Uploaded February 2026 | Updated September 2026, 22 hours ago
Items for sale: trumpetherald.com/marketplace.php?own=15921
A lovely, art-deco trumpet from Conn's storied past is offered here - a Vocabell 40B from 1937. In shocking good condition with only a few pings throughout and minor silver wear, this attractive trumpet is a fine player as well. Played with 6 different mouthpieces and at one point compared to an Olds Mendez, this trumpet can play with a slightly dark tone, to very dard, to quite strong and bright, using only mouthpieces for the different tones. Starting with a Patrick CR5Z, then a GR64MX, an ACB 3DS, an ACB TA-TF, a Reeves C2J, and lastly with a Monette BLM. At the following link, you can hear a fine trumpeter from the past, Erskine Hawkins, takes a Conn 40B Vocabell and play it well in the upper register:
youtube.com/watch?v=BU6PQyS5bmM
Patrick CZ5M: 2:45
GR64MX: 4:20
Mendez w/ GR64MX: 5:58
Conn w/ GR64MX: 6:43
ACB 3DS: 8:16
ACB TA-TF: 17:28
Reeves C2J: 18:28
Monette BLM: 20:18
Items for sale: trumpetherald.com/marketplace.php?own=15921
A lovely, art-deco trumpet from Conn's storied past is offered here - a Vocabell 40B from 1937. In shocking good condition with only a few pings throughout and minor silver wear, this attractive trumpet is a fine player as well. Played with 6 different mouthpieces and at one point compared to an Olds Mendez, this trumpet can play with a slightly dark tone, to very dard, to quite strong and bright, using only mouthpieces for the different tones. Starting with a Patrick CR5Z, then a GR64MX, an ACB 3DS, an ACB TA-TF, a Reeves C2J, and lastly with a Monette BLM. At the following link, you can hear a fine trumpeter from the past, Erskine Hawkins, takes a Conn 40B Vocabell and play it well in the upper register:
youtube.com/watch?v=BU6PQyS5bmM
Patrick CZ5M: 2:45
GR64MX: 4:20
Mendez w/ GR64MX: 5:58
Conn w/ GR64MX: 6:43
ACB 3DS: 8:16
ACB TA-TF: 17:28
Reeves C2J: 18:28
Monette BLM: 20:18

![Aftermarket Tuning Slides: Do They Make a Difference??
Items for sale: https://www.trumpetherald.com/marketplace.php?own=15921
Great aftermarket slides by M/K drawing... https://www.mkdrawing.com/
Well, youll get to decide for yourself if they work. :) I believe there IS a difference - but it is subtle; overtones become different with each metal, perhaps more so than general tone. It takes a good ear to perceive the difference and, as seems so often the case, microphones and speakers dont always tell the whole tale. Ill first use the standard Bach D slide that came with this Strad (which is a standard weight 43 bell, Sterling Silver Plus bell. Second, I use a D-shaped (like the original Bach) Nickel-Silver tuning slide (all the aftermarket slides are by MK), then a dark Bronze radial slide, and lastly a Square Sterling Silver slide. I then use the Nickel-Silver slide with a great ACB Al Cass 1-27 mouthpiece, the Bronze slide with a Reeves C2J (a great trumpet/flugel piece), and lastly I use the square Sterling Silver slide with a Reeves 42C (a great play off of Bachs 7B mouthpiece [Ive read that Doc Severinsen really likes this mouthpiece with a 5ish Bach rim]). Enjoy! :)
Original Brass Slide: 5:01
Nickel-Silver Slide: 7:28
Bronze Ovate Slide: 9:51
Sterling Silver Slide: 11:46
Nickel-Silver Slide w/ Cass 1-27 Mouthpiece: 14:24
Bronze Slide w/ Reeves C2J Mouthpiece: 15:57
Sterling-Silver w/ Reeves 42B Mouthpiece: 18:45 Aftermarket Tuning Slides: Do They Make a Difference??](https://i.ytimg.com/vi/H3tnRqcVIuY/mqdefault.jpg)








