Uploaded July 2026 | Updated September 2026, 1 hour ago
In this talk, curator Sol Jung explores the past and present of Japanese tea practice with a behind-the-scenes look at the Kinsey Chanoyu Collection and its impact on the Freer Study Collection.
Sol Jung is the Shirley Z. Johnson Assistant Curator of Japanese Art at the National Museum of Asian Art. She specializes in Japanese art history with a focus on how transnational maritime trade impacted Japan’s visual culture during the premodern period. Jung received her BA with distinction in history of art at the University of Pennsylvania and her MA in art and archaeology from Princeton University. She curated Princeton University Art Museum’s first thematic exhibition of Korean ceramics entitled Korean Ceramics: From Archaeology to Art History. Jung has examined the reception of Korean tea bowls, called kōrai jawan in Japan, during the sixteenth century. Fieldwork at several maritime settlement sites in Japan and analysis of period tea documents, literary texts, and archaeological remains have informed her research, which has been supported by the Metropolitan Center for Far Eastern Art Studies and the Kyujanggak International Center for Korean Studies.
This program is part of the online series Perspectives on Japanese Tea Practice (https://asia.si.edu/whats-on/events/event-series/perspectives-on-japanese-tea-practice/), which brings together various experts on Japanese tea practice, called chanoyu, to explore its evolution from the past into the present. Roundtable discussions and lectures with tea practitioners, collectors, curators, university professors, architects, and artists reveal how cross-cultural connections have been crucial to historic and contemporary Japanese tea practice.
We created this series to complement the exhibition Reasons to Gather: Japanese Tea Practice Unwrapped (https://asia.si.edu/whats-on/events/event-series/perspectives-on-japanese-tea-practice/).
This event was recorded on January 13, 2026.
In this talk, curator Sol Jung explores the past and present of Japanese tea practice with a behind-the-scenes look at the Kinsey Chanoyu Collection and its impact on the Freer Study Collection.
Sol Jung is the Shirley Z. Johnson Assistant Curator of Japanese Art at the National Museum of Asian Art. She specializes in Japanese art history with a focus on how transnational maritime trade impacted Japan’s visual culture during the premodern period. Jung received her BA with distinction in history of art at the University of Pennsylvania and her MA in art and archaeology from Princeton University. She curated Princeton University Art Museum’s first thematic exhibition of Korean ceramics entitled Korean Ceramics: From Archaeology to Art History. Jung has examined the reception of Korean tea bowls, called kōrai jawan in Japan, during the sixteenth century. Fieldwork at several maritime settlement sites in Japan and analysis of period tea documents, literary texts, and archaeological remains have informed her research, which has been supported by the Metropolitan Center for Far Eastern Art Studies and the Kyujanggak International Center for Korean Studies.
This program is part of the online series Perspectives on Japanese Tea Practice (https://asia.si.edu/whats-on/events/event-series/perspectives-on-japanese-tea-practice/), which brings together various experts on Japanese tea practice, called chanoyu, to explore its evolution from the past into the present. Roundtable discussions and lectures with tea practitioners, collectors, curators, university professors, architects, and artists reveal how cross-cultural connections have been crucial to historic and contemporary Japanese tea practice.
We created this series to complement the exhibition Reasons to Gather: Japanese Tea Practice Unwrapped (https://asia.si.edu/whats-on/events/event-series/perspectives-on-japanese-tea-practice/).
This event was recorded on January 13, 2026.




![Voices of Zen: Yumi Kurosawa
Japanese musician and composer Yumi Kurosawa performs on a modern twenty-string koto. This special performance is inspired by three artworks at the Freer Gallery of Art exhibition Mind Over Matter: Zen in Medieval Japan.
Seto or Mino ware tea bowl - https://asia.si.edu/object/F1900.53/
Landscape - https://asia.si.edu/object/F1998.19a-g/
Bo Juyi Questions Zen Master Bird Nest - https://asia.si.edu/object/F2019.3.7a-g/
https://asia.si.edu/interactives/mind-over-matter/
Since winning the National Japanese Koto Competition and moving to the United States, Kurosawa has performed at the Kennedy Center, Carnegie Hall, the Apollo Theater, Blue Note (New York), Suntory Hall (Tokyo), and venues across Europe. She has appeared with the Tokyo Symphony Orchestra, the Hawai’i Symphony Orchestra, the Orchestra of the Swan in the United Kingdom (where she premiered Daron Hagen’s koto concerto Genji), and the Houston Grand Opera.
The New York Times called Kurosawa “an inventive, seemingly cosmopolitan composer . . . [who] presents her themes gracefully and then undertakes intricate, sometimes adventurous variations, drawing on a timbral palette that ranged from warm and rounded to bright and metallic.” All About Jazz noted that, when she plays, “the koto’s notes flow like the water of a stream in a Zen garden, building melodic paths in a logic that resembles European medieval and Renaissance music.”
Mind Over Matter: Zen in Medieval Japan
https://asia.si.edu/exhibition/mind-over-matter-zen-in-medieval-japan/
On view through July 24, 2022 Voices of Zen: Yumi Kurosawa](https://i.ytimg.com/vi/neu0UH9_1J4/mqdefault.jpg)





