Uploaded April 2022 | Updated September 2026, 2 hours ago
Recorded on Wednesday, May 19, 2021
Part of CULINASIA: The Future of Asian Food in America
Presented by Smithsonian Associates, Smithsonian’s Asian Pacific American Center, and the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art
Before the pandemic, opening a Southeast Asian restaurant, bar, or food business was an uphill battle. Over the last few decades, Chinese, Japanese, Indian, and other Asian cuisines have become increasingly familiar to the American palate, both at home and in restaurants. Yet the national awareness and appreciation of Southeast Asian food has transformed much more slowly from curiosity and rejection to a craving that lingers long after the first flavor-packed bite.
What makes Southeast Asian cooking and eating truly unique goes beyond the pungent flavors, colorful ingredients, and history of immigration often associated with the businesses built on these lesser-known culinary treasures. How will these cultural hubs keep their doors open during a global pandemic against doubly stacked odds, with anti-Asian racism at an all-time high? Is Southeast Asian food still on the rise? Can it maintain its pre-pandemic momentum as it approaches mainstream popularity—and, eventually, even ubiquity?
Hear from celebrity chefs and restaurateurs Jet Tila, Food Network star and chef partner in Pei Wei Restaurant Group, and Christina Hà, the first blind contestant of MasterChef—and winner of its third season in 2012—and owner of The Blind Goat and Xin Chào in Houston. Then follow along as Genevieve Villamora, co-owner of the award-winning restaurant Bad Saint in Washington, DC, and Vilailuck "Pepper" Teigen, author of the forthcoming The Pepper Thai Cookbook: Family Recipes from Everyone's Favorite Thai Mom (Clarkson Potter), demonstrate a recipe from the new cookbook.
Recorded on Wednesday, May 19, 2021
Part of CULINASIA: The Future of Asian Food in America
Presented by Smithsonian Associates, Smithsonian’s Asian Pacific American Center, and the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art
Before the pandemic, opening a Southeast Asian restaurant, bar, or food business was an uphill battle. Over the last few decades, Chinese, Japanese, Indian, and other Asian cuisines have become increasingly familiar to the American palate, both at home and in restaurants. Yet the national awareness and appreciation of Southeast Asian food has transformed much more slowly from curiosity and rejection to a craving that lingers long after the first flavor-packed bite.
What makes Southeast Asian cooking and eating truly unique goes beyond the pungent flavors, colorful ingredients, and history of immigration often associated with the businesses built on these lesser-known culinary treasures. How will these cultural hubs keep their doors open during a global pandemic against doubly stacked odds, with anti-Asian racism at an all-time high? Is Southeast Asian food still on the rise? Can it maintain its pre-pandemic momentum as it approaches mainstream popularity—and, eventually, even ubiquity?
Hear from celebrity chefs and restaurateurs Jet Tila, Food Network star and chef partner in Pei Wei Restaurant Group, and Christina Hà, the first blind contestant of MasterChef—and winner of its third season in 2012—and owner of The Blind Goat and Xin Chào in Houston. Then follow along as Genevieve Villamora, co-owner of the award-winning restaurant Bad Saint in Washington, DC, and Vilailuck "Pepper" Teigen, author of the forthcoming The Pepper Thai Cookbook: Family Recipes from Everyone's Favorite Thai Mom (Clarkson Potter), demonstrate a recipe from the new cookbook.

![Crossroads of Japanese Music: Yumi Kurosawa and Friends
Japanese musician and composer Yumi Kurosawa performs on a modern twenty-string koto and is joined by violinist Emil Israel Chudnovsky and Chinese flute (dizi) virtuoso Yimin Miao. Their program features classical music from Japan and China as well as new music composed by Kurosawa for this event inspired by the Freer Gallery of Art exhibition Mind Over Matter: Zen in Medieval Japan.
Since winning the National Japanese Koto Competition and moving to the United States, Kurosawa has performed at the Kennedy Center, Carnegie Hall, the Apollo Theater, Blue Note (New York), Suntory Hall (Tokyo), and venues across Europe. She has appeared with the Tokyo Symphony Orchestra, the Hawai’i Symphony Orchestra, the Orchestra of the Swan in the United Kingdom (where she premiered Daron Hagen’s koto concerto Genji), and the Houston Grand Opera.
The New York Times called Kurosawa “an inventive, seemingly cosmopolitan composer . . . [who] presents her themes gracefully and then undertakes intricate, sometimes adventurous variations, drawing on a timbral palette that ranged from warm and rounded to bright and metallic.” All About Jazz noted that, when she plays, “the koto’s notes flow like the water of a stream in a Zen garden, building melodic paths in a logic that resembles European medieval and Renaissance music.”
Violinist Emil Israel Chudnovsky recently made his debut at the Seoul Arts Center with the KammerSymphonie Berlin and made his inaugural recording with the St. Petersburg Symphony Orchestra. He has also performed as soloist with the Orquesta Filarmónica de Jalisco in Mexico and the Orquesta de la Ciudad de los Reyes in Lima, Peru. He has appeared in chamber music ensembles at the Newport Music Festival and Germany’s Henselt Festival and in concert at New York’s Merkin Hall and London’s Wigmore Hall.
Mind Over Matter: Zen in Medieval Japan
https://asia.si.edu/exhibition/mind-over-matter-zen-in-medieval-japan/ Crossroads of Japanese Music: Yumi Kurosawa and Friends](https://i.ytimg.com/vi/iK6WnmCgKQk/mqdefault.jpg)








