Uploaded October 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of great Brendan Behan the Irish Poet,Playright,and songster singing the beautiful Irish Rebel folksong "Down By The Glenside"
Brendan Francis Behan (/ˈbiːən/ bee-ən; Irish: Breandán Ó Beacháin; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist, and playwright who wrote in both English and Irish. He was also an Irish republican and a volunteer in the Irish Republican Army. Born in Dublin into a republican family, he became a member of the IRA's youth organisation Fianna Éireann at the age of fourteen. However, there was also a strong emphasis on Irish history and culture in the home, which meant he was steeped in literature and patriotic ballads from a tender age. Behan eventually joined the IRA at sixteen, which led to his serving time in a borstal youth prison in the United Kingdom and was also imprisoned in Republic of Ireland. During this time, he took it upon himself to study and he became a fluent speaker of the Irish language. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moved between homes in Dublin, Kerry and Connemara and also resided in Paris for a period.
In 1954, Behan's first play The Quare Fellow was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London, that gained Behan a wider reputation – this was helped by a famous drunken interview on BBC television. In 1958, Behan's play in the Irish language An Giall had its debut at Dublin's Damer Theatre. Later, The Hostage, Behan's English-language adaptation of An Giall, met with great success internationally. Behan's autobiographical novel, Borstal Boy, was published the same year and became a worldwide best-seller.
He married Beatrice Ffrench-Salkeld in 1955. Behan was known for his drinking problem, which resulted in him suffering from diabetes, which ultimately resulted in his death on 20 March 1964. He was given an IRA guard of honour which escorted his coffin and it was described by several newspapers as the biggest funeral since those of Michael Collins and Charles Stewart Parnell.
Down by the Glenside (The Bold Fenian Men)" is an Irish rebel song written by Peadar Kearney, an Irish Republican and composer of numerous rebel songs, including "The Soldier's Song" ("Amhrán na bhFiann"), now the Irish National Anthem and "The Tri-coloured Ribbon".
Kearney was a member of the Irish Republican Brotherhood, popularly known as the Fenians. He wrote the song about the time of the 1916 Rising. It evokes the memory of the freedom-fighters of the previous generation (strong, manly forms...eyes with hope gleaming), as recalled by an old woman down by the glenside. It is effectively a call to arms for a generation of Irishmen accustomed to political nationalism.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
Here's a virtual movie of great Brendan Behan the Irish Poet,Playright,and songster singing the beautiful Irish Rebel folksong "Down By The Glenside"
Brendan Francis Behan (/ˈbiːən/ bee-ən; Irish: Breandán Ó Beacháin; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist, and playwright who wrote in both English and Irish. He was also an Irish republican and a volunteer in the Irish Republican Army. Born in Dublin into a republican family, he became a member of the IRA's youth organisation Fianna Éireann at the age of fourteen. However, there was also a strong emphasis on Irish history and culture in the home, which meant he was steeped in literature and patriotic ballads from a tender age. Behan eventually joined the IRA at sixteen, which led to his serving time in a borstal youth prison in the United Kingdom and was also imprisoned in Republic of Ireland. During this time, he took it upon himself to study and he became a fluent speaker of the Irish language. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moved between homes in Dublin, Kerry and Connemara and also resided in Paris for a period.
In 1954, Behan's first play The Quare Fellow was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London, that gained Behan a wider reputation – this was helped by a famous drunken interview on BBC television. In 1958, Behan's play in the Irish language An Giall had its debut at Dublin's Damer Theatre. Later, The Hostage, Behan's English-language adaptation of An Giall, met with great success internationally. Behan's autobiographical novel, Borstal Boy, was published the same year and became a worldwide best-seller.
He married Beatrice Ffrench-Salkeld in 1955. Behan was known for his drinking problem, which resulted in him suffering from diabetes, which ultimately resulted in his death on 20 March 1964. He was given an IRA guard of honour which escorted his coffin and it was described by several newspapers as the biggest funeral since those of Michael Collins and Charles Stewart Parnell.
Down by the Glenside (The Bold Fenian Men)" is an Irish rebel song written by Peadar Kearney, an Irish Republican and composer of numerous rebel songs, including "The Soldier's Song" ("Amhrán na bhFiann"), now the Irish National Anthem and "The Tri-coloured Ribbon".
Kearney was a member of the Irish Republican Brotherhood, popularly known as the Fenians. He wrote the song about the time of the 1916 Rising. It evokes the memory of the freedom-fighters of the previous generation (strong, manly forms...eyes with hope gleaming), as recalled by an old woman down by the glenside. It is effectively a call to arms for a generation of Irishmen accustomed to political nationalism.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014

![Long Legged Fly By William Butler Yeats Recited by Seamus Heaney - Poem - Animation
Heres a virtual movie of a recitation of my favourite Poem by William Butler Yeats Long Legged Fly Recited By the late Celebrated Irish poet Seamus Heaney.
William Butler Yeats explored many themes, including Irish folklore, spirituality, unrequited love, and Irelands struggle for independence. Yeats helped lead the Irish Renaissance, a movement in the late 19th and early 20th centuries that sought to restore the influence of Gaelic language and culture on Irish literature. Long-Legged Fly, which appeared in The Nation almost three months after the poet died in 1939, is included in Yeatss Last Poems and Two Plays (1939). William Butler Yeats (1865-1939) was born in Dublin. His father was a lawyer and a well-known portrait painter. Yeats was educated in London and in Dublin, but he spent his summers in the west of Ireland in the familys summer house at Connaught. The young Yeats was very much part of the fin de siècle in London; at the same time he was active in societies that attempted an Irish literary revival. His first volume of verse appeared in 1887, but in his earlier period his dramatic production outweighed his poetry both in bulk and in import. Together with Lady Gregory he founded the Irish Theatre, which was to become the Abbey Theatre, and served as its chief playwright until the movement was joined by John Synge. His plays usually treat Irish legends; they also reflect his fascination with mysticism and spiritualism. The Countess Cathleen (1892), The Land of Hearts Desire (1894), Cathleen ni Houlihan (1902), The Kings Threshold (1904), and Deirdre (1907) are among the best known. After 1910, Yeatss dramatic art took a sharp turn toward a highly poetical, static, and esoteric style. His later plays were written for small audiences; they experiment with masks, dance, and music, and were profoundly influenced by the Japanese Noh plays. Although a convinced patriot, Yeats deplored the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He was appointed to the Irish Senate in 1922. Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize. Whereas he received the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life.
Seamus Justin Heaney, MRIA (/ˈʃeɪməs ˈhiːni/; 13 April 1939 – 30 August 2013) was an Irish poet, playwright, translator and lecturer, and the recipient of the 1995 Nobel Prize in Literature.[1][2] In the early 1960s, he became a lecturer in Belfast after attending university there and began to publish poetry. He lived in Sandymount, Dublin, from 1976 until his death
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
Long Legged Fly.........
That civilization may not sink Its great battle lost, Quiet the dog, tether the pony To a distant post. Our master Caesar is in the tent Where the maps are spread, His eyes fixed upon nothing, A hand under his head. Like a long-legged fly upon the stream His mind moves upon silence. That the topless towers be burnt And men recall that face, Move most gently if move you must In this lonely place. She thinks, part woman, three parts a child, That nobody looks; her feet Practice a tinker shuffle Picked up on the street. Like a long-legged fly upon the stream Her mind moves upon silence. That girls at puberty may find The first Adam in their thought, Shut the door of the Popes Chapel, Keep those children out. There on that scaffolding reclines Michael Angelo. With no more sound than the mice make His hand moves to and fro. Like a long-legged fly upon the stream His mind moves upon silence. Long Legged Fly By William Butler Yeats Recited by Seamus Heaney - Poem - Animation](https://i.ytimg.com/vi/M68feBKyhp4/mqdefault.jpg)


![Ode on Indolence by John Keats - Poem - animation
Heres a virtual movie of Ode on Indolence by John Keats a beautiful poem dedicated to the lazy art of being a couch potatoe
The Ode on Indolence is one of five odes composed by English poet John Keats in the spring of 1819. The others were Ode on a Grecian Urn, Ode on Melancholy, Ode to a Nightingale and Ode to Psyche. The poem describes the state of indolence, otherwise known as laziness, and was written during a time when he felt that he should devote his efforts to earning an income instead of composing poetry. After finishing the spring poems, Keats wrote in June 1819 that its composition brought him more pleasure than anything else he had written that year.[1] Unlike the other odes he wrote that year, Ode on Indolence was not published until 1848, 27 years after his death.
The poem is an example of Keatss break from the structure of the classical form. It follows the poets contemplation of a morning spent in idleness. Three figures are presented—Ambition, Love and Poesy — dressed in placid sandals and white robes. The narrator examines each using a series of questions and statements on life and art. The poem concludes with the narrator giving up on having all three of the figures as part of his life. Some critics regard Ode on Indolence as inferior to the other four 1819 odes. Others suggest that the poem exemplifies a continuity of themes and imagery characteristic of his more widely read works, and provides valuable biographical insight into his poetic career.
By the spring of 1819, Keats had left his poorly paid position as a surgeon at Guys Hospital, Southwark, London, to devote himself to poetry. On 12 May 1819, he abandoned this plan after receiving a request for financial assistance from his brother, George. Unable to help, Keats was torn by guilt and despair and sought projects more lucrative than poetry. It was under these circumstances that he wrote Ode on Indolence.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Ode on Indolence by John Keats - Poem - animation](https://i.ytimg.com/vi/N63IfzEpAoo/mqdefault.jpg)
![The Chimney Sweeper - William Blake Poem - Animation
Heres a virtual movie of a recital The Chimney Sweeper by William Blake the poem is read to perfection by the late great American Shakespearean stage actor Erasmus J Spellbinder who was renowned for his recitals of classic poetry in the 1930s. The poem utilises the tragic voice of a child chimney sweep of his time to express his disgust at the obscenity of child labour.
The Chimney Sweeper is the title of two poems by William Blake, published in Songs of Innocence in 1789 and Songs of Experience in 1794.[2] The poem The Chimney Sweeper is set against the dark background of child labor that was prominent in England in the late 18th and 19th century. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. In the earlier poem, a young chimney sweeper recounts a dream had by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where church is referring to being with God.
TSongs of Innocence:
The Chimney Sweeper
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry weep! weep! weep! weep![a]
So your chimneys I sweep, and in soot I sleep.
Theres little Tom Dacre, who cried when his head,
That curled like a lambs back, was shaved: so I said,
Hush, Tom! never mind it, for when your heads bare,
You know that the soot cannot spoil your white hair.
And so he was quiet; and that very night,
As Tom was a-sleeping, he had such a sight, -
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.
And by came an angel who had a bright key,
And he opened the coffins and set them all free;
Then down a green plain leaping, laughing, they run,
And wash in a river, and shine in the sun.
Then naked and white, all their bags left behind,
They rise upon clouds and sport in the wind;
And the angel told Tom, if hed be a good boy,
Hed have God for his father, and never want joy.
And so Tom awoke; and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm;
So if all do their duty they need not fear harm.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 The Chimney Sweeper - William Blake Poem - Animation](https://i.ytimg.com/vi/NFzmVgn41Zs/mqdefault.jpg)
![Down By the Salley Gardens By William Butler Yeats Poem Animation
Heres a virtual movie of Down By the Salley Gardens. By William Butler Yeats.
Apologies for the extraneous noises towards the end of this very ancient recording that was rescued from many decades immersed in a barrel of guinness having sobered up after drinking the contents purely in the interests of science of course ha ha,but its such a lovely rendition of this wonderful poem come song i think it is still rewarding to the ear to listen to.
Down by the Salley Gardens (Irish: Gort na Saileán) is a poem by William Butler Yeats published in The Wanderings of Oisin and Other Poems in 1889.
Yeats indicated in a note that it was an attempt to reconstruct an old song from three lines imperfectly remembered by an old peasant woman in the village of Ballisodare, Sligo, who often sings them to herself.[2] The old song may have been the ballad The Rambling Boys of Pleasure[3] which contains the following verse:
Down by yon flowery garden my love and I we first did meet.
I took her in my arms and to her I gave kisses sweet
She bade me take life easy just as the leaves fall from the tree.
But I being young and foolish, with my darling did not agree.
The similarity to the first verse of the Yeats version is unmistakable and would suggest that this was indeed the song Yeats remembered the old woman singing. The rest of the song, however, is quite different.
Yeatss original title, An Old Song Re-Sung, reflected his debt to The Rambling Boys of Pleasure. It first appeared under its present title when it was reprinted in Poems in 1895. Down By the Salley Gardens By William Butler Yeats Poem Animation](https://i.ytimg.com/vi/NHj3miF8sqs/mqdefault.jpg)
![The Hill - Edgar Lee Masters - Poem - Animation
Heres a virtual movie of the celebrated American poet Edgar Lee Masters reading in his own voice circa 1934 The Hill from his brilliant and much loved Spoon River Anthology circa 1915. To hear more amazing actual recordings of Edgar Lee Masters reading his own poems visit The Pennsound Website here where you will hear rare recordings from many great American poets..
http://writing.upenn.edu/pennsound/x/Masters.php
Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the real Spoon River that ran near Masters home town. The aim of the poems is to demystify the rural, small town American life. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses. The poems were originally published in the magazine Reedys Mirror.
Edgar Lee Masters (August 23, 1868 – March 5, 1950) was an American attorney, poet, biographer, and dramatist. He is the author of Spoon River Anthology, The New Star Chamber and Other Essays, Songs and Satires, The Great Valley, The Serpent in the Wilderness An Obscure Tale, The Spleen, Mark Twain: A Portrait, Lincoln: The Man, and Illinois Poems. In all, Masters published twelve plays, twenty-one books of poetry, six novels and six biographies, including those of Abraham Lincoln, Mark Twain, Vachel Lindsay, and Walt Whitman.
Born in Garnett, Kansas to attorney Hardin Wallace Masters and Emma J. Dexter,[2] his father had briefly moved to set up a law practice, then soon moved back to his paternal grandparents farm near Petersburg in Menard County, Illinois. In 1880 they moved to Lewistown, Illinois, where he attended high school and had his first publication in the Chicago Daily News. The culture around Lewistown, in addition to the towns cemetery at Oak Hill, and the nearby Spoon River were the inspirations for many of his works, most notably Spoon River Anthology, his most famous and acclaimed work.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2016 The Hill - Edgar Lee Masters - Poem - Animation](https://i.ytimg.com/vi/NSbOlx4hjkc/mqdefault.jpg)
![Suicide in the Trenches By Siegfried Sassoon Poem animation
Heres a virtual movie of the soldier poet Siegfried Sassoon reading his poem Suicide in the Trenches
Suicide in the Trenches is a poem by Siegfried Sassoon, written during his First World War military service and published in his 1918 collection: Counter-Attack and Other Poems The poem, is one of the many poems Sassoon composed in response to World War I. It reflects his own notable service in that especially bloody conflict. Sassoon was a brave and gallant upper-class officer who eventually opposed the war, but he never lost his admiration for the common soldiers who had to fight it. Sassoon felt contempt for the political leaders and civilian war hawks who, safe in their power and comfort, sent young men off to die in huge battles that seemed futile and pointless.
Siegfried Loraine Sassoon, CBE, MC (8 September 1886 1 September 1967) was an eminent English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches, and satirised the patriotic pretensions of those who, in Sassoons view, were responsible for a jingoism-fuelled war.[1] He later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the Sherston trilogy.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Suicide in the Trenches By Siegfried Sassoon Poem animation](https://i.ytimg.com/vi/Nf5Ow7dLzzI/mqdefault.jpg)
![Eliza Crossing the River - Harriet Beecher Stowe Poem animation
Heres a virtual movie of Abolitionist and author Harriet Beecher Stowe reading Eliza Crossing the River A Poem come Parable about good deeds leading to good fortune.
Harriet Elisabeth Beecher Stowe (/stoʊ/; June 14, 1811 – July 1, 1896) was an American abolitionist and author. Her novel Uncle Toms Cabin (1852) was a depiction of life for African Americans under slavery; it reached millions as a novel and play, and became influential in the United States and United Kingdom. It energized anti-slavery forces in the American North, while provoking widespread anger in the South. She wrote more than 20 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and her public stands on social issues of the day.
Harriet Elisabeth Beecher was born in Litchfield, Connecticut, on June 14, 1811.[1] She was the seventh of 13 children,[2] born to outspoken religious leader Lyman Beecher and Roxana (Foote), a deeply religious woman who died when Stowe was only five years old. Her notable siblings included a sister, Catharine Beecher, who was an educator and author, as well as brothers who became ministers: including Henry Ward Beecher, who became a famous abolitionist, Charles Beecher, and Edward Beecher.[3]
Harriet enrolled in the seminary (girls school) run by her sister Catharine, where she received a traditionally male education in the classics, including study of languages and mathematics. Among her classmates there was Sarah P. Willis, who later wrote under the pseudonym Fanny Fern.[4] At the age of 21, she moved to Cincinnati, Ohio to join her father, who had become the president of Lane Theological Seminary. There, she also joined the Semi-Colon Club, a literary salon and social club whose members included the Beecher sisters, Caroline Lee Hentz, Salmon P. Chase, Emily Blackwell, and others.[5]
It was in that group that she met Calvin Ellis Stowe, a widower and professor at the seminary. The two married on January 6, 1836.[6] He was an ardent critic of slavery, and the Stowes supported the Underground Railroad, temporarily housing several fugitive slaves in their home. They had seven children together, including twin daughters.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014 Eliza Crossing the River - Harriet Beecher Stowe Poem animation](https://i.ytimg.com/vi/NgzQFI3k7O8/mqdefault.jpg)
![Let me not to the marriage of true minds - William Shakespeare - Poem - Animation
Heres a virtual movie of the great William Shakespeare reading his sonnet 116 Let me not to the marriage of true minds. You can see the amazing 78rpm Shellac record circa 1932 of John Gielgud reading this wonderful sonnet here at this link...
https://www.youtube.com/watch?v=Wrj3rilcTnk
Shakespeares sonnet 116 was first published in 1609. Its structure and form are a typical example of the Shakespearean sonnet.
The poet begins by stating he should not stand in the way of the marriage of true minds, and that love cannot be true if it changes for any reason; true love should be constant, through any difficulties. In the seventh line, the poet makes a nautical reference, alluding to love being much like the north star is to sailors. Love also should not fade with time; instead, true love is, as is the polar star, ever-fixèd and lasts forever.
Sonnet 116 is one of Shakespeares most famous love sonnets, but some scholars have argued the theme has been misunderstood. Hilton Landry believes the appreciation of 116 as a celebration of true love is mistaken,[3] in part because its context in the sequence of adjacent sonnets is not properly considered. Landry acknowledges the sonnet has the grandeur of generality or a universal significance, but cautions that however timeless and universal its implications may be, we must never forget that Sonnet 116 has a restricted or particular range of meaning simply because it does not stand alone.[4] Carol Thomas Neely writes that, Sonnet 116 is part of a sequence which is separate from all the other sonnets of Shakespeare because of their sense of detachment. They aren’t about the action of love and the object of that love is removed in this sequence which consists of Sonnets 94, 116, and 129.[5] This group of three sonnets does not fit the mold of the rest of Shakespeare’s sonnets, therefore, and they defy the typical concept and give a different perspective of what love is and how it is portrayed or experienced. Though 116 resolves no issues, the poet in this part of the sequence acknowledges and accepts the fallibility of his love more fully than he could acknowledge that of the young man’s earlier.[6] Other critics of Sonnet 116[7] have argued that one cannot rely on the context of the sonnet to understand its tone. They argue that since there is no indisputably authoritative sequence to them, we cannot make use of context as positive evidence for one kind of tone or another.[8] Shakespeare does not attempt to come to any significant conclusion within this particular sonnet because no resolution is needed.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 Let me not to the marriage of true minds - William Shakespeare - Poem - Animation](https://i.ytimg.com/vi/Nn5JiC0T2jg/mqdefault.jpg)