Uploaded March 2012 | Updated September 2026, 1 day ago
LYRICS POSTED ON THE DOWN-LOW.
HAPPY MARCH FORTH!
Yes-- I do realize I wasn't trying to be funny here, but I could, in many ways, be considered even more funny in this way. At any rate, uh, if you want my normal shenanigans, instead, don't miss the bloopers at the end! I spent about three hours in that room with the fan off-- who knows how many takes. But that's normal.
The song is "Finishing the Hat" from my favorite Broadway musical of all-time, Sunday in the Park with George, by the good sire Stephen Sondheim.
There's actually a recording of me singing this a cappella for the auditions I did for my highschool's performance of Into the Woods. At some point in the future, I intend to put that up on YouTube, along with a whole series of videos I shot during the production time of Into the Woods. You Iswasers deserve to see it, especially having known my love of Sondheim for so long. (Refer back to my speech performance in 9th Grade, my rendition of Giants in the Sky/Last Midnight, etc.)
I just thought it was important for somebody on the Internet to finally perform the WHOLE song. EVERY performer skips the opening, and it annoys the bejibblets out of me at a certain point, because in so many ways, it's the thing that sets out all the exposition and establishes the mood of the song. The misunderstood insanity that is being artistically inclined. I'm so eternally grateful to be a part of a beautiful someone's life who wants to be a part of mine in the same way-- a part of all this crazy-ness.
LYRICS:
Mademoiselles!
You and me, pal.
Second bottle. Ach, she looks for me.
Bonnet flapping,
Yapping-- RUFF!
Chicken.
Pastry. *licks*
Yes, she looks for me.
Good.
Let her look for me, to tell me why she left me,
As I always knew she would.
I had thought she understood.
They have never understood,
And no reason that they should...
... but if anybody could.
Finishing the hat.
How you have to finish the hat.
How you watch the rest of the world from a window
While you finish the hat.
Mapping out a sky.
What you feel like planning a sky.
What you feel when voices that come through the window
Go
Until they distance and die.
Until there's nothing but sky.
And how you're always turning back too late
From the grass or the stick or the dog or the light.
How the kind of woman willing to wait's
Not the kind that you want to find waiting
To return you to the night,
Dizzy from the height,
Coming from the hat.
Studying the hat.
Entering the world of the hat.
Reaching through the world of the hat like a window
Back to this one from that.
Studying a face.
Stepping back to look at the face
Leaves a little space in the way like a window...
But to see.
It's the only way to see.
And when the woman that you wanted goes,
You can say to yourself, "Well, I give what I give!"
But the woman who won't wait for you knows
That however you live, there's a part of you
Always standing by
Mapping out the sky.
Finishing a hat. (I accidentally said, "Finishing THE hat," though. Sorry, Steve.)
Starting on a hat.
Finishing a hat.
Look, I made a hat.
Where there NEVER was a hat!
Special (not to mention essential) thanks to AngelsBwayKaraokes for uploading a copy of this song's instrumental: youtube.com/watch?v=0gY8VfpFlrk T'is sheer magick!
LYRICS POSTED ON THE DOWN-LOW.
HAPPY MARCH FORTH!
Yes-- I do realize I wasn't trying to be funny here, but I could, in many ways, be considered even more funny in this way. At any rate, uh, if you want my normal shenanigans, instead, don't miss the bloopers at the end! I spent about three hours in that room with the fan off-- who knows how many takes. But that's normal.
The song is "Finishing the Hat" from my favorite Broadway musical of all-time, Sunday in the Park with George, by the good sire Stephen Sondheim.
There's actually a recording of me singing this a cappella for the auditions I did for my highschool's performance of Into the Woods. At some point in the future, I intend to put that up on YouTube, along with a whole series of videos I shot during the production time of Into the Woods. You Iswasers deserve to see it, especially having known my love of Sondheim for so long. (Refer back to my speech performance in 9th Grade, my rendition of Giants in the Sky/Last Midnight, etc.)
I just thought it was important for somebody on the Internet to finally perform the WHOLE song. EVERY performer skips the opening, and it annoys the bejibblets out of me at a certain point, because in so many ways, it's the thing that sets out all the exposition and establishes the mood of the song. The misunderstood insanity that is being artistically inclined. I'm so eternally grateful to be a part of a beautiful someone's life who wants to be a part of mine in the same way-- a part of all this crazy-ness.
LYRICS:
Mademoiselles!
You and me, pal.
Second bottle. Ach, she looks for me.
Bonnet flapping,
Yapping-- RUFF!
Chicken.
Pastry. *licks*
Yes, she looks for me.
Good.
Let her look for me, to tell me why she left me,
As I always knew she would.
I had thought she understood.
They have never understood,
And no reason that they should...
... but if anybody could.
Finishing the hat.
How you have to finish the hat.
How you watch the rest of the world from a window
While you finish the hat.
Mapping out a sky.
What you feel like planning a sky.
What you feel when voices that come through the window
Go
Until they distance and die.
Until there's nothing but sky.
And how you're always turning back too late
From the grass or the stick or the dog or the light.
How the kind of woman willing to wait's
Not the kind that you want to find waiting
To return you to the night,
Dizzy from the height,
Coming from the hat.
Studying the hat.
Entering the world of the hat.
Reaching through the world of the hat like a window
Back to this one from that.
Studying a face.
Stepping back to look at the face
Leaves a little space in the way like a window...
But to see.
It's the only way to see.
And when the woman that you wanted goes,
You can say to yourself, "Well, I give what I give!"
But the woman who won't wait for you knows
That however you live, there's a part of you
Always standing by
Mapping out the sky.
Finishing a hat. (I accidentally said, "Finishing THE hat," though. Sorry, Steve.)
Starting on a hat.
Finishing a hat.
Look, I made a hat.
Where there NEVER was a hat!
Special (not to mention essential) thanks to AngelsBwayKaraokes for uploading a copy of this song's instrumental: youtube.com/watch?v=0gY8VfpFlrk T'is sheer magick!









![The Pledge of Allegiance by Me
SOURCE LISTING BELOW:
10 decades from 1910 to 2010, 10 songs, a simultaneous recording on three webcams of the most insanely naïve (emphasis on insane) perception of America, as seen through the native music of the delusional American dream. Also, this is my homework for the day for my digital class, I am at school, I went to bed at 5:45 AM last night, and I hope you all have a fantastic day.
SOURCE LIST:
Inter-spliced through the whole thing is a soundclip of Obama that I was given by my teacher. It was mandatory to use it this way.
0:00 = a line from Lilo & Stitch, which has a little bit of Heartbreak Hotel - Elvis Presley in the Back
0:03 = And The Band Played On - The Jesters (1910s)
0:06 = I Wanna Be Loved by You - Helen Kane (1920s)
0:12 = The Way You Look Tonight - Fred Astaire (1930s)
0:16 = I Love You (For Sentimental Reasons) - Nat King Cole (1940s)
0:21 = When I Fall in Love - Doris Day (1950s)
0:25 = My Cherie Amour - Stevie Wonder (1960s)
0:28 = Weve Only Just Begun - The Carpenters (1970s)
0:33 = Suddenly - Olivia Newton John & ELO (1980s)
0:36 = Every Heartbeat - Amy Grant (1990s)
0:40 = Aint No Other Man - Christina Aguilera - (2000s)
0:44 = You and Me - Tally Hall (2010s)
0:47 = a line from Mulan
EDIT: Heres my artists statement.
Nowadays, its incredibly commonplace to be cynical of the goodness of America, or perhaps not even to care what America consists of at all. However, people are constantly being disarmed by one thing in life that consistently remains honest, trusting, and hopeful—one of the relics of the American dream—the love song. I believe that if there is one thing that represents what America ever stood for, its music of expressively human joy and love. From 1910 to 2010, I picked ten different love songs from each decade to lead along the pledge. Yes, it might be a sentimental reason[ing] of things, but I believe this idealism is what we need to see more of while not closing our eyes, of course. Love songs speak of things lasting forever, of liberty in giving every heartbeat to someone, and justice in being no one elses. Love is a fickle thing, and so these things are highly unattainable, much like the morals and ideals of our own country. But our entire life IS free in America—free to pursue such grand ideas as eternity, destiny, and coming together in unity—whether of matrimony, or fellow citizenship. Its an unabashedly optimistic outlook, but I believe its welcome amongst the degradation, war and biting satire of other pieces. The Pledge of Allegiance by Me](https://i.ytimg.com/vi/W3poicIgdTM/mqdefault.jpg)
