Uploaded May 2018 | Updated September 2026, 1 hour ago
Vancouver jazz impresario Cory Weeds fronts a world class 11 piece "Little Big Band", in an ambitious recording at Bryan Adams' "Warehouse" studio in Vancouver's Gas Town neighbourhood.
Weeds and his guests speak to the important collaboration between the visiting artists - Gary Smulyan, Joe Magnarelli, Steve Davis and PJ Perry - and the Vancouver players who host them.
Weeds' prolific activity, in particular pairing top tier New York musicians with local Vancouver players, has helped build Vancouver into a vibrant jazz city, with a deep well of skill. Although Weeds' live club The Jazz Cellar shuttered years ago, the associated label Cellar Live continues on with a vibrant and regular slate of recordings, and Weeds' work with the Coastal Jazz and Blues Society (managing Frankie's Jazz Club) keeps him at the nexus of all action.
In this film, we hear some sincere testimony on what Weeds does best - producing a swinging, exciting project that enriches the scene around him. The symbiosis between artist and producer survives in Weeds' world, with an appreciative nod in both directions.
Vancouver jazz impresario Cory Weeds fronts a world class 11 piece "Little Big Band", in an ambitious recording at Bryan Adams' "Warehouse" studio in Vancouver's Gas Town neighbourhood.
Weeds and his guests speak to the important collaboration between the visiting artists - Gary Smulyan, Joe Magnarelli, Steve Davis and PJ Perry - and the Vancouver players who host them.
Weeds' prolific activity, in particular pairing top tier New York musicians with local Vancouver players, has helped build Vancouver into a vibrant jazz city, with a deep well of skill. Although Weeds' live club The Jazz Cellar shuttered years ago, the associated label Cellar Live continues on with a vibrant and regular slate of recordings, and Weeds' work with the Coastal Jazz and Blues Society (managing Frankie's Jazz Club) keeps him at the nexus of all action.
In this film, we hear some sincere testimony on what Weeds does best - producing a swinging, exciting project that enriches the scene around him. The symbiosis between artist and producer survives in Weeds' world, with an appreciative nod in both directions.
