Commons FliX | [CLASSICAL MUSIC] - "3 Ecossaises, Op. 72 no. 3" by Frédéric Chopin @CommonsFliXMusic | Uploaded February 2018 | Updated October 2024, 1 hour ago.
Frédéric Chopin composed this set of three Ecoissaises for piano solo in 1826. They were published after his death, in 1855, as no. 3 of Op. 72 (a posthumous release which also included a nocturne and a funeral march).
The Ecoissaises are lively contradances, inspired in the tradition of the Scottish dances that were popular in the continent.
00:00 - In D major.
00:48 - In G minor.
01:28 - In E flat major.
Performer: Aya Higuchi.
MUSOPEN Song:
musopen.org/music/3128/frederic-chopin/3-ecossaises-op-72-no-3
Creative Commons License: Public Domain Mark 1.0
creativecommons.org/publicdomain/mark/1.0
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en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin#/media/File:Frederic_Chopin_photo.jpeg
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Frédéric Chopin composed this set of three Ecoissaises for piano solo in 1826. They were published after his death, in 1855, as no. 3 of Op. 72 (a posthumous release which also included a nocturne and a funeral march).
The Ecoissaises are lively contradances, inspired in the tradition of the Scottish dances that were popular in the continent.
00:00 - In D major.
00:48 - In G minor.
01:28 - In E flat major.
Performer: Aya Higuchi.
MUSOPEN Song:
musopen.org/music/3128/frederic-chopin/3-ecossaises-op-72-no-3
Creative Commons License: Public Domain Mark 1.0
creativecommons.org/publicdomain/mark/1.0
Public Domain Image:
en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin#/media/File:Frederic_Chopin_photo.jpeg
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twitter.com/CommonsFliX
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plus.google.com/+CommonsFliXMusic
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![[CLASSICAL MUSIC] - 3 Ecossaises, Op. 72 no. 3 by Frédéric Chopin](https://i.ytimg.com/vi/eKTmHasN2eo/hqdefault.jpg "[CLASSICAL MUSIC] - 3 Ecossaises, Op. 72 no. 3 by Frédéric Chopin
Frédéric Chopin composed this set of three Ecoissaises for piano solo in 1826. They were published after his death, in 1855, as no. 3 of Op. 72 (a posthumous release which also included a nocturne and a funeral march).
The Ecoissaises are lively contradances, inspired in the tradition of the Scottish dances that were popular in the continent.
00:00 - In D major.
00:48 - In G minor.
01:28 - In E flat major.
Performer: Aya Higuchi.
MUSOPEN Song:
https://musopen.org/music/3128/frederic-chopin/3-ecossaises-op-72-no-3/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin#/media/File:Frederic_Chopin_photo.jpeg
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![[CLASSICAL MUSIC] - Slavonic Dances, Op. 46 by Antonín Dvorák](https://i.ytimg.com/vi/eNFPYKS4Jhc/hqdefault.jpg "[CLASSICAL MUSIC] - Slavonic Dances, Op. 46 by Antonín Dvorák
The Slavonic Dances are two sets of pieces (Op. 46 and Op. 72) written by Antonín Dvorák in 1878 and 1886 respectively.
Though originally composed for piano four hands, the publisher asked Dvorak to orchestrate the pieces right after publishing them, and in their orchestral form they quickly became famous.
Performer: Orquesta Sinfónica CMUS Santiago de Compostela.
MUSOPEN Song:
https://musopen.org/music/2675/antonin-dvorak/slavonic-dances-op-46/
Creative Commons License: Attribution 3.0
https://creativecommons.org/licenses/by/3.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Anton%C3%ADn_Dvo%C5%99%C3%A1k#/media/File:Dvorak.jpg
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![[Romantic Piano] - So many lonely nights (instrumental) by Zero-Project](https://i.ytimg.com/vi/eRTz_P05vdU/hqdefault.jpg "[Romantic Piano] - So many lonely nights (instrumental) by Zero-Project
Music:
zero-project (http://zero-project.gr/music/tracks/so-many-lonely-nights/).
Musical work free under the Creative Commons Attribution 3.0 Unported License:
http://zero-project.gr/license/
http://creativecommons.org/licenses/by/3.0/
Image clip:
http://beachfrontbroll.com
Licensed under a Creative Commons Attribution 3.0 Unported License:
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![[CLASSICAL MUSIC] - Mazurkas, Op. 50 by Frédéric Chopin](https://i.ytimg.com/vi/e_Y-73DDYpA/hqdefault.jpg "[CLASSICAL MUSIC] - Mazurkas, Op. 50 by Frédéric Chopin
Frédéric Chopin wrote his Mazurkas, Op. 50, between 1841 and 1842. After the political events in Poland around 1930, Chopin was inspired to honor the culture of his land by incorporating elements of this traditional dance into his compositions.
The result is a blend of folkloric elements and academic procedures. The Op. 50 set of Mazurkas consists of three pieces for solo piano, published in 1842 and dedicated to Leon Szmitkowski.
00:00 - G major, Op. 50 no. 1.
02:51 - A flat major, Op. 50 no. 2.
06:09 - C sharp minor, Op. 50 no. 3.
Performer: Xuan He.
MUSOPEN Song:
https://musopen.org/music/1088/frederic-chopin/mazurkas-op-50/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin#/media/File:Frederic_Chopin_photo.jpeg
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![[CLASSICAL MUSIC] - Flute Sonata in Eb, BWV 1031 by Johann Sebastian Bach](https://i.ytimg.com/vi/fJekSkvcrQI/hqdefault.jpg "[CLASSICAL MUSIC] - Flute Sonata in Eb, BWV 1031 by Johann Sebastian Bach
The Sonata in E flat major for flute or recorder, BWV 1031 (also H. 545) is a work in three movements, usually attributed to Johann Sebastian Bach, although some question his authorship of the piece and hold his son Carl Philipp Emmanuel as the true composer.
The work was written around 1730 and it was published only a hundred and thirty years later, in 1860.
Composer: Johann Sebastian Bach.
Performer: Alexander Murray.
MUSOPEN Song:
https://musopen.org/music/2375/johann-sebastian-bach/flute-sonata-in-eb-bwv-1031/
Creative Commons License: Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
https://creativecommons.org/licenses/by-sa/3.0/
Public Domain Image:
http://commons.wikimedia.org/wiki/File:Johann_Sebastian_Bach.jpg
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![[CLASSICAL MUSIC] - 3 Chansons de Bilitis by Claude Debussy](https://i.ytimg.com/vi/fOmth8ov6yE/hqdefault.jpg "[CLASSICAL MUSIC] - 3 Chansons de Bilitis by Claude Debussy
The Songs of Bilitis (Les Chansons de Bilitis) is a collection of erotic, essentially lesbian poetry written by Pierre Louÿs.
Debussy, who was Louÿs close friend, set to music three of the poems in 1897: La flûte de Pan, La chevelure and Le tombeau des Naïades — as songs for female voice and piano.
00:00 - La Flute De Pan.
02:21 - La Chevelure.
05:26 - Le Tombeau Des Naiades.
Performer: European Archive.
MUSOPEN Song:
https://musopen.org/music/2925/claude-debussy/3-chansons-de-bilitis/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Claude_Debussy#/media/File:Claude_Debussy_ca_1908,_foto_av_F%C3%A9lix_Nadar.jpg
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![[CLASSICAL MUSIC] - Chanson triste by Henri Duparc](https://i.ytimg.com/vi/ff0DApJAVa4/hqdefault.jpg "[CLASSICAL MUSIC] - Chanson triste by Henri Duparc
Chanson triste is a song for voice and piano by Henri Duparc, with libretto by Henri Cazalis, as Jean Lahor.
It was written in the key of E-flat major. It was composed in 1868 and probably published the next year.
Performer: European Archive.
MUSOPEN Song:
https://musopen.org/music/3104/henri-duparc/chanson-triste/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Henri_Duparc_(composer)#/media/File:Duparc_1880.jpg
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![[CLASSICAL MUSIC] - The Waltzing Cat by Leroy Anderson](https://i.ytimg.com/vi/ftBeU1rAwXU/hqdefault.jpg "[CLASSICAL MUSIC] - The Waltzing Cat by Leroy Anderson
This is yet another work by Anderson that efficiently depicts a scene, something made possible only by the composers deep understanding of instrumentation used for reproducing lifelike sounds: at the end of Sleigh Ride, for example, we hear a trumpet whine like a weary horse, and here in The Waltzing Cat, the strings cleverly depict the cats meow.
The work opens with a lazy but chipper waltz theme played by the strings, whose use of portamento on key notes creates the meow effect. The middle section is reminiscent of cartoon music, with lots of playful, cat-and-mouse-like action.
The main theme returns in all its colorful nonchalance and charming meows in the latter half close out this charming work.
Image by Stuart Miles (http://www.freedigitalphotos.net/)
Composer: Leroy Anderson.
Performer: Markus Staab.
MUSOPEN Song:
https://musopen.org/music/2001/leroy-anderson/the-waltzing-cat/
Creative Commons License: Attribution 3.0 Unported (CC BY 3.0)
https://creativecommons.org/licenses/by/3.0/
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![[CLASSICAL MUSIC] - 4 Ballades, Op.10 by Johannes Brahms](https://i.ytimg.com/vi/g2zr2D5LdTc/hqdefault.jpg "[CLASSICAL MUSIC] - 4 Ballades, Op.10 by Johannes Brahms
The Ballades, Op. 10, were some of the finest examples of lyrical piano music written by Brahms during his youth. They were dated 1854 and were dedicated to his friend Julius Otto Grimm.
Their composition coincided with the beginning of the composers lifelong affection for Clara Schumann, the wife of Robert Schumann, who was helping Brahms launch his career. Frédéric Chopin had written the last of his famous ballades only 12 years earlier, but Brahms approached the genre differently from Chopin, choosing to take its origin in narrative poetry more literally.
Brahmss ballades are arranged in two pairs of two, the members of each pair being in parallel keys. The first ballade was inspired by a Scottish poem Edward found in a collection compiled by Johann Gottfried Herder.
It is also one of the best examples of Brahmss bardic or Ossianic style; its open fifths, octaves, and simple triadic harmonies are supposed to evoke the sense of a mythological past.
Composer: Johannes Brahms.
Performer: Luis Sarro.
MUSOPEN Song:
https://musopen.org/music/529/johannes-brahms/4-ballades-op10/
Creative Commons License: Public Domain 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://commons.wikimedia.org/wiki/File:JohannesBrahms.jpg
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![[CLASSICAL MUSIC] - Symphony No. 4 in E Minor, Op. 98 by Johannes Brahms](https://i.ytimg.com/vi/g4XzoSrq8l0/hqdefault.jpg "[CLASSICAL MUSIC] - Symphony No. 4 in E Minor, Op. 98 by Johannes Brahms
The Symphony no. 4 in E minor, Op. 98 by Johannes Brahms is the last of his symphonies. Completed in 1885, the piece was first premiered for a private audience in a two-piano version. The symphony is rich in allusions, most notably to various Beethoven compositions.
This last movement is notable as a rare example of a symphonic passacaglia: for the repeating theme, Brahms adapted the chaconne theme in the closing movement of J.S. Bachs cantata, Nach dir, Herr, verlanget mich, BWV 150. This symphony in four movements is scored for two flutes (one doubling on piccolo), two oboes, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, three trombones, timpani, triangle (third movement only), and strings.
00:00 - I. Allegro Non Troppo.
12:40 - II. Andante Moderato.
23:54 - III. Allegro Giocoso.
30:14 - IV. Allegro Energico e Passionato.
Composer: Johannes Brahms.
Performer: Musopen Symphony.
MUSOPEN Song:
https://musopen.org/music/1566/johannes-brahms/symphony-no-4-in-e-minor-op-98/
Creative Commons License: Public Domain 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://commons.wikimedia.org/wiki/File:JohannesBrahms.jpg
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![[CLASSICAL MUSIC] - Overture to Benvenuto Cellini, H. 76 by Hector Berlioz](https://i.ytimg.com/vi/gP5XDyHCdGg/hqdefault.jpg "[CLASSICAL MUSIC] - Overture to Benvenuto Cellini, H. 76 by Hector Berlioz
Benvenuto Cellini is an opera in two acts by Berlioz, with libretto by Léon de Wailly and Henri Auguste Barbier.
The first of his operas, it is loosely based on the memoirs of the Florentine sculptor Benvenuto Cellini.
It is technically very challenging and not part of the standard operatic repertoire. However, the overture to the opera features in symphony orchestra programs, as well as the concert overture Le carnaval romain that Berlioz composed from material in the opera.
Composer: Hector Berlioz.
Performer: United States Marine Band.
MUSOPEN Song:
https://musopen.org/music/505/hector-berlioz/overture-to-benvenuto-cellini-h-76/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
http://commons.wikimedia.org/wiki/File:Berlioz-1.jpg
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![[CLASSICAL MUSIC] - Etudes, Op. 25 by Frédéric Chopin](https://i.ytimg.com/vi/hakKoz4fhGA/hqdefault.jpg "[CLASSICAL MUSIC] - Etudes, Op. 25 by Frédéric Chopin
Chopins second set of Études was published in 1837, and dedicated to Franz Liszts mistress, Marie dAgoult, the reasons for which are a matter of speculation.
Chopins Études were the foundation of a new system of technical piano playing that was radical and revolutionary. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire.
Because of this, they remain popular and are often performed in both concert and private stages.
00:00 - 1 in A flat major - Aeolian Harp / Shepherd Boy.
02:39 - 2 in F minor - The Bees.
04:27 - 3 in F major - The Horseman.
06:10 - 4 in A minor - Paganini.
08:01 - 5 in E minor - Wrong Note.
11:46 - 6 in G sharp minor - Thirds.
13:56 - 7 in C sharp minor- Cello.
20:03 - 8 in D flat major - Sixths.
21:21 - 9 in G flat major - Butterfly.
22:30 - 10 in B minor - Octave.
26:54 - 11 in A minor - Winter Wind.
30:41 - 12 in C minor - Ocean.
Performer: Edward Neeman.
MUSOPEN Song:
https://musopen.org/music/1089/frederic-chopin/etudes-op-25/
Creative Commons License: Public Domain Mark 1.0
https://creativecommons.org/publicdomain/mark/1.0/
Public Domain Image:
https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin#/media/File:Frederic_Chopin_photo.jpeg
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