Uploaded December 2023 | Updated September 2026, 3 weeks ago
Composer: Maciej Niedzielski
00:00 - 01. Menu
01:31 - 02. Intro
02:08 - 03. Gate
03:12 - 04. Ironworks Facility
04:50 - 05. Lava Action
07:54 - 06. Old Military Base
09:13 - 07. Jungle Outpost
13:02 - 08. Volcano Research Station
15:25 - 09. The Last City
19:08 - 10. Club Fort
20:33 - 11. Boss
23:13 - 12. Outro & Credits
25:56 - 13. Menu (Extended)
35:34 - 14. Overworld
37:15 - 15. Ambient
39:07 - 16. Boss (Alternative)
41:39 - 17. Butcher
42:18 - 18. Terminated
45:06 - 19. Fuck The Police
45:48 - 20. Gate & Intro (Alternative)
49:24 - 21. Ironworks Facility (Variation I)
50:39 - 22. Ironworks Facility (Variation II)
51:32 - 23. World Browser
54:08 - 24. Panzerfaust
55:46 - 25. Cum On Metal
57:02 - 26. Drilling Into Brain Pus
1:00:14 - 27. Heta Rae (Remix)
1:03:04 - 28. Gate (Extended)
1:08:25 - 29. Ambient (Alternative)
1:09:44 - 30. Intro (Carrion Demo)
1:11:28 - 31. Terror (Carrion Demo)
1:12:18 - 32. 2RAM 1C (Carrion Demo)
I really liked the game and the soundtrack but realized that the OST was really not well mastered and had TONS of clicks that really distracted a lot from the main music. While I was at it fixing all this, I also decided to add a bunch of game exclusive tracks as well as composer demos from Soundcloud that fit well to the sound of this soundtrack. In fact these demos are the only other thing the composer has ever put out. Quite a shame, I like this stuff. Oh and for people wondering, the early development build of Carrion still was supposed to have his music but was later on replaced by Cris Velasco, who also did an excellent score in my opinion.
Composer: Maciej Niedzielski
00:00 - 01. Menu
01:31 - 02. Intro
02:08 - 03. Gate
03:12 - 04. Ironworks Facility
04:50 - 05. Lava Action
07:54 - 06. Old Military Base
09:13 - 07. Jungle Outpost
13:02 - 08. Volcano Research Station
15:25 - 09. The Last City
19:08 - 10. Club Fort
20:33 - 11. Boss
23:13 - 12. Outro & Credits
25:56 - 13. Menu (Extended)
35:34 - 14. Overworld
37:15 - 15. Ambient
39:07 - 16. Boss (Alternative)
41:39 - 17. Butcher
42:18 - 18. Terminated
45:06 - 19. Fuck The Police
45:48 - 20. Gate & Intro (Alternative)
49:24 - 21. Ironworks Facility (Variation I)
50:39 - 22. Ironworks Facility (Variation II)
51:32 - 23. World Browser
54:08 - 24. Panzerfaust
55:46 - 25. Cum On Metal
57:02 - 26. Drilling Into Brain Pus
1:00:14 - 27. Heta Rae (Remix)
1:03:04 - 28. Gate (Extended)
1:08:25 - 29. Ambient (Alternative)
1:09:44 - 30. Intro (Carrion Demo)
1:11:28 - 31. Terror (Carrion Demo)
1:12:18 - 32. 2RAM 1C (Carrion Demo)
I really liked the game and the soundtrack but realized that the OST was really not well mastered and had TONS of clicks that really distracted a lot from the main music. While I was at it fixing all this, I also decided to add a bunch of game exclusive tracks as well as composer demos from Soundcloud that fit well to the sound of this soundtrack. In fact these demos are the only other thing the composer has ever put out. Quite a shame, I like this stuff. Oh and for people wondering, the early development build of Carrion still was supposed to have his music but was later on replaced by Cris Velasco, who also did an excellent score in my opinion.
![Descent 2 (Re-Engineered Soundtrack) [SCVA SC-55]](https://i.ytimg.com/vi/v-Eb6wp0LXQ/mqdefault.jpg "Descent 2 (Re-Engineered Soundtrack) [SCVA SC-55]
Composer: Dan Wentz
00:00 - 01. Descent 2
03:00 - 02. Briefing
04:34 - 03. Game #1
07:25 - 04. Game #2
12:04 - 05. Game #3
16:39 - 06. Game #4
20:02 - 07. Credits
These are all new releases. This time around I tackled PC games with Midi GM soundtracks from the mid 90s. I did these over a couple of months though I already looked before that into the topic since I first needed to figure out a process that makes it possible to render HQ audio because that Roland SCVA 1.16 VST was really picky about the DAW and most didnt work but FL Studio worked fine in combination with loopMIDI.
I usually tracked down the original MIDIs and avoided mus conversions as much as possible for instrument and BPM accuracy. This is why you might notice a few little differences in comparison to other renders since the Doom renders are based on the leaked Doom source code which still had the original Bobby Prince midi compositions rather than mus. They still had their Roland GS extensions intact for example.
After getting all the MIDI files I mostly rendered all channels one by one so that I can do more precise cleaning and mixing. The Bobby Prince and Lee Jackson compositions were most of the time left as is since they were composed on Roland and sounded right to me. Heretic and Hexen were highly reworked though and the mixing might be quite different from what you are used to since I really wasnt happy with the instrument balance and I tried to make clean balanced mixes with every detail audible and a clean soundstage. The James Paddock compositions were only slightly reworked since they were usually fine with the soundfont.
What was made completely different is Descent though. This is because there wasnt really a way to render the midis directly due to them being hmi files and some of the MIDI information and samples coming straight from the games code. Therefore I setup Dosbox and recorded the MIDI output and then did the mastering. In this case I also included the Redbook audio as bonus which I declicked and remastered too.
All renders and masters were saved as 96khz 24bit though it should be said that the majority of the SCVA samples seem to be 16khz.")
