I feel their hope, their patience, nerve me for the daily strife.
For it is not all a fancy that our lives and theirs are one,
And we know that all we see is but an endless work begun.
Part is left in Nature's keeping, part is entered into rest,
Part remains to grow and ripen, hidden in some living breast.
What is ours we know not, either when we wake or when we sleep,
But we know that Love and Honour, day and night, are ours to keep.
What though Dreams be wandering fancies, by some lawless force entwined,
Empty bubbles, floating upwards through the current of the mind?
There are powers and thoughts within us, that we know not, till they rise
Through the stream of conscious action from where Self in secret lies.
But when Will and Sense are silent, by the thoughts that come and go,
We may trace the rocks and eddies in the hidden depths below.
Let me dream my dream till morning; let my mind run slow and clear,
Free from all the world's distraction, feeling that the Dead are near,
Let me wake, and see my duty lie before me straight and plain.
Let me rise refreshed, and ready to begin my work again.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014



![When Lilacs Last in the Dooryard Bloom’d - Walt Whitman - Poem - Animation
Heres the great Walt Whitman reading When Lilacs Last in the Dooryard Bloom’d.
When Lilacs Last in the Dooryard Bloomd is a long poem in the form of an elegy written by American poet Walt Whitman (1819–1892) in 1865. It is a 207-line poem written in free verse and employing many of the devices and conceits of the pastoral elegy. The poem was written in the Summer of 1865 during a period of profound national mourning in the aftermath of the assassination of President Abraham Lincoln on April 14, 1865. Despite the poem being an elegy to the fallen president, Whitman neither mentions Lincoln by name nor discusses the circumstances of his death. Instead, Whitman uses a series of rural and natural imagery including the symbols of the lilacs, a drooping star in the western sky (Venus), and the hermit thrush, and employs the traditional progression of the pastoral elegy in moving from grief toward an acceptance and knowledge of death. The poem also addresses the pity of war through imagery vaguely referencing the American Civil War (1861–1865) which ended only days before the assassination.
When Lilacs Last in the Dooryard Bloomd was written ten years after publishing the first edition of Leaves of Grass (1855) and it reflects a maturing of Whitmans poetic vision from a drama of identity and romantic exuberance that has been tempered by his emotional experience of the American Civil War. Whitman included the poem as part of a quickly-written sequel to a collection of poems addressing the war that was being printed at the time of Lincolns death. These poems, collected under the title Drum-Taps and Sequel to Drum-Taps, range in emotional context from excitement to woe, from distant observation to engagement, from belief to resignation and more concerned with history than the self, more aware of the precariousness of Americas present and future than of its expansive promise.[1] First published in Autumn 1865, When Lilacs Last in the Dooryard Bloomd—along with 42 other poems from Drum-Taps and Sequel to Drum Taps—was absorbed into Leaves of Grass beginning with the fourth edition published in 1867.
Although Whitman did not consider the poem to be among his best works, it is compared in both effect and quality to several masterpieces of English literature, including elegies such as John Milton s Lycidas (1637) and Percy Bysshe Shelley s Adonais (1821).
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 When Lilacs Last in the Dooryard Bloom’d - Walt Whitman - Poem - Animation](https://i.ytimg.com/vi/Yznjn7C1WG4/mqdefault.jpg)






![She Dwelt among the Untrodden Ways by Wordsworth - Poem animation
Heres a virtual movie of the great William Wordsworth reading his bittersweet poem She dwelt among the untrodden ways.
She Dwelt among the Untrodden Ways is a three-stanza poem written by the English Romantic poet William Wordsworth in 1798 when he was 28 years old. The verse was first printed in Lyrical Ballads, 1800, a volume of Wordsworths and Samuel Taylor Coleridges poems that marked a climacteric in the English Romantic movement. The poem is the best known of Wordsworths series of five works which comprise his Lucy series, and was a favourite amongst early readers.[1] It was composed both as a meditation on his own feelings of loneliness and loss, and as an ode to the beauty and dignity of an idealised woman who lived unnoticed by all others except by the poet himself. The title line implies Lucy lived unknown and remote, both physically and intellectually. The poets subjects isolated sensitivity expresses a characteristic aspect of Romantic expectations of the human, and especially of the poets, condition.
According to the literary critic Kenneth Ober, the poem describes the growth, perfection, and death of Lucy.[2] Whether Wordsworth has declared his love for her is left ambivalent, and even whether she had been aware of the poets affection is unsaid. However the poets feelings remain unrequited, and his final verse reveals that the subject of his affections has died alone. Lucys untrodden ways are symbolic to the poet of both her physical isolation and the unknown details of her mind and life. In the poem, Wordsworth is concerned not so much with his observation of Lucy, but with his experience when reflecting on her death.
Wordsworth wrote his series of Lucy poems during a stay with his sister Dorothy in Hamburg, Germany, between October 1798 and April 1801.[11] The real life identity of Lucy has never been identified, and it is probable that she was not modeled on any one historical person.[12] Wordsworth himself never addressed the matter of her persona,[11] and was reticent about commenting on the series.[1] Although a great detail is known of the circumstances and details of Wordsworths life, from the time he spend during of his stay in Germany comparatively little record survives. Only one known mention from the poet that references the series survives, and that mentions the series only, and not any of the individual verses.[13]
The literary historian Kenneth Johnson concluded that Lucy was created as the personification of Wordsworths muse,
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 She Dwelt among the Untrodden Ways by Wordsworth - Poem animation](https://i.ytimg.com/vi/b3erZuGSzWk/mqdefault.jpg)