Uploaded September 2022 | Updated September 2026, 36 minutes ago
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘EVERYTHING MUST GO’:
💿 pastandpresent.page.link/MSP-E
‘FOREVER DELAYED’:
💿 pastandpresent.page.link/MSP-F
''GENERATION TERRORISTS':
💿 pastandpresent.page.link/MSP-G
‘THE HOLY BIBLE’:
💿 pastandpresent.page.link/MSP-H
VIDEO INFO: From the bolt on DVD of the 10th Anniversary edition of 1996 ‘Everything Must Go’ Album, which consists mostly of interviews with the band and the record's delightful producer, Mike Hedges; recorded especially in 2006, peppered with archive footage of TV appearances and live clips.
Although any description of an album's evolution would be interesting, the intriguing dimension of this one was the development of a group that had lost its creative luminary and a close childhood friend, in ghoulish, mysterious circumstances that indicated either an elaborate escape from a breakdown, or a tragic suicide but remained unresolved during this recording process and beyond, becoming the subject of many squalid rumors and speculative hyperbole by the outside world, as the band essentially tried to grieve and move on.
They never even considered a replacement of Richey, because the dynamic had been so unconventional in the first place. He had been no more of a musician than James was a poet, so instead, they focused on the strengths of the remaining members.
The Manics were financially insolvent and not even certain they would continue. Nevertheless, just 12 months later, they had achieved a stunning transmutation and realised their commercial peak (to date) that had harnessed rather than expose their demeanour as three shy, moody Welshmen, with a greater emphasis on melody and musical depth in place of the frenetic poetry that Richey embodied. So, strings instead of slogans, sound rather than vision. Artistically no better or worse, just different. Few predicted the band would last, let alone triumph. This is the story of that journey!
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#ManicStreetPreachers #Manics #EverythingMustGo
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘EVERYTHING MUST GO’:
💿 pastandpresent.page.link/MSP-E
‘FOREVER DELAYED’:
💿 pastandpresent.page.link/MSP-F
''GENERATION TERRORISTS':
💿 pastandpresent.page.link/MSP-G
‘THE HOLY BIBLE’:
💿 pastandpresent.page.link/MSP-H
VIDEO INFO: From the bolt on DVD of the 10th Anniversary edition of 1996 ‘Everything Must Go’ Album, which consists mostly of interviews with the band and the record's delightful producer, Mike Hedges; recorded especially in 2006, peppered with archive footage of TV appearances and live clips.
Although any description of an album's evolution would be interesting, the intriguing dimension of this one was the development of a group that had lost its creative luminary and a close childhood friend, in ghoulish, mysterious circumstances that indicated either an elaborate escape from a breakdown, or a tragic suicide but remained unresolved during this recording process and beyond, becoming the subject of many squalid rumors and speculative hyperbole by the outside world, as the band essentially tried to grieve and move on.
They never even considered a replacement of Richey, because the dynamic had been so unconventional in the first place. He had been no more of a musician than James was a poet, so instead, they focused on the strengths of the remaining members.
The Manics were financially insolvent and not even certain they would continue. Nevertheless, just 12 months later, they had achieved a stunning transmutation and realised their commercial peak (to date) that had harnessed rather than expose their demeanour as three shy, moody Welshmen, with a greater emphasis on melody and musical depth in place of the frenetic poetry that Richey embodied. So, strings instead of slogans, sound rather than vision. Artistically no better or worse, just different. Few predicted the band would last, let alone triumph. This is the story of that journey!
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#ManicStreetPreachers #Manics #EverythingMustGo
![FAITH NO MORE - Everythings Ruined [Live: 2015]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
**ANGEL DUST:
💿 https://pastandpresent.page.link/FNM-A
***KING FOR A DAY… FOOL FOR A LIFETIME:
💿 https://pastandpresent.page.link/FNM-K
VIDEO INFO: From their set at Detroit’s Fillmore on Friday 8 May, 2015.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#FaithNoMore #MikePatton #AngelDust FAITH NO MORE - Everythings Ruined [Live: 2015]](https://i.ytimg.com/vi/aQL9xpiTGNk/mqdefault.jpg)
![PIXIES - Where Is My Mind? [Live: 1988]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/P-TLM
VIDEO INFO: From the iconic set at London’s ‘Town & Country Club’ Kentish Town – 1 May 1988.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Pixies #6Music #Kim Deal PIXIES - Where Is My Mind? [Live: 1988]](https://i.ytimg.com/vi/aT1jq5rH3ko/mqdefault.jpg)

![KISS - Domino [Alive III]
* For information or to purchase the CD Art Clock pictured in video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/K-RRO
VIDEO INFO: One of few original gems to emerge from the unmasked era as it appeared on the 1993 ‘Kiss Konfidential’ DVD – basically the video accompaniment to the ‘Alive III’ album consisting of live-ish footage recorded during the ‘Revenge’ tour [here with upgraded HD 24-bit/96kHz Remastered Audio]. The band received some criticism for the undeniable audio tweaking of this and other live releases but I would argue in their defence it was probably minimal and unnecessary – I saw them twice on this tour and they were unquestionably tight!
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Kiss #GeneSimmons #KissLive KISS - Domino [Alive III]](https://i.ytimg.com/vi/b08L5JUos6g/mqdefault.jpg)
![DAVID BOWIE - Heroes [Live 4K]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘ALADDIN SANE’:
💿 https://pastandpresent.page.link/DB-AS
‘HUNKY DORY’:
💿 https://pastandpresent.page.link/DB-HD
‘THE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARS’:
💿 https://pastandpresent.page.link/DB-ZS
“HEROES”:
💿 https://pastandpresent.page.link/DB-HE
‘EARTHLING’:
💿 https://pastandpresent.page.link/DB-EL
‘SCARY MONSTERS (AND SUPER CREEPS)’:
💿 https://pastandpresent.page.link/DB-SM
★:
💿 https://pastandpresent.page.link/DB-BS
VIDEO INFO: Appropriately Teutonic appearance (complete with Freikorps haircut and buckled leather pantaloons!) on [West] German TV show ‘Musikladen’ which has rightly been chalked up as one of his unparalleled and definitive collection of iconic set pieces; recorded in Bremen during May 1978.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#DavidBowie #Bowie #Musikladen DAVID BOWIE - Heroes [Live 4K]](https://i.ytimg.com/vi/b3mzIG9lIIM/mqdefault.jpg)

![AEROSMITH - Adams Apple [Live: 1976]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/AS-RO
VIDEO INFO: Tweaked version of the 1976 Pontiac Silverdome clip as it appeared on the 1987 ‘Video Scrapbook’ (aka ‘Greatest Video Hits’ / ‘Tapes In The Attic’) VHS release.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise
#Aerosmith #AerosmithLive #ToysInTheAttic AEROSMITH - Adams Apple [Live: 1976]](https://i.ytimg.com/vi/bJvjCkCAcoU/mqdefault.jpg)
![DAVID BOWIE - Changes [Live 4K]
* For information or to purchase one of the CD Art Clocks pictured in video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘ALADDIN SANE’:
💿 https://pastandpresent.page.link/DB-AS
‘HUNKY DORY’:
💿 https://pastandpresent.page.link/DB-HD
‘THE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARS’:
💿 https://pastandpresent.page.link/DB-ZS
“HEROES”:
💿 https://pastandpresent.page.link/DB-HE
‘EARTHLING’:
💿 https://pastandpresent.page.link/DB-EL
‘SCARY MONSTERS (AND SUPER CREEPS)’:
💿 https://pastandpresent.page.link/DB-SM
★:
💿 https://pastandpresent.page.link/DB-BS
VIDEO INFO: Putting the hair to one side (which is more than he could do!), this show probably serves as the best audio-visual quality of any Bowie show officially released (albeit posthumously in this case), from the headline set at the Glastonbury-Festival, 25 June 2000.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#DavidBowie #Bowie #BowieLive DAVID BOWIE - Changes [Live 4K]](https://i.ytimg.com/vi/bTucvhTXMRw/mqdefault.jpg)
![PAGE & PLANT - Black Dog [1995 American Music Awards]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
CELEBRATION DAY:
💿 https://pastandpresent.page.link/LZ-CD
HOUSES OF THE HOLY:
💿 https://pastandpresent.page.link/LZ-HH
VIDEO INFO: Aboriginal assault (with a didgeridoo dispensing the ‘drone’) that I have not seen replicated elsewhere for an appearance at the ABC American Music Awards on 30 January, 1995 that was subsequently included on the 2004 DVD release of No Quarter/Unledded.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#LedZeppelin #JimmyPage #RobertPlant
30 Jan 1995 PAGE & PLANT - Black Dog [1995 American Music Awards]](https://i.ytimg.com/vi/blPvTn8VxfM/mqdefault.jpg)

![PETER GABRIEL - Solsbury Hill [Live Blood]
* For information or to purchase the CD Art Clock pictured in video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/PG-NB
VIDEO INFO: Recorded at London’s Hammersmith Apollo in March 2011, with the New Blood Orchestra and subsequently released on the ‘New Blood: Live In London’ Blu-ray.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#PeterGabriel #NewBlood #SolsburyHill PETER GABRIEL - Solsbury Hill [Live Blood]](https://i.ytimg.com/vi/cU70Rcs_O0I/mqdefault.jpg)