Uploaded September 2014 | Updated September 2026, 2 weeks ago
Here's a virtual movie of Abolitionist and author Harriet Beecher Stowe reading "Eliza Crossing the River" A Poem come Parable about good deeds leading to good fortune.
Harriet Elisabeth Beecher Stowe (/stoʊ/; June 14, 1811 – July 1, 1896) was an American abolitionist and author. Her novel Uncle Tom's Cabin (1852) was a depiction of life for African Americans under slavery; it reached millions as a novel and play, and became influential in the United States and United Kingdom. It energized anti-slavery forces in the American North, while provoking widespread anger in the South. She wrote more than 20 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and her public stands on social issues of the day.
Harriet Elisabeth Beecher was born in Litchfield, Connecticut, on June 14, 1811.[1] She was the seventh of 13 children,[2] born to outspoken religious leader Lyman Beecher and Roxana (Foote), a deeply religious woman who died when Stowe was only five years old. Her notable siblings included a sister, Catharine Beecher, who was an educator and author, as well as brothers who became ministers: including Henry Ward Beecher, who became a famous abolitionist, Charles Beecher, and Edward Beecher.[3]
Harriet enrolled in the seminary (girls' school) run by her sister Catharine, where she received a traditionally "male" education in the classics, including study of languages and mathematics. Among her classmates there was Sarah P. Willis, who later wrote under the pseudonym Fanny Fern.[4] At the age of 21, she moved to Cincinnati, Ohio to join her father, who had become the president of Lane Theological Seminary. There, she also joined the Semi-Colon Club, a literary salon and social club whose members included the Beecher sisters, Caroline Lee Hentz, Salmon P. Chase, Emily Blackwell, and others.[5]
It was in that group that she met Calvin Ellis Stowe, a widower and professor at the seminary. The two married on January 6, 1836.[6] He was an ardent critic of slavery, and the Stowes supported the Underground Railroad, temporarily housing several fugitive slaves in their home. They had seven children together, including twin daughters.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
Here's a virtual movie of Abolitionist and author Harriet Beecher Stowe reading "Eliza Crossing the River" A Poem come Parable about good deeds leading to good fortune.
Harriet Elisabeth Beecher Stowe (/stoʊ/; June 14, 1811 – July 1, 1896) was an American abolitionist and author. Her novel Uncle Tom's Cabin (1852) was a depiction of life for African Americans under slavery; it reached millions as a novel and play, and became influential in the United States and United Kingdom. It energized anti-slavery forces in the American North, while provoking widespread anger in the South. She wrote more than 20 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and her public stands on social issues of the day.
Harriet Elisabeth Beecher was born in Litchfield, Connecticut, on June 14, 1811.[1] She was the seventh of 13 children,[2] born to outspoken religious leader Lyman Beecher and Roxana (Foote), a deeply religious woman who died when Stowe was only five years old. Her notable siblings included a sister, Catharine Beecher, who was an educator and author, as well as brothers who became ministers: including Henry Ward Beecher, who became a famous abolitionist, Charles Beecher, and Edward Beecher.[3]
Harriet enrolled in the seminary (girls' school) run by her sister Catharine, where she received a traditionally "male" education in the classics, including study of languages and mathematics. Among her classmates there was Sarah P. Willis, who later wrote under the pseudonym Fanny Fern.[4] At the age of 21, she moved to Cincinnati, Ohio to join her father, who had become the president of Lane Theological Seminary. There, she also joined the Semi-Colon Club, a literary salon and social club whose members included the Beecher sisters, Caroline Lee Hentz, Salmon P. Chase, Emily Blackwell, and others.[5]
It was in that group that she met Calvin Ellis Stowe, a widower and professor at the seminary. The two married on January 6, 1836.[6] He was an ardent critic of slavery, and the Stowes supported the Underground Railroad, temporarily housing several fugitive slaves in their home. They had seven children together, including twin daughters.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2014
![Let me not to the marriage of true minds - William Shakespeare - Poem - Animation
Heres a virtual movie of the great William Shakespeare reading his sonnet 116 Let me not to the marriage of true minds. You can see the amazing 78rpm Shellac record circa 1932 of John Gielgud reading this wonderful sonnet here at this link...
https://www.youtube.com/watch?v=Wrj3rilcTnk
Shakespeares sonnet 116 was first published in 1609. Its structure and form are a typical example of the Shakespearean sonnet.
The poet begins by stating he should not stand in the way of the marriage of true minds, and that love cannot be true if it changes for any reason; true love should be constant, through any difficulties. In the seventh line, the poet makes a nautical reference, alluding to love being much like the north star is to sailors. Love also should not fade with time; instead, true love is, as is the polar star, ever-fixèd and lasts forever.
Sonnet 116 is one of Shakespeares most famous love sonnets, but some scholars have argued the theme has been misunderstood. Hilton Landry believes the appreciation of 116 as a celebration of true love is mistaken,[3] in part because its context in the sequence of adjacent sonnets is not properly considered. Landry acknowledges the sonnet has the grandeur of generality or a universal significance, but cautions that however timeless and universal its implications may be, we must never forget that Sonnet 116 has a restricted or particular range of meaning simply because it does not stand alone.[4] Carol Thomas Neely writes that, Sonnet 116 is part of a sequence which is separate from all the other sonnets of Shakespeare because of their sense of detachment. They aren’t about the action of love and the object of that love is removed in this sequence which consists of Sonnets 94, 116, and 129.[5] This group of three sonnets does not fit the mold of the rest of Shakespeare’s sonnets, therefore, and they defy the typical concept and give a different perspective of what love is and how it is portrayed or experienced. Though 116 resolves no issues, the poet in this part of the sequence acknowledges and accepts the fallibility of his love more fully than he could acknowledge that of the young man’s earlier.[6] Other critics of Sonnet 116[7] have argued that one cannot rely on the context of the sonnet to understand its tone. They argue that since there is no indisputably authoritative sequence to them, we cannot make use of context as positive evidence for one kind of tone or another.[8] Shakespeare does not attempt to come to any significant conclusion within this particular sonnet because no resolution is needed.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 Let me not to the marriage of true minds - William Shakespeare - Poem - Animation](https://i.ytimg.com/vi/Nn5JiC0T2jg/mqdefault.jpg)





![Wee Wee Tailor - Thomas Lovell Beddoes - Poem - animation
Heres a virtual movie of Thomas Lovell Beddoes reading his very dark poem Wee Wee Tailor which is also known as The Oviparous Tailor This dark poetic fable tells of a tailor cursed by a witch to lay eggs like a chicken. There can be few less haunted poets than Thomas Lovell Beddoes the son of a surgeon who witnessed from an early age the horrors of patients going under the knife before the age of Anesthesia. Beddoes himself became a doctor until mental illness and infection contracted from a mortuary corpse and suicide ended his life prematurely at age 45.This definitive beautiful recital of the poem is by Alan Halsey.
Thomas Lovell Beddoes (30 June 1803[1] – 26 January 1849) was an English poet, dramatist and physician.
Born in Clifton, Bristol, England, he was the son of Dr. Thomas Beddoes, a friend of Samuel Taylor Coleridge, and Anna, sister of Maria Edgeworth. He was educated at Charterhouse and Pembroke College, Oxford. He published in 1821 The Improvisatore, which he afterwards endeavoured to suppress. His next venture, a blank-verse drama called The Brides Tragedy (1822), was published and well reviewed, and won for him the friendship of Barry Cornwall.
Beddoes work shows a constant preoccupation with death. In 1824, he went to Göttingen to study medicine, motivated by his hope of discovering physical evidence of a human spirit which survives the death of the body.[2] He was expelled, and then went to Würzburg to complete his training. He then wandered about practising his profession, and expounding democratic theories which got him into trouble. He was deported from Bavaria in 1833, and had to leave Zürich, where he had settled, in 1840.
He continued to write, but published nothing.
He led an itinerant life after leaving Switzerland, returning to England only in 1846, before going back to Germany. He became increasingly disturbed, and committed suicide by poison at Basel, in 1849, at the age of 45.[3]
For some time before his death he had been engaged on a drama, Deaths Jest Book, which was published in 1850 with a memoir by his friend, T. F. Kelsall. His Collected Poems were published in 1851.
Kind Regards
Jim Clark
All rights are reserved on this video recordin g copyright Jim Clark 2015 Wee Wee Tailor - Thomas Lovell Beddoes - Poem - animation](https://i.ytimg.com/vi/QcmeJUlfCDQ/mqdefault.jpg)


![The Cloths of Heaven - William Butler Yeats Poem - Animation
Heres the great William Butler Yeats reading his romantic poem Aedh Wishes for the Cloths of Heaven better known as He Wishes for the Cloths of Heaven is a poem Yeats wrote for Maud Gonne, a woman he loved for most of his life although she did not return his feelings. It was published in 1899 in his third volume of poetry, The Wind Among the Reeds.The speaker of the poem is the character Aedh, who appears in Yeatss work alongside two other archetypal characters of the poets myth: Michael Robartes and Red Hanrahan. The three are collectively known as the principles of the mind. Whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism, Aedh is pale, lovelorn, and in the thrall of La belle dame sans merci.[1] (The character Aedh is replaced in volumes of Yeatss collected poetry by a more generic he.)
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 The Cloths of Heaven - William Butler Yeats Poem - Animation](https://i.ytimg.com/vi/RBX6mmGtdqw/mqdefault.jpg)
![Edgar Allan Poe - The Conqueror Worm - Poem - Animation
Heres a virtual movie of the great Edgar Allan Poe reading his characteristically pessimistic poem The Conqueror Worm. Food for worms was how the British dissolute gothic poet described himself in his suicide note in the final analysis that is all we are is the theme of this joyous ode.
The Conqueror Worm is a poem by Edgar Allan Poe about human mortality and the inevitability of death. It was first published separately in Grahams Magazine in 1843, but quickly became associated with Poes short story Ligeia after Poe added the poem to a revised publication of the story in 1845. In the revised story, the poem is composed by the eponymous Ligeia, and taught to the narrator in the fits of her death throes.
An audience of weeping angels watches a play performed by mimes, in the form of God on high, and controlled by vast formless shapes looming behind the scenes. The mimes chase a Phantom which they can never capture, running around in circles. Finally, a monstrous crawling shape emerges, and eats the mimes. The final curtain comes down, a funeral pall, signaling an end to the tragedy, Man whose only hero is The Conqueror Worm.
The Conqueror Worm was first published as a stand-alone poem in the January 1843 issue of Grahams Magazine.[1] Shortly after, it was included among several other poems by Poe in the February 25 issue of the Saturday Museum in a feature called The Poets & Poetry of Philadelphia: Edgar Allan Poe.[2] It was later included in Poes poetry collection The Raven and Other Poems in 1845.[1] That same year, it was incorporated into Ligeia for the first time when the story was reprinted in the February 15, 1845, issue of the New York World.[3] Ligeia was again republished with The Conqueror Worm in the September 27, 1845, issue of The Broadway Journal while Poe was its editor.[4] This was not unusual for Poe, who had also incorporated poems The Coliseum and To One in Paradise into tales
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2015 Edgar Allan Poe - The Conqueror Worm - Poem - Animation](https://i.ytimg.com/vi/RdCE_kM8GMw/mqdefault.jpg)