Uploaded February 2023 | Updated September 2026, 2 weeks ago
💿 Get Parkdale Fever on CD 👉 plaidonflannelshop.com/products/parkdale-fever
"Generation" is the third single from Plaid On Flannel's fifth full-length album Parkdale Fever. An 11-song album that can only be heard on CD. Not for streaming or downloading. But for the listening enjoyment of physical album ownership.
Personnel includes:
Nolan Randall - Vocals, Guitars, Bass, & Keyboards
Simon Miminis - Drums
Produced by Hector Viola & Simon Miminis
Mixed by Josh Bowman @ Bowman Sound
Mastered by Harry Hess @ HBomb Mastering
Words and music by Nolan Randall
Mighty undertone to find a home, written on a stone
Visions of a zone where you can roam, through the unknown
The everlasting gallantry in the face of fear
With an unassuming gravity far away from here
Generation, generation
For some motivation, generation now
Gotta overthrow and undergo more than you will know
When it’s sinking low for room to grow, walking tip toe
The everlasting gallantry in the face of fear
With an unassuming gravity far away from here
Generation, generation
For a population, generation
Address a situation, attain an occupation
For your own information, generation
In another region, or in relation
In and out of season, generation now
Generation, generation
For an imitation, generation
Address a situation, attain an occupation
For your own information, generation now
© Copyright 2023 Plaid On Flannel
*Song Description By Noles*
In the late fall of 2020, I came up with the idea for what would become “Generation”. I saw this YouTube video of street performers playing the “Gerudo Valley Theme” from N64’s The Legend Of Zelda: Ocarina Of Time on acoustic guitars. The video had millions of views, and it made me nostalgic about the video game I played obsessively as a kid in the late 1990s. The “Gerudo Valley Theme” composed by Koji Kondo is a brilliant tune done in the style of Spanish Flamenco.
What I love about the song is the chord progression. And the melodic possibilities within that chord progression. So I set out to write a song that could use it in some way. “Generation” has that chord progression in a different key in the guitar riff and verses. But the rest of the tune uses variations of chord combinations. All in all, “Generation” is completely different in terms of style and approach. But it certainly wouldn’t exist without that inspiration.
When it came to the lyrics of “Generation”, I wrote them in an ambiguous manner. People see the word "generation", and they think of cohorts. Boomers, Gen X, Millennials, Zoomers, etc. Just think of “My Generation” by The Who. But Plaid On Flannel’s “Generation” is really about work. An occupation or a vocation. The "generation" of labour to make money. I'm very fond of words that have multiple meanings. And can be interpreted in various ways. At first, I was analyzing the unemployment I was experiencing at the time during the pandemic lock down era. But the song is really about the fundamentals of how our society functions. With the "work, or starve on the street" fate that most of us face. And the fact that a majority of us hate our jobs. Only working them so we don't end up homeless. As time goes on, there are more and more people who are underemployed in the work force. Myself included. And there's this false narrative that what we do for money is our identity. When in reality, most of us are working so we can unwillingly make someone else's life better.
Much like the first 2 singles from Parkdale Fever, "Generation" uses plenty of distortion on the guitars. Except the guitar riff for "Generation" plays lower notes that are more simple and powerful. The extra guitars tend to have a psychedelic sound to them. Especially during the song's verses. With delay and modulation to add texture. The guitar solo follows the melodies of the verses and pre-choruses quite a bit. And then the final chorus has guitars feeding back. To add some dynamics while the drums take a rest, and whole note chords are played with the other instruments.
"Generation" is one of the few songs on Parkdale Fever that has no percussion. I felt like adding a tambourine would make it too festive. And that would interfere with the melancholy vibe of the tune. Simon's drums provide more than enough rhythm for the flow of this song. There are other tunes on the album where the percussion is a lot more necessary.
The vocals use a lot of harmony throughout "Generation", but there is only one backing vocal in the entire song. It lifts the melodies in certain parts. Most of the tune has double lead vocals to bring up the intensity. And there's even triple lead vocals every time the word "generation" is said. In some cases it's also "generation now".
I honestly can't wait to play this song live with a band. It has the right tempo for headbanging. I'm sure "Generation" will be a staple in Plaid On Flannel's live repertoire for years to come.
#AlternativeRock #BluesRock #PsychedelicRock
💿 Get Parkdale Fever on CD 👉 plaidonflannelshop.com/products/parkdale-fever
"Generation" is the third single from Plaid On Flannel's fifth full-length album Parkdale Fever. An 11-song album that can only be heard on CD. Not for streaming or downloading. But for the listening enjoyment of physical album ownership.
Personnel includes:
Nolan Randall - Vocals, Guitars, Bass, & Keyboards
Simon Miminis - Drums
Produced by Hector Viola & Simon Miminis
Mixed by Josh Bowman @ Bowman Sound
Mastered by Harry Hess @ HBomb Mastering
Words and music by Nolan Randall
Mighty undertone to find a home, written on a stone
Visions of a zone where you can roam, through the unknown
The everlasting gallantry in the face of fear
With an unassuming gravity far away from here
Generation, generation
For some motivation, generation now
Gotta overthrow and undergo more than you will know
When it’s sinking low for room to grow, walking tip toe
The everlasting gallantry in the face of fear
With an unassuming gravity far away from here
Generation, generation
For a population, generation
Address a situation, attain an occupation
For your own information, generation
In another region, or in relation
In and out of season, generation now
Generation, generation
For an imitation, generation
Address a situation, attain an occupation
For your own information, generation now
© Copyright 2023 Plaid On Flannel
*Song Description By Noles*
In the late fall of 2020, I came up with the idea for what would become “Generation”. I saw this YouTube video of street performers playing the “Gerudo Valley Theme” from N64’s The Legend Of Zelda: Ocarina Of Time on acoustic guitars. The video had millions of views, and it made me nostalgic about the video game I played obsessively as a kid in the late 1990s. The “Gerudo Valley Theme” composed by Koji Kondo is a brilliant tune done in the style of Spanish Flamenco.
What I love about the song is the chord progression. And the melodic possibilities within that chord progression. So I set out to write a song that could use it in some way. “Generation” has that chord progression in a different key in the guitar riff and verses. But the rest of the tune uses variations of chord combinations. All in all, “Generation” is completely different in terms of style and approach. But it certainly wouldn’t exist without that inspiration.
When it came to the lyrics of “Generation”, I wrote them in an ambiguous manner. People see the word "generation", and they think of cohorts. Boomers, Gen X, Millennials, Zoomers, etc. Just think of “My Generation” by The Who. But Plaid On Flannel’s “Generation” is really about work. An occupation or a vocation. The "generation" of labour to make money. I'm very fond of words that have multiple meanings. And can be interpreted in various ways. At first, I was analyzing the unemployment I was experiencing at the time during the pandemic lock down era. But the song is really about the fundamentals of how our society functions. With the "work, or starve on the street" fate that most of us face. And the fact that a majority of us hate our jobs. Only working them so we don't end up homeless. As time goes on, there are more and more people who are underemployed in the work force. Myself included. And there's this false narrative that what we do for money is our identity. When in reality, most of us are working so we can unwillingly make someone else's life better.
Much like the first 2 singles from Parkdale Fever, "Generation" uses plenty of distortion on the guitars. Except the guitar riff for "Generation" plays lower notes that are more simple and powerful. The extra guitars tend to have a psychedelic sound to them. Especially during the song's verses. With delay and modulation to add texture. The guitar solo follows the melodies of the verses and pre-choruses quite a bit. And then the final chorus has guitars feeding back. To add some dynamics while the drums take a rest, and whole note chords are played with the other instruments.
"Generation" is one of the few songs on Parkdale Fever that has no percussion. I felt like adding a tambourine would make it too festive. And that would interfere with the melancholy vibe of the tune. Simon's drums provide more than enough rhythm for the flow of this song. There are other tunes on the album where the percussion is a lot more necessary.
The vocals use a lot of harmony throughout "Generation", but there is only one backing vocal in the entire song. It lifts the melodies in certain parts. Most of the tune has double lead vocals to bring up the intensity. And there's even triple lead vocals every time the word "generation" is said. In some cases it's also "generation now".
I honestly can't wait to play this song live with a band. It has the right tempo for headbanging. I'm sure "Generation" will be a staple in Plaid On Flannel's live repertoire for years to come.
#AlternativeRock #BluesRock #PsychedelicRock




![Be Careful (Middle Section) - Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall playing the guitar riff and solo of “Be Careful” by Plaid On Flannel the 2017 EP Get On!
Personnel includes:
Nolan Randall (Vocals/Guitars)
Jen Doyon (Keyboards/Vocals)
Les Cassling (Bass)
Minas Hatzigiannatzoglou (Drums/Percussion)
Produced by Ruben Huizenga
Words and music by Nolan Randall
On the television tonight
Gotta put up a great big fight
Flying high in the airwaves
From my evening prayer phrase
To something that doesnt seem right
The telephone is off the hook
Look at the people the blind man shook
If there was more of an angle
Maybe we could all handle
What seems to be halfway crooks
Next time be more careful
Before you go into it the wrong way
An invitation to something and its better than nothing
No matter what the clients say
Think Im gonna be in a flick
Can they make it all sound so slick?
Is there more to the quandary?
Cleaning my dirty laundry
Are they trying to play a trick?
Theres nothing like a sense of hope
Moving along in my jumping rope
Its okay with me, thats why I gotta believe
Thats why I wash my hands with soap
Next time be more careful
Before you jump into it the wrong way
An invitation to something and its better than nothing
No matter what the people say
Next time be more careful
Before you go into it the wrong way
An invitation for something
And its better than nothing
What the hell am I gonna play?
Next time be more careful
Before you jump into it the wrong way
An invitation to something and its better than nothing
No matter, no matter, no matter what they say
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
Next time be, next time be, next time be careful
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
I wrote the music for Be Careful on February 14, 2013 while I was producing Plaid On Flannels sophomore album Mission Of Mercy. At that point, I had finished recording 12 of 20 songs for the album. And I knew I needed more rockers to include on the record. The lyrics for Be Careful were written on March 20, 2013. The hook Next time, be more careful was inspired by a line from the 1980 golf comedy film Caddyshack. In the referenced scene, Ted Knights character Judge Smails throws his golf putter in frustration after missing a put on the 18th green and almost kills a lady on a patio. While the ladys husband is irate towards Smails about the situation, he falsely claims it was an accident and it slipped. Then his caddy Danny Noonan played by Michael OKeefe takes full responsibility for not putting stickum on the worn grip of his putter. Even though Smails knowingly threw his putter towards the clubhouse, he then says to his caddy, Next time, be more careful!
I started recording the Mission Of Mercy version of Be Careful on March 18, 2013 and finished the song on March 27, 2013. The entire Mission Of Mercy album was released on May 20, 2013. After I moved to Toronto from Peterborough in September of 2013, the Plaid On Flannel band began on February 15, 2014 as a 3-piece group. Be Careful was part of the first batch of my original songs that we played. It became the closing song in our live sets to encourage the audience to be careful on their way home. In other words, Dont drink and drive.
Keyboardist Jen Doyon joined the band the next year on February 22, 2015, and Be Careful continued to be a go-to song in our set lists as a 4-piece group. Its perhaps the most straight forward rock and roll song we played. Heres a live version of us performing Be Careful at the Opera House in Toronto on May 14, 2016... https://youtu.be/RS87x2Acsc4
While Be Careful was not included on our Rising Above EP in 2016, we saved it for the Get On! EP, which we began recording on February 4, 2017. That version of Be Careful is rather similar to the Mission Of Mercy rendition of the song that was recorded 4 years earlier. Its in the same key of C, and the only thing that really changed were the chord progression patterns during some of the guitar solo parts. The guitar solos for Be Careful were always improvised and thats what I did on the Get On! EP version in the studio. The arpeggiated guitar riff was inspired by the riff from No More Mr. Nice Guy by Alice Cooper. Although it moves differently, just about the same chord sequences are used. The rhythm section of Les Cassling on bass and Minas Hatzigiannatzoglou on drums really delivered on this tune. Jen Doyons backup vocals also add a great flavour to the song. Be Careful is a tune Ive pretty much retired, but it will live on as its featured on 2 different Plaid On Flannel records.
#RockAndRoll #BluesRock #RootsRock Be Careful (Middle Section) - Plaid On Flannel](https://i.ytimg.com/vi/uMRRvE7EXpw/mqdefault.jpg)
![All The Way To Reno (Youre Gonna Be A Star) [R.E.M. Cover] - Nolan Randall Of Plaid On Flannel
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An acoustic cover of All The Way To Reno (Youre Gonna Be A Star) by R.E.M. from their 2001 album Reveal for Warner Brothers Records.
Words and music by Michael Stipe, Peter Buck and Mike Mills
Humming all the way to Reno
Youve dusted the non believers
And challenged the laws of chance
Now, sweet
Youre so sugar sweet
You may as well have had kick me
Fastened on your sleeve
You know what you are
Youre gonna be a star
You know what you are
Youre gonna be a star
Wing is written on your feet
Your Achilles heel is a tendency to dream
But youve known that from the beginning
You didnt have to go so far
You didnt have to go
You know what you are
Youre gonna be a star
You know what you are
Youre gonna be a star
You know who you are
You know who you are
You know who you are
Humming all the way to Reno
Youve written your own directions
And whistled the rules of change
You know what you are
Youre gonna be a star
You know what you are
Youre gonna be a star
You know what you are
Youre gonna be a star
You know what you are
Youre gonna be a star
Humming all the way to Reno
All the way to Reno
All the way to Reno
Youre gonna be a star
Youre gonna be a star
Youre gonna be a star
Youre gonna be a star
*Song Facts*
All The Way To Reno (Youre Gonna Be A Star) is a song by American rock band R.E.M. It was released on July 23, 2001 as the second single from the bands twelfth studio album Reveal (2001). The single did not chart on the US Billboard Hot 100, but it did reach number 24 on the UK Singles Chart, number 31 in Italy, and number 34 in Ireland.
The B-side live performances were recorded at the South Africa Freedom Day concert in Trafalgar Square, London. Which was held in honour of South African President Nelson Mandela. The event marked the seventh anniversary of democracy in South Africa.
According to Peter Bucks sleevenotes to In Time: The Best of R.E.M. 1988–2003, the R.E.M. compilation on which this song also appears, the song describes someone who believes they can get famous if they go to Reno, Nevada. The working title of the song was Jimmy Webb on Mars. Which according to Bucks notes, was a sick tribute to a songwriter who we all admire.
In 2023, Mike Mills named the song the best the band had released since Bill Berry left: [Its] as good as anything we did after Bill left the band. All the parts work. Peter [Buck]s composition is fantastic. The bass line is cool. The production is really, really good. Its encapsulated in that song. [Its] a little sad but its also a little optimistic, like the best of Michael [Stipe]s writing. It encompasses joy and tragedy. That song grabbed everything we were looking for.
The songs video was shot at Bishop Ford Central Catholic High School in the Prospect Park area of Brooklyn, New York. It was directed by Michael Moore and filmed by four students from the host school and other local schools: Chris, 17; Steve, 17; Andy, 18; Charlotte, 13; Roger, 18; and Juan, 17. In the video, Peter Buck and Mike Mills can be seen entering the career guidance office with their respective instruments in hand, only to leave armed with nothing more than a dustpan and brush. R.E.M.s manager Bertis Downs makes an appearance as the schools announcer, only to have his microphone commandeered by Michael Stipe.
Reveal is the twelfth studio album by American rock band R.E.M. It was released on May 14, 2001, through Warner Bros. Records and was the second of three albums by the band to be produced with Pat McCarthy. It was also R.E.M.s second album as a three-piece, following the departure of drummer Bill Berry. Reveal includes contributions from the bands touring members Joey Waronker, Scott McCaughey and Ken Stringfellow. R.E.M. recorded the album in various locations, including in Dublin, Miami, Vancouver, and their hometown of Athens, Georgia. The album saw R.E.M. continue to experiment with electronic music as they had on their previous album Up (1998), utilizing keyboards and drum machines, while also retaining elements of their earlier sound.
Reveal was a critical and commercial success. The album reached the top 10 in the US while topping the charts in the UK and throughout mainland Europe. Three singles were released—Imitation of Life, All the Way to Reno (Youre Gonna Be a Star), and Ill Take the Rain—with the former reaching the top 10 throughout Europe. Reviews were positive, with many highlighting the albums melodic nature and combination of R.E.M.s classic sound with electronic elements. The band did not tour in support of the album, with its promotion instead consisting mainly of television appearances, music videos, and a number of free concerts within major cities.
#REM #AllTheWayToReno #AlternativeRock All The Way To Reno (Youre Gonna Be A Star) [R.E.M. Cover] - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/uWgtb0yieqw/mqdefault.jpg)

![Something On Your Mind (Guitar Outro) - Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall playing the guitar outro of “Something On Your Mind” by Plaid On Flannel from the 2017 EP Get On!
Personnel includes:
Nolan Randall (Vocals/Guitars)
Jen Doyon (Keyboards/Vocals)
Les Cassling (Bass)
Minas Hatzigiannatzoglou (Drums/Percussion)
Produced by Ruben Huizenga
Mastered by Michael Kossov
Words and music by Nolan Randall
Climbing over the mountain top, in the name of mankind
Wondering will it ever stop, your patience is confined
Keep it going all through the night
It’s what you have to do
Burn the fire when you ignite
To let you follow through
Wandering in the desert where we left it all behind
It is not the way it once was designed
Riding low and aiming high
For the places you might find
And it feels like there is something on your mind
Never thought we would find our way,
What we have is a life
Never thought about yesterday,
We were sharp as a knife
Falling into another stride, we kept the train alive
I admit I enjoyed the ride, you helped me to survive, yeah
Wandering in the jungle,
Think of all we have combined
It is not like me to be so unkind
Riding low and aiming high
For the places you might find
And it feels like there is something on your mind
Livin’ it up, livin’ it up, livin it up, livin it up
Livin’ it up, livin’ it up, livin it up, livin it up
Think of everything that we saw,
The people that we met
Felt that I was above the law, no time to feel regret
Maybe someday we’ll understand,
We haven’t got the time
The world is at your own command
It’s on a dotted line, yeah
Wandering in the desert where we left it all behind
It is not like me to be so unkind
Riding low and aiming high
For the places you might find
And it feels like there is something on your mind
And it feels like there is something on your mind
And it feels like there is something on your mind
Your mind, your mind
And it feels like there is something on your mind
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
It is widely discussed that artists create their best work when they are at their lowest points of despair. Theres something about melancholy that brings art to life and communicates in the purest, most authentic ways. In the beginning of 2014, I was saddened by my lifes situation. My girlfriend of 5 years cheated on me in 2013, and it took us 6 months to actually break up. The last time I ever saw her was on December 27, 2013. The next week on January 5, 2014 (her birthday), I wrote the music for Something On Your Mind. With a guitar riff that uses a heavy dose of hammer ons and pull offs. I wrote the lyrics to the song on January 11, 2014.
After I wrote Something On Your Mind, I felt like it was the best song I had ever written. The lyrics are directly about my ex-girlfriend. It wasnt the first song that she inspired the lyrics to, and it wasnt the last either. But Something On Your Mind was the true memoir of our 5-year relationship. I was in school for music at the time, and I wanted to record the song as soon as possible. The Plaid On Flannel band started on February 15, 2014. By March of 2014, I was given an assignment in my music production class to record an original song. It was my opportunity to record Something On Your Mind, and it was the first song I produced with vocals on Logic Pro X. While I recorded it for school, I also released it as a Plaid On Flannel single on April 7, 2014.
Not long after, I brought Something On Your Mind to the POF band, and we performed it often. It became a song filled with improvisation during the middle and end parts of the tune. Heres an example of how we would do that live... https://youtu.be/d90hZhObF08 Every time we played it, it was different. When we were assembling songs for our Get On! EP in late 2016, I proposed that we record a new studio version of Something On Your Mind. Although the song was up to 10 minutes long when we played it, we agreed to have a condensed rendition similar to the 2014 version I recorded.
Keyboardist Jen Doyon used a keyboard effect on Something On Your Mind that almost sounds like an accordion. Bassist Les Cassling played very well on this song and his melodic bass at the very end of the tune was perhaps his finest moment on any of the songs we recorded. The verse chord progression on Something On Your Mind is similar to the chord progression of Jane Says by Janes Addiction. Its even in the same key of A. The pre-chorus instrumental section was inspired by Tales From The Forest Gnomes by Wolfmother. There also might be some kind of Oasis influence in there as Noel Gallagher is one of my favourite songwriters. Something On Your Mind is a song I plan to keep playing for a long time. It truly is one of my very best tunes.
#IndieRock #BluesRock #GuitarSolo Something On Your Mind (Guitar Outro) - Plaid On Flannel](https://i.ytimg.com/vi/ulBFQwQ0BQg/mqdefault.jpg)
![Badge (Guitar Solo) Cream - Nolan Randall Of Plaid On Flannel
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Nolan Randall playing the guitar solo of Badge” by Cream from their 1969 album Goodbye for Polydor Records.
Words and music by Eric Clapton and George Harrison
Thinkin bout the times you drove in my car
Thinkin that I might have drove you too far
And Im thinkin bout the love that you laid on my table
I told you not to wander round in the dark
I told you bout the swans, that they live in the park
Then I told you bout our kid, now hes married to Mabel
Yes, I told you that the light goes up and down
Dont you notice how the wheel goes round?
And youd better pick yourself up from the ground
Before they bring the curtain down
Yes, before they bring the curtain down
Talkin bout a girl that looks quite like you
She didnt have the time to wait in the queue
She cried away her life since she fell off the cradle
*Song Facts*
Badge is a song by the British rock band Cream, written by Eric Clapton and George Harrison. It first appeared on Creams final album Goodbye, released in the UK on February 28, 1969. Badge was issued as a single in the US on March 17, and its release followed in the UK on 3 April. It peaked at number 18 in the UK Singles Chart and number 60 on the US Billboard Hot 100 chart.
There was originally no title for Badge. During the production transfer for the album Goodbye, the original music sheet was used to produce the liner notes and track listing. The only discernible word on the page was bridge (indicating the songs bridge section). Due to Harrisons handwriting, however, Clapton misread it as badge—and the song was thus titled soon thereafter.
Harrison remembered the story thus: I helped Eric write Badge you know. Each of them had to come up with a song for that Goodbye Cream album and Eric didnt have his written. We were working across from each other and I was writing the lyrics down and we came to the middle part so I wrote Bridge. Eric read it upside down and cracked up laughing – Whats BADGE? he said. After that, Ringo [Starr] walked in drunk and gave us that line about the swans living in the park.
Common legends or misconceptions are that the name came about because its chord progression was B–A–D–G–E (Which is not true). Or simply because the notation of a guitars standard tuning (E–A–D–G–B–E) can be arranged to spell Badge.
Cash Box said of Badge: More subdued drumming and almost conventional instrumental work show the Cream in a new light, one which should have a tremendous impact on listeners of cleaner-cut rock who may not have been into the blues outings that hit earlier. Billboard called it an easy beat, driving rocker.
In the US, Atco Records initial releases of Goodbye and of Badge as a single gave the songs writing credit to Clapton alone, with publishing credit to Robert Stigwoods company Casserole (BMI). Atco later corrected this in 1969 with the release of Best of Cream, which lists both Clapton and Harrison as the songs authors. The UK single of Badge released by Polydor Records gave writing credit to both Clapton and Harrison, with publishing credit going to Dratleaf and Harrisongs Ltd. Since the early 1990s the writing credit has been listed as Clapton/Harrison with publishing credit going to E.C. Music, Ltd. and Harrisongs.
On top of co-writing Badge, George Harrison also played rhythm guitar on the track. Eric Clapton had played on Harrisons album Wonderwall the previous year. As well as playing lead guitar on The Beatles While My Guitar Gently Weeps. Which was written by Harrison.
Cream recorded Badge shortly before their final shows: two sold-out performances at Royal Albert Hall in England. It was one of three studio recordings on their last album; the rest of it was filled with live cuts. Cream had broken up by the time the single for Badge was released. Clapton was already working with his new group, Blind Faith.
Badge is the only Cream song to include 5 people: in addition to Eric Clapton, Jack Bruce, Ginger Baker and George Harrison, Felix Pappalardi played the piano and Mellotron. Pappalardi was the producer on 3 of Creams 4 albums (Disreali Gears, Wheels Of Fire, and Goodbye) and contributed by playing a wide variety of instruments.
For the bridge on Badge, Clapton ran his guitar through a Leslie speaker cabinet to create a swirling sound. The Leslie Cabinet contained a rotating paddle and was designed for organs, but many musicians tried it with guitars. Jimmy Page used the technique on Good Times, Bad Times. Clapton even used it on Layla the next year with Derek and the Dominos.
The song titles were written on tombstones inside of the Goodbye album, leaving little doubt that it was Creams last album. But they had a great run in just a few short years. One of the most consequential bands of their era. Paving the way for everything that followed in rock.
#GuitarSolo #EricClapton #BluesRock Badge (Guitar Solo) Cream - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/v4G1rNRHZ7I/mqdefault.jpg)
![Maybe (Guitar Riff & Solo) - Plaid On Flannel
💿 Get Rising Above [EP] on CD 👉 https://plaidonflannelshop.com/products/rising-above
Nolan Randall playing the guitar riff and solo of “Maybe” by Plaid On Flannel from the 2016 EP Rising Above.
Personnel includes:
Nolan Randall (Vocals/Guitars)
Jen Doyon (Keyboards/Vocals)
Les Cassling (Bass)
Minas Hatzigiannatzoglou (Drums/Cowbell)
Produced by Ruben Huizenga
Words and music by Nolan Randall
Thought you might reciprocate your alternate affairs
Somebody else, somebody else
Looking for the answers in the desert of the sun
Youve come so far, youve come so far
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe its something that you are
Maybe its close to feeling far
Maybe we look like we are through
Maybe we thought more than we knew
Maybe you just need a place where nothings typical
Where have you gone? Where have you gone?
Never thought youd settle for less than what you bargained for
Dont be afraid, dont be afraid
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe youre falling out of grace
Maybe your fears are out of place
Maybe the people are the same
Maybe they are what we became
Doesnt matter if were early or late
Feel the pressure when you carry the weight
Dig a hole in front of the garden gate
And youre trying to avoid the things
you havent planned, where we began
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Maybe its something that you are
Maybe its close to feeling far
Maybe the people are the same
Maybe they are what we became
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
Whoa-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
Ew-whoa-ew-whoa-ew-whoa-oh
© Copyright 2016 Plaid On Flannel
*Song Description By Noles*
Maybe was written all in one day on April 29, 2013 as the last song recorded for Plaid On Flannels sophomore album Mission Of Mercy. It was a song I wrote through my subconscious, where I didnt know its meaning until a few days later when I learned my girlfriend had cheated on me. She slept with a guy who worked as a cook in the kitchen of a bar my group High Waters Band played at. I started recording the Mission Of Mercy version of Maybe on April 30, 2013 and finished the song on May 8, 2013. The entire Mission Of Mercy album was released on May 20, 2013.
After experiencing that heartbreak to end the album, I broke up with my girlfriend and moved to Toronto in September of 2013. Months later, the Plaid On Flannel band started on February 15, 2014, and Maybe was part of the first batch of my original songs that we played. The songs key was transposed down a minor-third from A to F# for my vocal range. Bassist Les Cassling called the song anthemic. I called it a tale of whoa. Woe spelled differently because the chorus consists of whoas. With the subject matter of the woe that I felt from breaking up with my girlfriend.
When keyboardist Jen Doyon joined Plaid On Flannel the next year on February 22, 2015, her presence completely transformed how Maybe sounded. With superb backup vocals in the bridges and choruses. And of course, her use of funky clavinet. We started recording the Rising Above EP on November 28, 2015, and Maybe was included on it. Minas Hatzigiannatzoglous drum fills in the choruses of Maybe are incredible with so much feel to them. He also added cowbell to the guitar riff. Les Cassling used an effects pedal for his bass over the guitar riff and also performed quite well on the song. Especially in the post-choruses. This might be my favourite song that the other 3 Plaid On Flannel members performed on. They all really delivered on this track and improved the tune from the earlier version. Maybe is a song that will live on in POFs live repertoire for a long time.
#AltRock #RetroRock #FunkRock Maybe (Guitar Riff & Solo) - Plaid On Flannel](https://i.ytimg.com/vi/vSvNlB68KBI/mqdefault.jpg)
