Uploaded April 2020 | Updated September 2026, 2 weeks ago
🎸 plaidonflannel.com
🎤 plaidonflannelshop.com
Nolan Randall playing the guitar riff and first solo of “Do You Feel Like We Do” by Peter Frampton from his 1976 live album Frampton Comes Alive! for A&M Records.
Words and music by Peter Frampton, Mick Gallagher, Rick Wills, & John Siomos
Woke up this morning with a wine glass in my hand
Whose wine? What wine?
Where the hell did I dine?
Must have been a dream
I don't believe where I've been
Come on, let's do it again
Do you, you feel like I do?
As you feel
Do you, you feel like I do?
My friend got busted just the other day
They said, "Don't walk, don't walk, don't walk away"
Drove him to a taxi
Bent the boot, hit the back
Had to play some music otherwise he'd crack
Do you, you feel like I do?
As you feel
Do you, you feel like I...
Do you, you feel like I do?
Yes you do
Do you, you feel like I do?
Champagne for breakfast and a Sherman in my hand
Peach top, peach tails, never fails
Must have been a dream
I don't believe where I've been
Come on, let's do it again
Do you, you feel like I do?
As you feel
Do you, you feel like I...
Bob Mayo, on the keyboards, Bob Mayo
Do you feel like we do?
Do you feel like we do?
Oh, that's true
Do you feel like we do
Get that
Do you feel, do you feel like we do?
Do you feel, do you feel like we do?
Do you feel like we do?
That's alright, that's alright to feel you'd like
Feel you'd like, a good time
We'll go to bed and good night
Good time, good time, good time, good time, good time
*Song Facts*
"Do You Feel Like We Do" is a song by Peter Frampton originally appearing on the Frampton's Camel album that he released in 1973. It became one of the three hit singles from his Frampton Comes Alive! album, released in 1976.
The song was written and composed in the early 1970s with members of Frampton's band, then called Frampton's Camel. The Frampton's Camel version was shorter than the duration of the live version, and it was initially not released as a single. The closing notes of the studio version features a guitar riff that has a strong resemblance to The Beatles's "Baby's in Black".
The title of the song is "Do You Feel Like We Do," although the lyrics read, "Do you feel like I do?" Only after Bob Mayo's electric piano solo in the Frampton Comes Alive! version does Frampton sing, "Do you feel like we do?", but sings "Do you feel like I do?" through the talk box in the midst of his extended guitar solo.
After the lack of success of his "Camel", Frampton performed under his own name and began touring the United States extensively for the next two years, supporting acts such as The J. Geils Band and ZZ Top, as well as performing his own shows at smaller venues. As a result, he developed a strong live following while his albums sold moderately and his singles failed to chart.
"Do You Feel Like We Do" became the closing number of his set and one of the highlights of his show. His concert version was considerably longer, with the version recorded on Frampton Comes Alive! alone exceeding 14 minutes, 4 of which are spent in the rock intro, 4 in the loud rock subito fortissimo outro, and 6 in the long, quiet bridge, featuring several instrumental solos utilizing Bob Mayo's electric piano and Frampton's guitar and talk box skills. Most famously of these were the aforementioned talk box solos, which were performed using an effects pedal that redirects a guitar's sound through a tube coming from the performer's mouth, allowing the guitar to mimic human speech, similarly to a vocoder. Inspiration for the talk box came from Frampton listening to the call letters of Radio Luxembourg. Following the success of the talk box solos, Frampton subsequently marketed such talk boxes under his own "Framptone" brand.
As a result of the strength of Frampton's live show, A&M Records decided to release a live album taped when Frampton performed at Winterland in San Francisco. Frampton Comes Alive! was originally going to be a single album until Jerry Moss asked, "Where's the rest?" "Do You Feel Like We Do" was one of the tracks added to the album as a result of the decision to expand the album into a double album. The selection had been recorded live on November 22, 1975 on the college campus of SUNY Plattsburgh in Plattsburgh, New York.
On September 8, 1976, U.S. President Gerald Ford invited Frampton to stay at the White House as a result of the success of Frampton Comes Alive!
Frampton continues to play this song live to close his concerts, and he played the song in his solo spot while playing with Ringo Starr & His All-Starr Band in 1997 and 1998 with a piano solo of Gary Brooker bass solo of Jack Bruce and the version length was about 19 minutes.
A cover by Warren Haynes is included on the iTunes deluxe edition of Frampton Comes Alive! Haynes kills his version.
The Simpsons episode "Homerpalooza" featured the song with the London Symphony Orchestra supporting Frampton.
#PeterFrampton #DoYouFeelLikeWeDo #ArenaRock
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Nolan Randall playing the guitar riff and first solo of “Do You Feel Like We Do” by Peter Frampton from his 1976 live album Frampton Comes Alive! for A&M Records.
Words and music by Peter Frampton, Mick Gallagher, Rick Wills, & John Siomos
Woke up this morning with a wine glass in my hand
Whose wine? What wine?
Where the hell did I dine?
Must have been a dream
I don't believe where I've been
Come on, let's do it again
Do you, you feel like I do?
As you feel
Do you, you feel like I do?
My friend got busted just the other day
They said, "Don't walk, don't walk, don't walk away"
Drove him to a taxi
Bent the boot, hit the back
Had to play some music otherwise he'd crack
Do you, you feel like I do?
As you feel
Do you, you feel like I...
Do you, you feel like I do?
Yes you do
Do you, you feel like I do?
Champagne for breakfast and a Sherman in my hand
Peach top, peach tails, never fails
Must have been a dream
I don't believe where I've been
Come on, let's do it again
Do you, you feel like I do?
As you feel
Do you, you feel like I...
Bob Mayo, on the keyboards, Bob Mayo
Do you feel like we do?
Do you feel like we do?
Oh, that's true
Do you feel like we do
Get that
Do you feel, do you feel like we do?
Do you feel, do you feel like we do?
Do you feel like we do?
That's alright, that's alright to feel you'd like
Feel you'd like, a good time
We'll go to bed and good night
Good time, good time, good time, good time, good time
*Song Facts*
"Do You Feel Like We Do" is a song by Peter Frampton originally appearing on the Frampton's Camel album that he released in 1973. It became one of the three hit singles from his Frampton Comes Alive! album, released in 1976.
The song was written and composed in the early 1970s with members of Frampton's band, then called Frampton's Camel. The Frampton's Camel version was shorter than the duration of the live version, and it was initially not released as a single. The closing notes of the studio version features a guitar riff that has a strong resemblance to The Beatles's "Baby's in Black".
The title of the song is "Do You Feel Like We Do," although the lyrics read, "Do you feel like I do?" Only after Bob Mayo's electric piano solo in the Frampton Comes Alive! version does Frampton sing, "Do you feel like we do?", but sings "Do you feel like I do?" through the talk box in the midst of his extended guitar solo.
After the lack of success of his "Camel", Frampton performed under his own name and began touring the United States extensively for the next two years, supporting acts such as The J. Geils Band and ZZ Top, as well as performing his own shows at smaller venues. As a result, he developed a strong live following while his albums sold moderately and his singles failed to chart.
"Do You Feel Like We Do" became the closing number of his set and one of the highlights of his show. His concert version was considerably longer, with the version recorded on Frampton Comes Alive! alone exceeding 14 minutes, 4 of which are spent in the rock intro, 4 in the loud rock subito fortissimo outro, and 6 in the long, quiet bridge, featuring several instrumental solos utilizing Bob Mayo's electric piano and Frampton's guitar and talk box skills. Most famously of these were the aforementioned talk box solos, which were performed using an effects pedal that redirects a guitar's sound through a tube coming from the performer's mouth, allowing the guitar to mimic human speech, similarly to a vocoder. Inspiration for the talk box came from Frampton listening to the call letters of Radio Luxembourg. Following the success of the talk box solos, Frampton subsequently marketed such talk boxes under his own "Framptone" brand.
As a result of the strength of Frampton's live show, A&M Records decided to release a live album taped when Frampton performed at Winterland in San Francisco. Frampton Comes Alive! was originally going to be a single album until Jerry Moss asked, "Where's the rest?" "Do You Feel Like We Do" was one of the tracks added to the album as a result of the decision to expand the album into a double album. The selection had been recorded live on November 22, 1975 on the college campus of SUNY Plattsburgh in Plattsburgh, New York.
On September 8, 1976, U.S. President Gerald Ford invited Frampton to stay at the White House as a result of the success of Frampton Comes Alive!
Frampton continues to play this song live to close his concerts, and he played the song in his solo spot while playing with Ringo Starr & His All-Starr Band in 1997 and 1998 with a piano solo of Gary Brooker bass solo of Jack Bruce and the version length was about 19 minutes.
A cover by Warren Haynes is included on the iTunes deluxe edition of Frampton Comes Alive! Haynes kills his version.
The Simpsons episode "Homerpalooza" featured the song with the London Symphony Orchestra supporting Frampton.
#PeterFrampton #DoYouFeelLikeWeDo #ArenaRock










![Be Careful (Middle Section) - Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall playing the guitar riff and solo of “Be Careful” by Plaid On Flannel the 2017 EP Get On!
Personnel includes:
Nolan Randall (Vocals/Guitars)
Jen Doyon (Keyboards/Vocals)
Les Cassling (Bass)
Minas Hatzigiannatzoglou (Drums/Percussion)
Produced by Ruben Huizenga
Words and music by Nolan Randall
On the television tonight
Gotta put up a great big fight
Flying high in the airwaves
From my evening prayer phrase
To something that doesnt seem right
The telephone is off the hook
Look at the people the blind man shook
If there was more of an angle
Maybe we could all handle
What seems to be halfway crooks
Next time be more careful
Before you go into it the wrong way
An invitation to something and its better than nothing
No matter what the clients say
Think Im gonna be in a flick
Can they make it all sound so slick?
Is there more to the quandary?
Cleaning my dirty laundry
Are they trying to play a trick?
Theres nothing like a sense of hope
Moving along in my jumping rope
Its okay with me, thats why I gotta believe
Thats why I wash my hands with soap
Next time be more careful
Before you jump into it the wrong way
An invitation to something and its better than nothing
No matter what the people say
Next time be more careful
Before you go into it the wrong way
An invitation for something
And its better than nothing
What the hell am I gonna play?
Next time be more careful
Before you jump into it the wrong way
An invitation to something and its better than nothing
No matter, no matter, no matter what they say
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
I wrote the music for Be Careful on February 14, 2013 while I was producing Plaid On Flannels sophomore album Mission Of Mercy. At that point, I had finished recording 12 of 20 songs for the album. And I knew I needed more rockers to include on the record. The lyrics for Be Careful were written on March 20, 2013. The hook Next time, be more careful was inspired by a line from the 1980 golf comedy film Caddyshack. In the referenced scene, Ted Knights character Judge Smails throws his golf putter in frustration after missing a put on the 18th green and almost kills a lady on a patio. While the ladys husband is irate towards Smails about the situation, he falsely claims it was an accident and it slipped. Then his caddy Danny Noonan played by Michael OKeefe takes full responsibility for not putting stickum on the worn grip of his putter. Even though Smails knowingly threw his putter towards the clubhouse, he then says to his caddy, Next time, be more careful!
I started recording the Mission Of Mercy version of Be Careful on March 18, 2013 and finished the song on March 27, 2013. The entire Mission Of Mercy album was released on May 20, 2013. After I moved to Toronto from Peterborough in September of 2013, the Plaid On Flannel band began on February 15, 2014 as a 3-piece group. Be Careful was part of the first batch of my original songs that we played. It became the closing song in our live sets to encourage the audience to be careful on their way home. In other words, Dont drink and drive.
Keyboardist Jen Doyon joined the band the next year on February 22, 2015, and Be Careful continued to be a go-to song in our set lists as a 4-piece group. Its perhaps the most straight forward rock and roll song we played. Heres a live version of us performing Be Careful at the Opera House in Toronto on May 14, 2016... https://youtu.be/RS87x2Acsc4
While Be Careful was not included on our Rising Above EP in 2016, we saved it for the Get On! EP, which we began recording on February 4, 2017. That version of Be Careful is rather similar to the Mission Of Mercy rendition of the song that was recorded 4 years earlier. Its in the same key of C, and the only thing that really changed were the chord progression patterns during some of the guitar solo parts. The guitar solos for Be Careful were always improvised and thats what I did on the Get On! EP version in the studio. The arpeggiated guitar riff was inspired by the riff from No More Mr. Nice Guy by Alice Cooper. Although it moves differently, just about the same chord sequences are used. The rhythm section of Les Cassling on bass and Minas Hatzigiannatzoglou on drums really delivered on this tune. Jen Doyons backup vocals also add a great flavour to the song. Be Careful is a tune Ive pretty much retired, but it will live on as its featured on 2 different Plaid On Flannel records.
#RockAndRoll #BluesRock #RootsRock Be Careful (Middle Section) - Plaid On Flannel](https://i.ytimg.com/vi/uMRRvE7EXpw/mqdefault.jpg)