Uploaded October 2022 | Updated September 2026, 2 hours ago
* For information or to purchase one of the CD Art Clocks pictured in video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘ALADDIN SANE’:
💿 pastandpresent.page.link/DB-AS
‘HUNKY DORY’:
💿 pastandpresent.page.link/DB-HD
‘THE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARS’:
💿 pastandpresent.page.link/DB-ZS
“HEROES”:
💿 pastandpresent.page.link/DB-HE
‘EARTHLING’:
💿 pastandpresent.page.link/DB-EL
‘SCARY MONSTERS (AND SUPER CREEPS)’:
💿 pastandpresent.page.link/DB-SM
★:
💿 pastandpresent.page.link/DB-BS
VIDEO INFO: Putting the hair to one side (which is more than he could do!), this show probably serves as the best audio-visual quality of any Bowie show officially released (albeit posthumously in this case), from the headline set at the Glastonbury-Festival, 25 June 2000.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#DavidBowie #Bowie #BowieLive
* For information or to purchase one of the CD Art Clocks pictured in video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘ALADDIN SANE’:
💿 pastandpresent.page.link/DB-AS
‘HUNKY DORY’:
💿 pastandpresent.page.link/DB-HD
‘THE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARS’:
💿 pastandpresent.page.link/DB-ZS
“HEROES”:
💿 pastandpresent.page.link/DB-HE
‘EARTHLING’:
💿 pastandpresent.page.link/DB-EL
‘SCARY MONSTERS (AND SUPER CREEPS)’:
💿 pastandpresent.page.link/DB-SM
★:
💿 pastandpresent.page.link/DB-BS
VIDEO INFO: Putting the hair to one side (which is more than he could do!), this show probably serves as the best audio-visual quality of any Bowie show officially released (albeit posthumously in this case), from the headline set at the Glastonbury-Festival, 25 June 2000.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#DavidBowie #Bowie #BowieLive

![NINE INCH NAILS - Head Like A Hole [Woodstock 94]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
https://pastandpresent.page.link/NIN
VIDEO INFO: From the second Woodstock Festival; Saugerties, NY – 13 August, 1994.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#NIN #NineInchNails #Woodstock94 NINE INCH NAILS - Head Like A Hole [Woodstock 94]](https://i.ytimg.com/vi/Yfj8HxeLXsA/mqdefault.jpg)



![PIXIES - The Holiday Song [Live: 1988]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/P-TLM
VIDEO INFO: Opener to the iconic set at London’s ‘Town & Country Club’ Kentish Town – 1 May 1988.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Pixies #6Music #KimDeal PIXIES - The Holiday Song [Live: 1988]](https://i.ytimg.com/vi/_-5eA8rxlWE/mqdefault.jpg)

![FAITH NO MORE - Everythings Ruined [Live: 2015]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
**ANGEL DUST:
💿 https://pastandpresent.page.link/FNM-A
***KING FOR A DAY… FOOL FOR A LIFETIME:
💿 https://pastandpresent.page.link/FNM-K
VIDEO INFO: From their set at Detroit’s Fillmore on Friday 8 May, 2015.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#FaithNoMore #MikePatton #AngelDust FAITH NO MORE - Everythings Ruined [Live: 2015]](https://i.ytimg.com/vi/aQL9xpiTGNk/mqdefault.jpg)
![PIXIES - Where Is My Mind? [Live: 1988]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/P-TLM
VIDEO INFO: From the iconic set at London’s ‘Town & Country Club’ Kentish Town – 1 May 1988.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Pixies #6Music #Kim Deal PIXIES - Where Is My Mind? [Live: 1988]](https://i.ytimg.com/vi/aT1jq5rH3ko/mqdefault.jpg)

![KISS - Domino [Alive III]
* For information or to purchase the CD Art Clock pictured in video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/K-RRO
VIDEO INFO: One of few original gems to emerge from the unmasked era as it appeared on the 1993 ‘Kiss Konfidential’ DVD – basically the video accompaniment to the ‘Alive III’ album consisting of live-ish footage recorded during the ‘Revenge’ tour [here with upgraded HD 24-bit/96kHz Remastered Audio]. The band received some criticism for the undeniable audio tweaking of this and other live releases but I would argue in their defence it was probably minimal and unnecessary – I saw them twice on this tour and they were unquestionably tight!
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Kiss #GeneSimmons #KissLive KISS - Domino [Alive III]](https://i.ytimg.com/vi/b08L5JUos6g/mqdefault.jpg)